Michael Gough Movies
Born in Malaya to British parents, Michael Gough attended Wye Agricultural College before realigning his career goals by taking classes at the Old Vic. Gough made his first theatrical appearance in 1936 and his first film in 1948. He lists King Lear as his favorite stage role, though one suspects that he is equally fond of the character he portrayed in the 1979 Broadway hit Bedroom Farce, for which he won the Tony Award. Movie historian Bill Warren has noted that Gough has, by accident or design, adopted two distinct film-acting styles. In such "straight" roles as Montrose in Rob Roy (1954), Norfolk in Henry VIII and His Six Wives (1972), Van der Luyden in The Age of Innocence (1993) and Bertrand Russell in Wittgenstein (1993), he is subtle and restrained; but when starring in such scarefests as Horrors of the Black Museum (1959) and Black Zoo (1962), his eye-bulging hamminess knows no bounds. Most contemporary filmgoers are familiar with Gough through his appearances as Alfred the Butler in the Batman theatrical features. He will no doubt remain as Alfred in future Batman endeavors, despite the many "authoritative" film histories that have reported Gough as having died in 1979 or 1987. Michael Gough's credits should not be confused with those of the American voiceover artist of the same name. ~ Hal Erickson, All Movie Guide
The original British title for No Place Like Homicide was What a Carve-Up. This level of sophistication was maintained for the film itself, a horror film parody served up by members of the Carry On gang. There's a wisp of plot about an wealthy recluse who apparently dies, then equally apparently comes to life again to bump off his greedy relatives. For the most part, the scripters use the story as an excuse for irreverent and tasteless haunted-house gags. No Place Like Homicide was a remake of the deadly serious 1933 Boris Karloff vehicle The Ghoul, though a cursory comparison of the two films reveals precious little resemblance between them. ~ Hal Erickson, All Movie Guide
- Starring:
- Kenneth Connor, Sidney James, (more)
- 1961
Mr. Topaze was based on a play by Marcel Pagnol, previously filmed twice before with John Barrymore and Fernandel. Peter Sellers stars as a French college professor, known far and wide for his integrity. He refuses to improve a grade on the paper of one student, whose influential father sees to it that Sellers is fired. Cast adrift in the business world, Sellers is hired by a crooked liquor executive (Herbert Lom) to act as "front" for the benefit of the authorities. When Sellers catches on how much money there is in the business, his honesty evaporates and he becomes as underhanded as the next fellow. The love of Joan Sims enables Sellers to change his ways before his dishonesty can become disastrous. Mr. Topaze was rereleased in 1963 as I Like Money; once again, however, no one wanted to see a "straight" Peter Sellers in a role that called out for the broad comedy he did so well. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Nadia Gray, (more)
A British botanist goes bananas after he discovers a serum that turns his cuddly chimpanzee subject into a ferocious gorilla-sized ape. To further his hideous experiment, the scientist mesmerizes the chimp and sends into London to kill all of his former enemies. One of those he has killed is the lover of the girl the doctor wants for himself. This doesn't set well with the botanist's assistant and current gal who gets even by giving Konga the giant chimp an enormous amount of the strange serum and turns him into a Godzilla-sized monster. Just before going on a deadly rampage, the super-sized ape grabs the bad doctor in one of his enormous hands. Fortunately, the British army and all of its weaponry are able to stop the chimp before he destroys the town. ~ Sandra Brennan, All Movie Guide
- Starring:
- Michael Gough, Margo Johns, (more)
- 1960
If you don't expect Casablanca, you'll derive some pleasure from Model for Murder. This British programmer stars American actor Keith Andes. In England to seek out his dead brother's girlfriend, Andes crosses the path of jewel robbers. Hazel Court is the lady in question, whose true involvement in the proceedings is the object of mystery and confusion. Completed in 1958, Model for Murder was released in the States two years later. ~ Hal Erickson, All Movie Guide
