Robert Goulet Movies

The Tony Award-winning actress and songstress Carol Lawrence, for years a toast of Broadway and the centerpiece of innumerable stage musicals, became one of the staple vocalists of the Bell Telephone Hour, a network musical showcase that drew significant audiences on NBC from 1959-61 by featuring performers of adult standards. Lawrence joined the program in 1960, under the aegis of producer Barry Wood and conductor Donald Voorhees. Carol Lawrence: The Bell Telephone Hour Appearances 1960-67 compiles excerpts from many of Ms. Lawrence's appearances on the program over the course of seven years, with a combination of rare black-and-white and color archival footage, in this release from VAI Distribution. ~ Nathan Southern, Rovi

Directed by Rick McKay, who traveled across five continents during the documentary's production, Broadway: The Golden Age is both a celebration of current Broadway stars and a tribute to Broadway legends past. Through a plethora of interviews and vast amounts of archival footage, McKay presents a variety of factoids, anecdotes, and memories from over 100 Broadway actors, writers, and directors. The careers of Laurette Taylor, Kim Hunter, Jessica Tandy, and Marlon Brando are all animatedly retold, as is some of the Broadway "lore of olde," such as Angela Lansbury's struggle to land a role in Mame and the shocked reaction to West Side Story on its opening night. In addition to footage and discussion regarding highly successful Broadway stars, a variety of actors recount their experiences and struggles in finding even a small amount of critical recognition. The cast includes Shirley MacLaine, Bea Arthur, Edie Adams, Alec Baldwin, and Kaye Ballard, and many others. ~ Tracie Cooper, Rovi

Two bad cops rise from the grave in an attempt to go straight in this offbeat comedy. Mike Mattress (Tate Donovan) and Dean Crept (William Forsythe) are a pair of stone-faced FBI agents who are not above stretching the law to their advantage; their double dealings lead to their fiery death in a booby-trapped car, and the two agents find themselves descending into Hell. After a disturbing run-in with Satan (Robert Goulet), Mattress and Crept escape and find their way back to Earth, where they hope to perform some good deeds that might allow them to escape damnation. Starting over as private eyes, Mattress and Crept are hired by millionaire Greydon Lake (Barry Newman), who believes his wife Gloria (Vanessa Angel) has been unfaithful to him. Gloria soon turns the tables by hiring the two gumshoes away from her husband, but things take a sinister turn when Greydon turns up dead. While tracking down leads in Greydon's murder, Mattress and Crept discover he was financing research by the eccentric Dr. Boifford (David Huddleston), whose bizarre talents come in handy when Buster (Bobcat Goldthwait), a leg man for the detectives, is killed while doing research; Boifford is able to transplant his brain into the body of a robot. Meanwhile, Buster's accident attracts the attention of the police, as well as FBI agents Dalton (Zach Galligan) and Langdon (Gary Busey), who are hot on the heels of the formerly dead lawmen. G-Men From Hell is based on characters from the comic book Grafik Musik, created by Michael Allred. ~ Mark Deming, Rovi

Popular comic and television personality Ellen DeGeneres had her first starring role in a feature film in this black comedy. Martha Alston (DeGeneres) is a thirtysomething single working as a producer for a talk show. Ever since Martha's younger sister got married, her parents have been after her to settle down, but Martha has had little luck finding the right guy. On Valentine's Day, Martha is depressed and drinking at a bar when she meets Whitman Crawford (Bill Pullman), who seems like the perfect man -- he's good looking, sensitive, intelligent, and affectionate. However, when she makes the mistake of telling her new beau that he can be himself around her, she discovers the real Whitman -- he's a horrible poet, he likes awful music, he enjoys shoplifting ("Stolen beer just tastes better!"), and he's a borderline psychotic who doses her with LSD for fun. What's more, his mother (Joan Plowright) and ex-girlfriend (Joan Cusack) hate Martha's guts and don't mind telling her so. So how can Martha convince her friends and family that she wants nothing to do with the man of her dreams? More importantly, how does she convince Whitman? ~ Mark Deming, Rovi

In order to have at least one extracurricular activity to his credit, Cory (Ben Savage) joins the school wrestling team, supremely confident that he won't have to do anything because there's no one else in his weight class. All this changes when school bully Joey "the Rat" (Blake Sennett) joins the team and Cory is forced to wrestle with him. Their rivalry ultimately triggers a grudge match in front of the entire school--with celebrities Robert Goulet and Yasmine Bleeth announcing the event! (At what point did Boy Meets World become a fantasy?) ~ Hal Erickson, Rovi

