Robert Goulet Movies

The Last Producer stars Burt Reynolds (who also directed) as burned-out Hollywood movie mogul Sonny Wexler. Once the fair-haired boy of Tinseltown, Wexler finds himself persona non grata in a city now run by younger, leaner, hungrier, and more ruthless studio CEOs. In a last-ditch comeback effort, Sonny tries to purchase a script from a novice scrivener that bids fair to be the hottest property in years. Unfortunately, the hero may be beaten to the punch by a nasty upstart executive who will stop at nothing -- not even murder -- to get his hands on the script. Most of the film is devoted to Sonny's frantic efforts to raise the necessary 50,000 dollars from his alleged friends, his estranged family members, and a handful of raffish-looking types with mob connections. And believe it or not, this is a comedy. Evidently intended for theatrical release, The Last Producer made its first appearance via the home-video market in Europe in 2000. The film was not widely shown in America until its USA Network cable-TV debut on February 6, 2001. ~ Hal Erickson, Rovi

Two bad cops rise from the grave in an attempt to go straight in this offbeat comedy. Mike Mattress (Tate Donovan) and Dean Crept (William Forsythe) are a pair of stone-faced FBI agents who are not above stretching the law to their advantage; their double dealings lead to their fiery death in a booby-trapped car, and the two agents find themselves descending into Hell. After a disturbing run-in with Satan (Robert Goulet), Mattress and Crept escape and find their way back to Earth, where they hope to perform some good deeds that might allow them to escape damnation. Starting over as private eyes, Mattress and Crept are hired by millionaire Greydon Lake (Barry Newman), who believes his wife Gloria (Vanessa Angel) has been unfaithful to him. Gloria soon turns the tables by hiring the two gumshoes away from her husband, but things take a sinister turn when Greydon turns up dead. While tracking down leads in Greydon's murder, Mattress and Crept discover he was financing research by the eccentric Dr. Boifford (David Huddleston), whose bizarre talents come in handy when Buster (Bobcat Goldthwait), a leg man for the detectives, is killed while doing research; Boifford is able to transplant his brain into the body of a robot. Meanwhile, Buster's accident attracts the attention of the police, as well as FBI agents Dalton (Zach Galligan) and Langdon (Gary Busey), who are hot on the heels of the formerly dead lawmen. G-Men From Hell is based on characters from the comic book Grafik Musik, created by Michael Allred. ~ Mark Deming, Rovi

The Tony Award-winning actress and songstress Carol Lawrence, for years a toast of Broadway and the centerpiece of innumerable stage musicals, became one of the staple vocalists of the Bell Telephone Hour, a network musical showcase that drew significant audiences on NBC from 1959-61 by featuring performers of adult standards. Lawrence joined the program in 1960, under the aegis of producer Barry Wood and conductor Donald Voorhees. Carol Lawrence: The Bell Telephone Hour Appearances 1960-67 compiles excerpts from many of Ms. Lawrence's appearances on the program over the course of seven years, with a combination of rare black-and-white and color archival footage, in this release from VAI Distribution. ~ Nathan Southern, Rovi