The power of hypnotism provides the basis of this film that was released in "Hypnovision" (yet another promotional gimmick) A budding and frustrated mystery writer takes extreme steps to insure that his latest thriller contains accurate descriptions of horrible murders in this gory horror thriller. He decides that the best way to do this is to set up and witness similar murders first- hand, so, not wanting to bloody his own hands, he hypnotizes his assistant, turns him into a deformed monster and has him do the dirty work using a few devilishly clever gadgets that include binoculars equipped with spring-loaded spikes, a secret guillotine poised above a young woman's bed, and deadly ice tongs. Afterward, the writer drops the bodies in a vat of acid. Several people die before the assistant rebels and gets bloody revenge. ~ Sandra Brennan, All Movie Guide
- Starring:
- Michael Gough, June Cunningham, (more)
The Horse's Mouth is an acting and a writing tour de force for Alec Guinness, who authored the screenplay in addition to starring in the film. Gulley Jimson (Alec Guinness) is an aging artist with a reputation as a genius, though he lives an impoverished life. Jimson has reached the point in his life where he no longer feels any need to moderate his irascible persona -- he has a taste for alcohol and a tendency toward boisterous spirits where the ladies are concerned -- in search of canvasses to paint and commissions that will allow him to live comfortably, and Guinness lives the role to the hilt. Released from jail for some indiscretion, he immediately begins harassing his wealthiest patron, Hickson (Ernest Thesiger), for money. When that fails, he insinuates himself into the home of a would-be patron, Sir William and Lady Beeder (Robert Coote, Veronica Turleigh), and manages to destroy their home and that of their downstairs neighbor with a huge block of stone and some help from a sculptor friend (Michael Gough). Courted by a potential buyer, he is desperate to retrieve one of his early works from his former wife, but even that prospect is closed off to him. Finally, with help from his young admirer, Nosey (Mike Morgan), his friend, Coker (Kay Walsh), and some art students eager to work with the legendary Gulley Jimson, he begins painting his largest canvas of all. The painting is completed and promptly destroyed. Jimson finally takes off in his wreck of a houseboat for the open sea, eyeing the huge hulls of the passing ships as potential canvasses to paint. As he disappears up the river, Coker looks on in panic and Nosey calls after him, declaring his admiration for Jimson and who he is and what his work means -- knowing for certain that he can't be heard. ~ Bruce Eder, All Movie Guide
- Starring:
- Alec Guinness, Kay Walsh, (more)
This Hammer Studios classic is far closer to the letter (and spirit) of the Bram Stoker novel than the Bela Lugosi version of Dracula. The premise finds the infamous count journeying from his native Transylvania to England, where he takes a headfirst plunge into the London nightlife, and begins to rack up victim after victim. In the process, Dracula also runs into his arch-nemesis, Van Helsing (Peter Cushing), which ignites a battle of wills between the two. Heavily censored in Britain when released (with the goriest moments truncated), this outing was restored by the BFI in the mid-late 2000s. It put Lee and Cushing on the map and paved the way for many sequels starring the two, and for many non-Dracula follow-ups with these actors as well. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Christopher Lee, (more)
- 1957
In this drama, a writer and his wife rent a small country cottage where he plans on doing some work. Unfortunately, he soon discovers that the eccentric landlord, an artist, wants to kill his wife. The painter is already suspected of killing his own wife. The murderous landlord is just about to kill the writer's wife when he is stopped. ~ Sandra Brennan, All Movie Guide
- 1957
Eschewing the Shakespearean original title (it's a quote from A Midsummer Night's Dream), the British Ill Met by Moonlight was released stateside as Night Ambush. This superb Michael Powell/Emeric Pressburger concoction is set during World War II on the island of Crete. Dirk Bogarde and David Oxley play Major Paddy Leigh Fermer and Captain Billy Stanley Moss, two British officers whose job it is to kidnap Nazi general Karl Kreipe (Marius Goring) and spirit him off to Cairo. The motive of this mission is to weaken German morale on Crete and to provide hope to the enslaved locals. With the help of a group of resistance fighters, Fermer and Moss manage to trap the general; now they must transport their captive back to their own lines, avoiding German patrols every inch of the way. Originally 104 minutes, Ill Met by Moonlight was cut to 93 minutes by its American distributor. ~ Hal Erickson, All Movie Guide
- Starring:
- Dirk Bogarde, Marius Goring, (more)
- 1956
One of the many inspirational true stories told about WWII, this is the story of Douglas Bader, an undauntable character who was involved in an accident which cost him both of his legs. Despite this, he became a WWII squadron commander and was a hero during the Battle of Britain. Shot down over France and held prisoner by the Germans, he still survived and returned to England leading 3,000 planes over London in a victory flight. ~ Tana Hobart, All Movie Guide