Leslie Nielsen returns as the intrepid (and accident-prone) Lt. Frank Drebin in Naked Gun 2 1/2: The Smell of Fear, "un film de David Zucker." This second feature film from the "Police Squad!" series finds Drebin as a guest at a White House dinner, receiving an award for shooting his 1,000th drug dealer, although he admits to shooting only 998 -- he ran over the last two in his car. ("Luckily, they turned out to be drug dealers"). Also at the White House dinner is energy czar Dr. Albert S. Meinheimer (Richard Griffiths), whom President George Bush (John Roarke) has chosen to start a new national energy policy. Since Meinheimer believes in promoting alternative energy resources, the evil leaders of the polluting energy industries (coal, oil, and nuclear power--or the lobby groups SMOKE, SPILL and KABOOM) are horrified at Bush's choice. Joining together with arch-villain Quentin Hapsburg (Robert Goulet), they plan to kidnap the real Meinheimer and substitute a fake Meinheimer in his place who will enact energy policy according to the dictates of the energy lobby. Drebin becomes deeply involved in the conspiracy when he runs into his ex-girl friend Jane (Priscilla Presley), who is not only Meinheimer's public relations director but also Hapsburg's current paramour. ~ Paul Brenner, Rovi

Thanks to the carelessness of a cute little dog, newlyweds Geena Davis and Alec Baldwin are killed in a freak auto accident. Upon arriving in the outer offices of Heaven, the couple finds that, thanks to a century's worth of bureaucratic red tape, they're on a long celestial waiting list. Before they can earn their wings, Davis and Baldwin must occupy their old house as ghosts for the next fifty years. Alas, the house is now owned by insufferable yuppies Catherine O'Hara and Jeffrey Jones. Horrified at the prospect of sharing space with these obnoxious interlopers, Davis and Baldwin do their best to scare O'Hara and Jones away, but their house-haunting skills are pathetic at best. In desperation, the ghostly couple engage the services of a veteran scaremeister: a yellow-haired, snaggle-toothed, profane, flatulent "gonzo" spirit named Beetlejuice (Michael Keaton). The problem: Beetlejuice cannot be trusted-especially when he falls in love with O'Hara and Jones' gloomy, black-clad teenaged daughter Winona Ryder. Beetlejuice producer David Geffen, director Tim Burton, and composer Danny Elfman were also involved in an animated TV-series spin-off. ~ Hal Erickson, Rovi

Henry Mancini and guest singers perform titles such as "Moon River," "Inspector Clouseau Theme," "The Best Is Yet To Come" and others. ~ Rovi

Burt Lancaster stars as Lou, an aging mob flunkey, barely making a living in Atlantic City. Susan Sarandon plays Sally, a casino croupier whose husband Dave (Robert Joy) steals a large supply of drugs from the mob. When he is killed, the narcotics pass to the unwilling Sally. Lou, in the midst of longtime affair with middle-aged gangster's widow Grace (Kate Reid), falls for the much younger Sally, becoming her savior by killing the mob thugs sent to shut her up. The killings serve a therapeutic value for Lou, proving that he hasn't lost his old panache. ~ Hal Erickson, Rovi

In the conclusion of a two-part story (originally telecast as a single hour-log special), Mel (Vic Tayback) loses the diner in a Las Vegas crap game. His only chance to regain his property is to arrange for Robert Goulet to sing at a rundown hotel owned by cagey casino manager Joe Capri (Lou Criscuolo). Not surprisingly, Mel doesn't deliver, obliging Alice (Linda Lavin)--disguised in male drag as Mr. Goulet--to appear in his place. The episode's highlight finds "the Two Bobs" singing a duet! ~ Hal Erickson, Rovi

"Leona" was the name of the late wife of Syndicate chieftan Joe Epic (Robert Goulet). In order to rescue a captured undercover agent, the IMF must force a schism in the new partnership between Epic and his former gangland rival Mike Apollo (Mike Apollo). The Mission: to convince Epic that Apollo was responsible for Leona's murder --- after having a torrid affair with the unfortunate woman. Written by Howard Brown, "Leona" made its network TV debut on October 7, 1972. ~ Hal Erickson, Rovi

A doctor who is really a bungling killer is revealed by a investigator in this crime drama. ~ Rovi

Singer Robert Goulet appears both as himself and as his exact double, truck driver Chuck Willis. When Mooney (Gale Gordon) turns Chuck down for a loan, Lucy (Lucille Ball) takes pity on the guy and enters him in a Robert Goulet lookalike contest, for a $5000 prizes. Unfortunately, Chuck loses the contest--but then, so does the real Goulet! Somewhere along the line, Robert Goulet sings his own composition, "Why Be Ashamed?" ~ Hal Erickson, Rovi