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Rafael Frontaura Movies

1946  
 
Rosa de America is the story of Rosa de Lima, Patron Saint of Latin America. Of noble Peruvian birth, Rosa renounces her riches and possessions to aid the burgeoning country of Argentina declare its political and religious independence. Delia Garces plays the title role in a passive fashion, apparently intimidated by the more experienced actors in the supporting roles. The film is at its best in re-creating Peru's vice-regal era, with scores of splendid sets and dazzling costumes. Produced in Argentina, Rosa de America was diplomatically premiered in Peru's capital city of Lima. ~ Hal Erickson, Rovi

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Starring:
Delia GarcesOrestes Caviglia, (more)
 
1944  
 
Also known as Apasionata, this Argentine drama relies heavily on the physical charms of leading lady Zully Moreno. The story concerns a widowed artist (Lopez Lagar) who falls in love with a glamorous socialite (Moreno). The artist would like to surrender himself to his sweetheart, but his concern for his crippled daughter (Susana Dupre) prevents him from making a commitment. This goes on for 115 minutes before a satisfactory denouement can be reached. Though lavishly produced, Apasionadamente is plagued by sloppy editing, with at least one character magically changing costumes from one shot to the next. ~ Hal Erickson, Rovi

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Starring:
Rafael Frontaura
 
1943  
 
The title of this Argentine romantic comedy translates as When the Orange Tree Flowers. The plot concerns an impressionable student (Maria Duval) in a girl's boarding school, who falls in love with her handsome professor. After the teacher relates the legend of a couple whose marriage was forestalled by tragedy, the girl believes herself to be the reincarnation of the woman in the story. She intends to "cast" the professor as the other character in the legend, but he has problems of his own -- namely, an impregnated lady friend who claims that he's the daddy. Alternately warmly funny and stickily sentimental, Cuando Florezca el Naranjo was just what Latin American audiences of the 1940s craved. ~ Hal Erickson, Rovi

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Starring:
Angel MaganaMaria Duval, (more)
 
1943  
 
The title of this Argentine drama translates as The Mirror. Indeed, that mirror is virtually a character in itself, offering memories of the past to aging heroine Mirtha Legrand. As she gazes into the looking glass, Legrand relives all her past loves, heartbreaks, triumphs and tribulations. In so doing, she gains a new perspective on her present life. Though generally sentimental and heavily dramatic, El Espejo is leavened by moments of uproarious comedy supplied by supporting player Tito Gomez. The film was written by Carlos Olivari and Sixton Pondal Rios, who'd previous struck box-office gold with Los Martes Orquideas. ~ Hal Erickson, Rovi

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Starring:
Roberto Airaldi
 
1943  
 
It took two directors to bring this lightweight Cinderella story to life. Musical favorite Maria Duval plays an orphaned girl who has grown up in servitude to a wealthy family. All the while, the master of the house has harbored an unrequited love for the girl. When Duval inherits a fortune from an unexpected source, she is at last in a proper social position to marry her master, but now he is less wealthy than she, and too proud to ask for her hand. While things don't end too happily romantically, at least Duval is given a chance at launching the singing career she has always wanted. The English-language title of Casi un Sueño is Almost a Dream. ~ Hal Erickson, Rovi

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Starring:
Maria DuvalMiguel Gomez Bao, (more)
 
1943  
 
Stella is based on the popular novel by Cesar Duyan. Argentine film favorite Zully Moreno plays the orphaned daughter of a famed explorer, who goes to work as the secretary of her wealthy uncle (Florinda Ferrario). She soon becomes aware that her cousins have been depleting her uncle's financial resources, but she can do nothing to prevent it. If she blows the whistle on the cousins, she'll lose her job, which is the only source of revenue for herself and her crippled younger sister (Stella Rio). How she handles this dilemma and finds lasting happiness and contentment is elucidated in the final two reels. ~ Hal Erickson, Rovi

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Starring:
Zully MorenoFlorinda Ferrario, (more)
 