- Starring:
- Kenneth More, Muriel Pavlow, (more)
Laurence Olivier was the director, co-screenwriter (with Alan Dent), and star of this robust adaptation of Shakespeare's drama, which, as Bruce Eder has written, "was the final, crowning glory of the British studio system and the end of the great cycle of British films aimed at international audiences." Olivier begins his Richard III with Edward IV (Cedric Hardwicke) being crowned king. In the background of the celebration, Richard (Laurence Olivier) jealously views the proceedings and begins to pick off those obstructing his pathway to the throne. Eventually, Richard becomes king and, after proceeding with a succession of intrigues and duplicities, he finds his kingdom in dire peril, set upon by Henry Tudor (Stanley Baker) and mustering a final defense for his realm at the Battle of Bosworth. ~ Paul Brenner, All Movie Guide
- Starring:
- Laurence Olivier, Cedric Hardwicke, (more)
- 1953
This comedy is essentially a prototype of Disney's 1961 film Parent Trap and tells the tale of twin girls, separated after their parents divorce, who meet each other at summer camp and hatch an elaborate scheme to get their parents back together. ~ Sandra Brennan, All Movie Guide
- 1953
The rousing adventure novel by Sir Walter Scott was adapted for this swashbuckler. Richard Todd stars as Robert Roy MacGregor, a clan leader in 18th century Scotland attempting to lead his fellow countrymen in a rebellion against the heavy-handed rule of England's King George I. When the king replaces a sympathetic politician with a lackey working against Rob Roy, it's up to the hardy Scotsman to defeat his enemies without the support of a powerful ally, while also romancing and marrying his true love (Glynis Johns). Rob Roy, the Highland Rogue (1953) was the last of 21 British films produced jointly by Disney and RKO. ~ Karl Williams, All Movie Guide
- Starring:
- Richard Todd, Glynis Johns, (more)
- 1953
- PG
The second of Disney's British-produced "historicals" (the first was Robin Hood, the last was Rob Roy, the Highland Rogue), The Sword and the Rose eschews historical accuracy in favor of wall-to-wall adventure and eye-filling pageantry. The film takes place in the court of King Henry VIII (James Robertson Justice), whose sister Mary Tudor (Glynis Johns) has fallen in love with soldier of fortune Charles Brandon (Richard Todd). Mary appoints Brandon Captain of the Guards, which rests not at all well with her erstwhile suitor, the Duke of Buckingham (Michael Gough). Rather than foment court intrigue, Brandon decides to move on to America, only to end up in the Tower of London when Mary tags along with him, disguised as a boy. Mary is ordered by Henry to wed the aging King of France (Jean Mercure), who promptly dies, leaving the girl at the mercy of the evil Dauphin (Gerard Oury). When rescued by the Duke of Buckhingham, Mary is informed that Charles is dead, but in fact her true love still lives, as he proves beyond doubt in a climactic battle with the duplicitous Duke. Sword and the Rose was based on Charles Major's novel When Knighthood Was in Flower, previously filmed in 1923 with Marion Davies. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Todd, Glynis Johns, (more)
- 1951
The brilliant British documentary filmmaker Paul Rotha made his feature-film debut with 1950's No Resting Place. Filmed on location in Ireland, the film is a lightly fictionalized study of that country's itinerant workmen. Michael Gough plays tinker Alec Kyle, whose life is thrown into turmoil when he accidentally kills a man. Kyle spends the rest of the film evading Guard Mannigan (Noel Purcell), a civil servant who relies on instinct rather than scientific deduction to get his man. Without ever trying to elicit sympathy for his characters, director Rotha manages to compellingly detail the miserable living and working conditions of Ireland's nomad artisans. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Gough, Eithne Dunne, (more)
- 1951
Long before she distinguished herself as a director, Mai Zetterling was the star of several moody melodramas. Based on a novel by Elizabeth Myers, the film casts Zetterling as Mrs. Carol Edwards, whose husband lies in a hospital bed, afflicted with asthma. Mrs. Edwards becomes a murder suspect when blackmailer Mr. Sine (James Robertson Justice) is killed on the hospital grounds. Since the film is not a mystery, it is safe to reveal that the genuine killer is Mrs. Christopher (Fay Compton), the hospital's wealthy patroness. Basically a character study, Blackmailed spends most of its time delving into the personal problems of Mrs. Edwards and the other suspects. ~ Hal Erickson, All Movie Guide
