Nickolas Grace Movies

Two women, related but separated by one generation and 60 years, have parallel experiences in the evocative mystical environment of India in this period drama from producer Ismail Merchant and director James Ivory. Although a little slow-paced for some, and slightly confusing because the stories of the two women are intercut, the scenery and script evoke a time and place that mesmerize. Based on the 1975 novel by Ruth Prawer Jhabvala, a long-time collaborator in Merchant-Ivory Productions, the story begins with Ann (Julie Christie) who discovers some letters written by her grandfather's first wife Olivia (Greta Scacchi) that open up a whole new world as Ann travels to India to continue researching her grandmother's past. The letters reveal that when she was young, the free-spirited grandmother fell in love with an Indian nobleman (Shashi Kapoor) and left her husband -- an administrator in the British colonial government -- for her lover. After Ann arrives in India, her life and the modern rush of cars and people are played off against flashbacks to Olivia's life in a colonial setting. When the environment of each woman is compared and the nature of their momentous decisions placed side-by-side, their rites of passage and the society that dominated their choices stand out in high relief. Ruth Prawer Jhabvala won "Best Adapted Screenplay" at the 1983 British Academy Awards for her script of Heat And Dust. ~ Eleanor Mannikka, All Movie Guide

In this adventure, the nasty Sheriff of Nottingham arrests Maid Marion after she returns from helping the new outlaw leader, Robert of Huntington, recover from his recent injuries. ~ Sandra Brennan, All Movie Guide

In this mystical adventure, brave Robin and his merry men manage use ingenuity and a bit of magic to save Maid Marian from a fate worse than death. ~ Sandra Brennan, All Movie Guide

A notorious, internationally known sex symbol (Phoebe Cates) attempts to track down her birth mother in this glitzy, deliciously trashy melodrama. The mother could be one of three women, all of whom have vowed to never reveal the secret truth behind the child's illegitimate birth. Based on the novel by Shirley Conran. ~ Judd Blaise, All Movie Guide

In Robin Hood... The Legend: The Time of the Wolf, Robin discovers that one of his old enemies is about to unleash a diabolical plan of evil on the world, and he decides that he is the only man who can prevent the terror. Though the plot is silly, the action and performances are engaging, making the film rather enjoyable mindless entertainment ~ Stephen Thomas Erlewine, All Movie Guide

Set in a post-apocalyptic world dominated by the media, this British satire offers the origin of Max Headroom (Matt Frewer), a computer-generated pseudo-clone of a slain newsman (also played by Frewer). Created and directed by music-video alums Annabel Jankel and Rocky Morton, the feature served as the pilot for a short-lived U.S. TV program. ~ Jason Ankeny, All Movie Guide

Ken Russell's adaptation of Oscar Wilde's Salome, Salome's Last Dance takes the form of a play within a film. Wilde (Nickolas Grace) arrives at a brothel with his lover, Bosey (aka Lord Alfred Douglas played by Douglas Hodge), where the proprietor, Alfred (Stratford Johns), has gathered his staff and assorted other colorful characters to mount a simple production of Wilde's new play. And so, with Alfred playing Herod, and Bosey playing John the Baptist, and with Wilde himself looking on with varying degrees of interest, the play is performed. Salome (Imogen Millais-Scott) is the daughter of Herodias (Glenda Jackson), who has abandoned her husband, since murdered, for his brother, Herod. Herod has an eye for Salome, but she mocks his interest. One evening, she hears the ranting of John the Baptist, who is Herod's prisoner, and demands that he be brought before her. She is very taken with the prophet, and attempts to seduce him while the captain of the guards, who is smitten with her, looks on. The young captain kills himself, and the prophet spurns her and is beaten. Still, she insists that she will kiss him, as he is brought away. Salome manipulates the horny Herod, who promises her anything if she will dance for him. She agrees, against the wishes of Herodias. While she performs, Wilde slips off with a young male performer, arousing Bosey's jealousy. After Salome's erotic dance (at the end of which she momentarily changes sexes), she confounds Herod by demanding the prophet's head. Russell himself has a small role in the film, as a photographer of ill repute. ~ Josh Ralske, All Movie Guide

Based on a 1924 mystery novel by Agatha Christie, The Man in the Brown Suit was the eighth of Warner Bros. Television's Christie-inspired TV movies. Stephanie Zimbalist stars as an American tourist in Cairo (with Spain standing in for Egypt). She runs across a mysterious murder, and an odd encounter with a stranger; all this occurs even before she sets foot on a luxury liner with an all-suspect passenger manifest. It is established that the murderer, who is after a cache of valuable diamonds, is an internationally notorious criminal--but which one of the passengers is he (or she)? Maybe the villain romantic lead Simon Dutton, the "man in the brown suit" of the title...but don't discount such special guest suspects as Rue McClanahan and Tony Randall. ~ Hal Erickson, All Movie Guide

The satirical Kingsley Amis novel The Green Man served as the basis for this three-part BBC2 miniseries. Albert Finney headed the cast as Maurice Allington, the libidinous, money-grubbing owner of a quaint British bed-and-breakfast hotel. In hopes of attracting customers, and also desirous of bedding every eligible woman in the region, Allington began spreading rumors that his hotel "the Green Man" was haunted by the ghost of a notorious 17th century occult scientist. The hero was hoist on his own petard when it turned out that the ghost actually did "reside" on the premises -- and with several companion ghosts in the bargain. The Green Man was originally broadcast from October 28 to November 11, 1990. ~ Hal Erickson, All Movie Guide

In the inaugural episode of popular Brit-com Absolutely Fabulous, a drinking binge and a fashion event provide the framework in which to introduce several of the show's primary characters: slothful forty-ish PR exec Edina Monsoon (Jennifer Saunders); her caustic, no-nonsense daughter, Saffron (Julia Sawalha); her hard-drinking, coke-snorting, sexed-up best friend, Patsy Stone (Joanna Lumley); and Bubble (Jane Horrocks), her intellect-free personal assistant. As the show begins, Edina is nursing yet another hangover -- until she realizes that today's the day the firm she owns is throwing a great big fashion show. After trading barbs with Saffron (or "Saffy") and lunching with the chic, disdainful Patsy, Edina finally drags herself into the office for a few hours of frantic activity. Bubble reports that big draw Yasmin LeBon has dropped out of the runway ranks and that Princess Anne has replaced Princess Diana on the guest list. Vowing to get the frumpy, fashion-challenged royal into a designer gown if it's the last thing she does, "Eddy" rushes around at the last minute to fill her event with such B-list celebrities as Betty Boo and Danni Minogue. After the event, Eddy proceeds to get utterly smashed with her perennial partner in crime, Patsy, much to the disgust of an unsympathetic Saffy, who locks her mother out of the house. Absolutely Fabulous: Fashion was originally broadcast on BBC 1 on November 12, 1992. In a flashback sequence, the episode introduces Edina's mother, June (June Whitfield), who will become a regular guest-star in subsequent episodes. Several other characters and plot threads are introduced obliquely, including Eddy's relationships with her ex-husbands and her long-lost son, Serge. Absolutely Fabulous: Fashion also includes countless jokey references to minor British celebrities whose names may mystify American audiences. ~ Brian J. Dillard, All Movie Guide