Norman Grabowski Movies

Following the blockbuster success of Smokey and the Bandit, Burt Reynolds, Sally Field and director Hal Needham reunited to make the very similar Hooper, an action-laced comedy about a Hollywood stunt man who enters a dangerous rivalry with a younger stunt man. Hooper (Reynolds) and the younger stunt man (Jan-Michael Vincent) compete in a series of increasingly complex stunts in order to earn the title of "the greatest stunt man alive." Hooper is lightweight, mindless fun that doesn't have much story, but it is a stronger film than Smokey and the Bandit, largely because the characters are somewhat stronger. Everyone involved looks like they're having fun; the good-humor translates on screen. ~ Stephen Thomas Erlewine, Rovi

In the second of three episodes filmed in New York City, Phil Silvers guest stars as glib con artist Shifty Shafer. Posing as one "Honest John," Shifty has already sold Central Park to the impressionable Clampetts. Now for good measure, he throws in the Staten Island Ferry ("picked up last month from my friend Alexander Staten") and, inevitably, the Brooklyn Bridge ("picked up at auction last week from the estate of Oscar Brooklyn"). "The Clampetts in New York" first aired on November 5, 1969. ~ Hal Erickson, Rovi

Advertising executive Fred Bolton (Dean Jones) is under pressure from his boss Tom Dugan (Fred Clark) to come up with a new ad campaign for a wealthy client. Fred's daughter Helen (Ellen Janov) loves to ride horses, so her father buys her one to tie the equine into the profitable advertisement. Nearly a third of the film's length is devoted to a Washington D. C. horse show in which Helen participates. Morey Amsterdam, Kurt Russell, Lloyd Bochner, and Diane Baker also appear in this Disney production. Shown with the animated Winnie The Pooh, the cartoon was far more popular and memorable than The Horse In The Gray Flannel Suit, which is one of the studio's less-inspiring efforts. ~ Dan Pavlides, Rovi

While working at the Henry Cabot Lodge, the Monkees run afoul of a tough motorcycle gang whose members are none too happy that their "chicks" have fallen for the mop-topped quartet. To avoid getting beaten to pulps, the boys pose as a rival biker gang called "The Chickens." Norman Grabowski, veteran of many a Disney comedy, plays gang leader Big Butch while Henry Corden, previously cast as The Monkees' landlord Babbitt, is here seen as Blauner. Songs: "Star Collector" and the concert version of "Goin' Down". Scripted by Stanley Ralph Ross from a story by Ross and Corey Lipton, "Wild Monkees" first aired on November 13, 1967. ~ Hal Erickson, Rovi

The Gnome-Mobile was Walt Disney's first all-out fantasy since Mary Poppins. Walter Brennan stars in a dual role, as kindly lumber tycoon D. J. Mulrooney and the irascible (and much tinier) 943-year-old gnome Knobby. Mulrooney likes Knobby and his fellow gnomes, but the feeling isn't reciprocal, since Knobby considers Mulrooney a threat to his beloved forest. Meanwhile, the tycoon's vice-president Ralph Yarby (Richard Deacon), hearing his boss' claims that he's been consorting with gnomes, decides that the old guy is insane and has him committed. Rescued by his grandchildren Rodney (Matthew Garber) and Elizabeth (Karen Dotrice), D.J. seeks out Knobby and Knobby's own grandson Jasper (Tom Lowell), who are hiding somewhere in the woods with gnome-king Rufus (Ed Wynn, in his final film role). There follows an amusing rite of passage wherein Jasper becomes engaged to gnomette Shy Violet (Cami Sebring), leading to a happy ending for all concerned. The film's title refers to D. J. Mulroney's precious 1930 Rolls Royce, which is "adopted" by the gnome population. Gnome-Mobile is a virtual inventory of Disney's most beloved trademarks, ranging from excellent miniature and special-effects work (including the producer's newest innovation, audio-animatronics) to a zany slapstick car chase. Walt Disney did receive a producer credit on this film, which was actually made in 1966 - the year of his death - and released nationally in 1967. ~ Hal Erickson, Rovi

The Clampetts are warned that a cat burglar is on the prowl in their Beverly Hills neighborhood. Jumping to the obvious conclusion, Elly May fills the Clampett mansion with every stray feline that she can get her hands on. Beach-movie regular John Ashley is cast as Mike the burglar, with Disney film perennial Norman Grabowski as his dumb accomplice Bernie. "The Cat Burglar" originally aired on January 26, 1966. ~ Hal Erickson, Rovi

