Harold Gould Movies

The 11th Victim was partially based on the activities of California's Hillside Strangler. Bess Armstrong stars as a Des Moines TV journalist whose younger sister, an aspiring actress, has entered a life of prostitution in Los Angeles. When the sister becomes the eleventh victim of a sex murderer, Armstrong conducts her own investigation into Hollywood's night world of commercial sex. Max Gail plays a sympathetic cop who tries to save her from becoming a victim herself. The 11th Victim had potential, but was defeated by the usual TV-movie budgetary restrictions and desire to exploit rather than explore a "hot" issue. ~ Hal Erickson, All Movie Guide

The life of famous theatre and film star Paul Muni provides the basis for this musical. It begins in Hungary where he worked as a traveling actor and ends with his successful life in New York. ~ Sandra Brennan, All Movie Guide

This TV movie stars Jean Stapleton as the real-life "Aunt" Mary Dobkin, a physically handicapped woman living in the Baltimore of the 1940s. Concerned that juvenile delinquency is destroying her neighborhood, Aunt Mary organizes the "Dobkin Dynamiters", a baseball team comprised of disadvantaged and minority children. As she fights to have her biracial team officially sanctioned by the highly segregated Baltimore power structure, Aunt Mary is further challenged by the amputation of her left leg and right foot. Nonetheless, she perseveres over the next two decades, providing nearly 35,000 disenfranchised boys the opportunity to escape the streets and play ball. Sportscaster Ernie Harwell, who'd once called the shots for the Baltimore Orioles, makes a cameo appearance in this 1979 Hallmark Hall of Fame presentation. ~ Hal Erickson, All Movie Guide

The elderly residents of a nursing home tire of being oppressed and stage a revolution in this made-for-television comedy. Following the ensuing riot they rush out and commandeer a passing train to go out for a few final adventures. ~ Sandra Brennan, All Movie Guide

Based on a novel by acclaimed crime writer James Ellroy, this film stars Michael Rooker as Fritz Brown, a former L.A.P.D. detective who was kicked off the force due to his drinking. Now struggling to remain sober, Brown works as a private eye when he can, but he makes most of his money repossessing cars. One day, Brown is offered some detective work by Freddie "Fat Dog" Baker (William Sasso), a golf caddy who has some severe reservations about his younger sister, Jane (Selma Blair) and her relationship with Solly (Harold Gould), a wealthy businessman with mob connections who is old enough to be Jane's grandfather. Brown isn't interested at first, but when "Fat Dog" starts flashing an impressive bankroll, he decides to take the case. Brown's investigation of Solly causes him to cross paths with Cathcart (Brion James), the head of L.A.P.D. internal affairs who was responsible for Brown losing his job. Soon Brown runs afoul of a group of hired thugs and several key figures wind up dead as Brown tries to find out the truth about Solly and Jane. Ellroy wrote Brown's Requiem, his first novel, while he was still supporting himself as a golf caddy and breaking himself of a decade-long addiction to drugs and alcohol. ~ Mark Deming, All Movie Guide

Comic actor Bob Saget served as producer and director of this made-for-TV film, inspired by the true story of Saget's sister Gay, who died in 1994 at the age of 47. Despite the pressures of single motherhood, schoolteacher Hope Altman (Dana Delany) seems to have her life in order until she is diagnosed with scleroderma, a disfiguring skin disease that causes her body's connective tissues to stiffen and atrophy, and will eventually paralyze her while eating away at her vital organs. There is no cure for scleroderma, and the survival rate is tragically low--and worse, neither the medical community nor the general public has a firm grasp on understanding the disease and its many victims (500,000, mostly female, in the United States alone). The film chronicles the manner in which Hope and her family handle the nightmarish situation, often with what Saget described as "irreverence and dark humor" (At one point, Hope's brother Alan--a comedy writer--quips that scleroderma sounds like "a deli entrée"). Sharon Monsky, who at the time ran one of the most prominent organizations for those suffering from scleroderma, appears briefly as herself. For Hope originally aired over the ABC network on November 17, 1996. ~ Hal Erickson, All Movie Guide

The second feature-length revival of the Get Smart television series (1965-1970) of blessed memory, Get Smart Again reunited Don Adams as bumbling secret agent Maxwell Smart and Barbara Feldon as his wife, sultry "fellow" agent 99. Smart coerces 99 to drop her public-sector job and join him in thwarting the evil machinations of their old nemesis Siegfried (Bernie Kopell). Other alumni from the original TV series include Dick Gautier as Hymie the Robot, Robert Karvelas (Don Adams' cousin) as Larrabee, King Moody as Starker and Dave Ketchum as the ubiquitous Agent 13. A few concessions have been made to the passage of time (Smart's fabled shoe-phone now has "call waiting"), but the film scores highest on its nostalgic appeal, encapsulated by such catch-phrases as "Sorry about that", "Would you believe?" and "Missed it by that much." Get Smart, Again was first telecast February 26 (would you believe February 27?), 1989. ~ Hal Erickson, All Movie Guide

Screenwriter William Goldman has claimed that Paul Newman agreed to do Harper, the film that established the grateful writer's career, only because he was working unhappily on Lady L. (1965) in Europe, and was looking for something as unlike that film as possible. He stars as Lew Harper, a hip L.A. private dick whose business has gotten so bad that he's re-using his coffee grounds. At the suggestion of his friend, attorney Albert Graves (Arthur Hill), the detective takes on the investigation of the disappearance of the wealthy husband of waspish cripple Elaine Sampson (Lauren Bacall). After finding a photograph of former actress Fay Estabrook (Shelley Winters), Harper locates the alcoholic actress in a bar, plies her with booze, and takes her home to search her apartment while she's unconscious. There he takes a call which leads him to another bar to meet Betty Fraley (Julie Harris), a singer with a heroin problem. To curtail his inquisitive behavior, some large and unpleasant gentleman beat him up outside the saloon. Hoping for sympathy from his soon to be ex-wife (Janet Leigh), who has just filed divorce papers, the weary detective is much more successful than he has any right to expect. ~ Michael Costello, All Movie Guide

A career woman is so desperate to conceive a child that when her boyfriend the sportswriter comes up short, she goes looking for a fertile stranger in this made-for-TV comic outing. ~ Sandra Brennan, All Movie Guide

Hogan's latest scheme is to redirect a fleet of Luftwaffe bombers bound for London so that the planes will be shot down by the Allies. The plan hinges on some phony information that is to be leaked to Col. Klink. Unfortunately, Sgt. Carter forgets the false info, forcing Hogan to improvise a new scheme. Harold Gould appears as General Von Lintzer. Written by Art Baer and Ben Joelson, "Klink's Rocket" originally aired on December 16, 1966. ~ Hal Erickson, All Movie Guide

Housewife Barbara Eden loses her husband Peter Bonerz to seductive Liberty Williams. After the divorce, Eden becomes incensed that Williams is flaunting her victory. To get even, Eden begins dating notorious playboy Hal Linden. Now it's Bonerz' turn to suffer the pangs of jealousy. Made for television, How to Break Up a Happy Divorce first lit up the TV tubes of America on October 6, 1976. ~ Hal Erickson, All Movie Guide