Todd Graff Movies

A soldier returns home from war to deal with his own private battles in this independent drama. Sgt. Cole Lewis (Michael Cuomo) served tours of duty in Afghanistan and Iraq before injuries left him paralyzed from the waist down and with extensive facial scars. Lewis is sent to a VA hospital, but since the other wards are full, he ends up bunking with the patients in the psychiatric unit. Lewis soon finds himself verbally sparring with Dr. Martinez (Jose Yenque), and his willingness to stand up to authority earns him many friends on the ward, while he also becomes infatuated with Lisa (Monique Gabriela Curnen), a pretty nurse who works at the hospital. But while Lewis is eager to deal with his physical injuries, he avoids confronting the emotional trauma that has thrown him into cycles of depression and anxiety, and in time he's forced to come to term with what happened on the day he was injured. Writer and director K. Lorrel Manning adapted Happy New Year from his own one-act play, which he earlier turned into a short film; the feature had its world premiere at the 2011 South by Southwest Film Festival. ~ Mark Deming, Rovi

Tony-nominated actor Todd Graff makes his directorial debut with the musical comedy Camp, featuring an ensemble cast of newcomers. Guitarist Vlad (Daniel Letterle) attends Camp Ovation, the summer theater camp for budding actors, dancers, and musicians. Finding himself to be one of the only hetero boys around, he soon befriends nice girl Ellen (Joanna Chilcoat). Meanwhile, openly gay Michael (Robin de Jesus) develops a crush on him. This sparks dramatic confrontations among fellow campers Jenna (Tiffany Taylor), Jill (Alana Allen), and Fritzi (Anna Kendrick). The whole camp is run by Bert Hanley (Don Dixon), a washed-up Broadway songwriter who decides to enlist the help of his young campers to put together a new production. Features musical numbers by Stephen Sondheim and the Rolling Stones, as well as original tunes from composer Michael Gore and lyricist Lynn Ahrens. Camp was nominated for the Grand Jury Prize at the 2003 Sundance Film Festival. ~ Andrea LeVasseur, Rovi

Joy Miller (Fran Drescher) is a beautician who teaches an evening course in hairstyling at a Brooklyn community college. When a cigarette dropped on a wig leads to a fire, Joy saves the lab animals kept in the building and achieves 15 minutes of local notoriety. Grushinsky (Ian McNeice), a representative of the leader of the small Eastern European nation of Slovetzia, is visiting the United States while looking for a tutor for the leader's three children. Thinking Joy teaches science (apparently the Slovetzian government doesn't check the resumes of their teaching staff too closely), Grushinsky offers Joy the job, believing that it would be good PR to have a well-known American educator on hand. Joy takes the job and must now deal with Boris Pochenko (Timothy Dalton), the grim and humorless tyrant who rules Slovetzia. Joy's low-brow fashion sense and broad nasal twang of a voice don't sit well with Boris at first, but the kids love her; in time, she teaches Boris to lighten up and enjoy himself, and romance begins to bloom between the unlikely couple. While Fran Drescher had a number of film roles before her TV series The Nanny, this was her first starring role following the show's success. ~ Mark Deming, Rovi

Angie is the study of a believable Italian-American woman who takes an honest look at herself and sees she's on a predictable path that will soon include an altar and a baby carriage. "There's gotta' be more!" she feels, and she's one gal with courage enough to find the answer. Geena Davis stars in this worthwhile effort. ~ Rovi

George Sluizer's 1992 English-language remake of his 1988 Dutch thriller The Vanishing follows the same plot-line as the original film, yet with one important difference. The film details a young man's (Kiefer Sutherland) search for his girlfriend (Sandra Bullock), who disappeared at a gas station after the couple had a fight. Where the original film didn't reveal what happened to the girlfriend until late into the movie, the 1992 version opens with her kidnapper (Jeff Bridges) plotting his abduction. Over the course of the film, Sutherland's search for Bullock is intercut with footage of Bridges that illustrates his mental illness and his repeated attempts to abduct women. ~ Stephen Thomas Erlewine, Rovi

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, Rovi

Made for cable TV, Framed top-bills Jeff Goldblum as Wiley, a talented but somewhat naïve art forger. Wiley's big chance to score a con is cleverly foiled by another scam artist, Kate (Kristin Scott Thomas). Eager for revenge, Wiley seeks out Kate for a showdown; instead, the two become partners in crime. The likability of the leading performers keeps Framed alive from start to finish. ~ Hal Erickson, Rovi

In Peter Yates' crime drama An Innocent Man, Tom Selleck plays Jimmie Rainwood, a stock figure airline maintenance supervisor with a perfect family. Then, one day, Jimmie decides to take a shower. While scrubbing himself clean, two crooked cops are getting themselves dirtier. Mike Parnell (David Rasche) and Danny Scalise (Richard Young) are the kind of bad cops who bust the drug dealers, steal their supply, and sell it back to the local drug lords. On this day, unfortunately for Jimmie, they get the wrong address and bash down his door. When Jimmie comes out of the bathroom wielding his hair dryer, Parnell and Scalise think it is a gun and shoot him. Realizing their mistake, they cover themselves and frame him as a drug dealer. Jimmie refuses to take a plea and he is sentenced to six years in the slammer. In the brutal prison environment, he is taken aside by long-timer Virgil Kane (F. Murray Abraham), who gives him a bleak collection of options to chose from in order to survive prison. After seeing a prison gang rape, Jimmie chooses the kill-or-be-killed selection and stabs to death the nasty black convict who has been bothering him. After three years, Jimmie is released on parole, and he tries to pick up his life again. But Parnell and Scalise return to threaten Jimmie and his family. Realizing that his prison lessons must be carried over into civilian life, he sets up a situation in which the bad cops' drug dealings are revealed, and Jimmie prepares for a final reckoning between the cops and himself. ~ Paul Brenner, Rovi

Dominick Luciano (Thomas Hulce) is the moderately retarded twin brother of highly intelligent young intern Eugene (Ray Liotta). Anxious to become a successful doctor, Eugene finds he must devote most of his time to caring for Dominick. For his part, Dominick has been contributing to the family unit as a trash collector; in fact, it is his earnings that keeps food on the table. All Dominick wants out of life is a house by the lake where he and his brother can be together for all time. But the ambitious Eugene can't always bring himself to share that vision. ~ Hal Erickson, Rovi

Quirky comedy, intense drama, and warm nostalgia are all combined in this eccentric look at one night in 1964 amongst the residents of the Five Corners neighborhood of the Bronx. The bulk of the film concerns Linda (Jodie Foster), a young woman who finds herself stalked by a disturbed rapist fresh out of prison. Needing protection, she turns to her formerly tough ex-boyfriend, only to discover that a recent political awakening has transformed him into a pacifist. The tension of Linda's situation is leavened by the film's attention to its bizarre subplots, which include a stolen penguin, partying teenagers who encounter trouble with an elevator, and a pair of detectives investigating a series of mysterious bow-and-arrow attacks. The script by John Patrick Shanley, who won the 1987 Academy Award for Best Original Screenplay for Moonstruck, manages to (for the most part) bring these seemingly unrelated stories together into a fairly logical conclusion. Even though numerous critics felt that Five Corners' mixture of widely disparate tones was not completely successful, the end result is a surprisingly charming and unique tribute to a time and a place. ~ Judd Blaise, Rovi