One of Elvis Presley's most popular vehicles, Girl Happy is also one of the most typical. Elvis plays Rusty Wells, the leader of a four-piece rock group, consisting of Gary Crosby, Joby Baker and Jimmy Hawkins. Hired by Chicago gangster boss Big Frank (Harold J. Stone) to protect the virtue of Frank's cute daughter Valerie (Shelley Fabares), Rusty and his buddies follow Valerie to Fort Lauderdale during Spring Break. The girl falls in love with Rusty, then falls out of love when she learns that he's in her dad's employ. Valerie then becomes involved with a slick Italian playboy (Fabrizio Mioni), forcing Rusty to break up the romance lest he end up in a cement overcoat. It all ends happily, of course: after all, Elvis hadn't died on screen since Flaming Star. A bikini-watcher's dream, Girl Happy is less successful as a musical; of the many songs, the title number is the only one with lasting value. ~ Hal Erickson, Rovi

The sequel to 1963's Misadventures of Merlin Jones finds young Mr. Jones (Tommy Kirk) still in college and still going out with Jennifer (Annette Funicello). In this movie, he must help football players pass their tests and invent a flying machine win a contest for the school. Funicello and the Beach Boys sing the title song. ~ John Bush, Rovi

In this Disney family film, brainy college student Merlin Jones (Tommy Kirk) invents a mind-reading machine, but the consequences of its use prove to be a lot of trouble. With help from his girlfriend (Annette Funicello), he must set to right all that has gone wrong. The movie spawned the sequel Monkey's Uncle two years later. ~ John Bush, Rovi

Just a few years before The Great Escape would catapult Steve McQueen to stardom, the charismatic actor played the lead, Lt. Fergie Howard, in this light romantic farce involving the computers on a Navy ship. Lt. Howard is playing poker on the good ship El Mira when he gets a brilliant idea. Why not use the ship's computer "Max" to figure out where the ball will land on a roulette wheel? After the ship docks near Venice, he and Ensign Beau Gillaim (Jack Mullaney), along with navy scientist Jason Eldridge (Jim Hutton) check out the casino there. Then they set up the ship's computer to receive incoming signals from the results at the roulette wheel, planning on it to predict which numbers will come up next. Trouble lies ahead when Admiral Fitch (Dean Jagger) intercepts the signals and assumes that the fleet is about to be attacked. While the subsequent chaos reigns, the women (Paula Prentiss and Brigid Bazlen) in these men's lives get involved. ~ Eleanor Mannikka, Rovi

Curvaceous Mamie Van Doren plays a super-genius who finds herself in charge of a college science department. Mamie would like to be appreciated for her intellect alone, but her male students (and most of the faculty) are preoccupied by her monumental breasts. The science department is virtually controlled by a huge robot called Thinko, which plays bets on horses. Gangsters Mickey Shaughnessy and Allan Drake try to neutralize Thinko, who's been right once too often. Strongarming their way on campus, the two crooks recognize Mamie as a former striptease artist. Forced to resign, she marries professor Martin Milner, who has loved her pure and chaste from afar. One expects to see such people as Jackie Coogan, John Carradine and Louis Nye in garbage like this-but how did Tuesday Weld get talked into participating? And wait till you see that nightclub number performed by Conway Twitty. Beauty and the Robot played in many markets under the step-right-up-folks title Sex Kittens Go to College. ~ Hal Erickson, Rovi

This sexually explicit, low-budget film makes no pretensions about being anything other than offensive. There is no plot since none is especially necessary. Director Charles Haas (his last film was the following year), opens with a scene of sexually active men and women at a party. Then one of these women, Silver Morgan (Mamie Van Doren), is mistakenly accused of a crime and sent to an institution, run by Catholic nuns, for wayward young women. As it turns out, the inmates in the institution actually run it through sadistic means. One of them is even more seriously mentally disturbed than the others, and so the nuns welcome her as a novitiate, making even a non-Catholic viewer grimace. The content of this story, such as it is, is made all the worse by an accompanying disregard of the craft of filmmaking. ~ Eleanor Mannikka, Rovi