1943  
 
Juvenilia was the first major production to emanate from the film company formed by prominent Argentine movie critic Manuel Pena Rodriguez. Set in 19th-century Bueno Aires, the story parallels the growth and expansion of that city with the professional progress of Professor Jacques (Jose Olarra). Critics compared the film to the Anglo-American production Goodbye Mr. Chips, and not without good reason. Thanks to a paucity of foreign films in the American market, Juvenilia was able to secure bookings in selected U.S. cities. The film was based on a popular novel by Miguel Kane. ~ Hal Erickson, Rovi

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Starring:
Jose Olarra
 
1942  
 
Despite its lurid title, which translates as Sensational Kidnapping, this Argentine production is at heart a comedy. Fifteen-year-old Nelly Herring stars as an impressionable schoolgirl whose widowed father is on the verge of marrying a pretty schoolteacher. When the bride-to-be disappears, Herring suspects she's been kidnapped, and behaves accordingly, driving the local constabulary crazy. It's all a big misunderstanding, of course, but try telling that to our hilariously frantic heroine. Critics in 1942 admired the fact that Secustro Sensacional had slick production values comparable to a Hollywood film -- as if this were the only criteria for a "good" picture. ~ Hal Erickson, Rovi

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Starring:
Luis Sandrini
 
1942  
 
La Maestrita de los Obreros (Little Teacher of Workmen) was a success on both an artistic and a financial level. Most of this was due to the luminescent performance of gorgeous Delia Garces in the title role. Garces plays a young teacher who lands her first job at a night school for adult factory workers. She quickly wins over her new students (some of whom have admittedly developed crushes on our heroines), and even endeavors to help them solve their personal problems -- some of which are formidable indeed. The film was based on the equally popular novel by Edmundo de Amicis. ~ Hal Erickson, Rovi

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Starring:
Orestes Caviglia
 
1942  
 
Some observers detected the influence of Orson Welles' Citizen Kane in Carlos Borcosque's innovational Yo Conoci Esa Mujer (I Knew That Woman) The plot revolves around a popular musical star (Libertad Lamarque) who is held responsible for the death of her husband. Also considered culpable is the doctor who attended the dying man, inasmuch as he was in love with the singer. When doctor and singer are wed, it causes a scandal of major proportions, one which has wide-ranging repercussions on the couple's physically handicapped son. Conventional enough in terms of story and characterizations, Yo Conoci Esa Mujer is chock full of bizarre camera angles and lengthy deep-focus "takes," which seem to have been as much influenced by the German silents as by Citizen Kane. ~ Hal Erickson, Rovi

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Starring:
Libertad LamarqueRafael Frontaura, (more)
 
1941  
 
Its title notwithstanding, the Argentine Napoleon has nothing to do with the legendary French general-emperor. This Napoleon is a nightclub headwaiter, played by popular Latin American comedian Pepe Arias. Coming into an inheritance, Napoleon purchases the boarding house where he's lived for two decades, turning it into a refuge for the nightclub's taxi-dancers, most of whom aspire to get into other lines of work. Acting as surrogate father for these nubile young damsels, Napoleon is an endless source of sage advice, but somehow he has trouble solving his own problems. Curiously, despite its cabaret setting, Napoleon is utterly bereft of musical numbers. ~ Hal Erickson, Rovi

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Starring:
Pepe AriasElena Lucena, (more)
 
1941  
 
La Quinta Calumnia (The Fifth Calumny) takes place in a huge Buenos Aires department store, about to close down because of the wartime restrictions on foreign imports. The store owner and his family return from a vacation in France unaware of their financial situation and proceed to throw a big party with a "Gallic" theme. Once he's assessed the situation, the owner hires a man he'd met abroad to pose as a phony count, thereby hoping to attract wealthy patrons to his establishment. The film is a showcase for Argentine-based comedian Ali Salem de Baraja, here cast as the bogus nobleman. A big hit in Latin America, La Quinta Calumnia didn't fare so well in the U.S. ~ Hal Erickson, Rovi

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