- Starring:
- Mai Zetterling, Dirk Bogarde, (more)
- 1951
This British psychological melodrama stars Michael Gough as a man who is lost in the Brazilian jungles and presumed dead. He returns to civilization, only to discover that his wife (Elizabeth Sellars) has remarried. When it becomes obvious that Gough's mind has been unhinged by the ordeal, his former wife does what she can to help and comfort him. Instead of being grateful, the addled Gough commits suicide, arranging the evidence so that his wife will be accused of murder. The Night Was Our Friend was the sort of second feature on which director Michael Anderson cut his teeth before being entrusted with such loftier projects as Around the World in 80 Days (56). ~ Hal Erickson, All Movie Guide
Alec Guinness has one of his finest comic roles in this Ealing satirical comedy about a much patronized amateur scientist whose latest invention creates an uproar in the British textile industry. In the British manufacturing country of Northern England, factory owner Michael Corland (Michael Gough) is showing competitor Alan Bimley (Cecil Parker) around his plant, hoping to borrow some money and marry off his daughter Daphne (Joan Greenwood). They come upon a curious contraption that turns out to be an experiment by employee Sidney Stratton (Alec Guinness). Being a lower class worker, Sidney is summarily fired from his job. Sidney ends up working at Bimley's factory, where he is befriended by militant worker Bertha (Vida Hope). Daphne spots Sidney at the factory and he explains to her the results of his experiment -- a material that is indestructible and impervious to dirt. Bimley discovers this project and throws Sidney out. But Daphne, impressed by his experiments, funds Sidney, installing him in his own laboratory. After a few false starts, Sidney develops a pure white material that can't be dirtied or ruined. But it seems Sidney's invention is too brilliant and effective; if a material is marketed that will last forever, textile mills will go out of business and workers will lose their jobs. Suddenly, poor, luckless Sidney has both management and labor banding together to combat his new invention. ~ Paul Brenner, All Movie Guide
- Starring:
- Alec Guinness, Joan Greenwood, (more)
- 1950
In this drama, a soldier comes back to his home village. There he is disturbed to find that the town has fallen upon hard times. Enlisting the aid of a good friend, he starts a small boating company. In order to attract attention, they stage a yachting race and save their peaceful home. ~ Sandra Brennan, All Movie Guide
In 1948, "The Archers" -- the writing and directing team of Michael Powell and Emeric Pressburger -- had completed The Red Shoes, one of their greatest international successes, but it had yet to be released when the Rank Organization, doubting the commercial appeal of the picture, severed ties with the team and Powell and Pressburger signed a new deal with Alexander Korda's London Films. Their first project for Korda, The Small Back Room, was a dramatic change of pace, a thriller set in London in the midst of World War II. Sammy Rice (David Farrar) is explosives expert who works with British military intelligence as part of a ragtag munitions research team studying new ways to defuse enemy weapons and improve allied arms. While he's brilliant on the job, Rice is a troubled man with an artificial leg that causes him chronic pain and an appetite for alcohol that stands between him and those around him, especially his girlfriend and secretary Susan (Kathleen Byron). Rice's latest project is finding a way to defuse a new German bomb that's cleverly disguised as a children's toy, but Rice finds himself battling his superiors when Waring (Jack Hawkins), an unscrupulous businessman who has been pressed into service with the explosives team, and his colleague Professor Mair (Milton Rosmer) begin lobbying the Army to purchase a new weapon that Rice feels is both ineffective and dangerous. Despite excellent reviews and a fine cast that includes Cyril Cusack, Sidney James and Robert Morley in a cameo appearance, The Small Back Room was a box office disappointment on its original release, and it appeared in edited form in the United States under the title Hour of Glory, though later video releases allowed Americans to see the film in its original British cut. ~ Mark Deming, All Movie Guide
- Starring:
- David Farrar, Kathleen Byron, (more)
- 1948
Blanche Fury combined two elements that were surefire moneymakers in postwar Britain: a brooding, Gothic-novel storyline and the dazzlingly handsome Stewart Granger. Heroine Blanche Fury (Valerie Hobson) is an impoverished governess who marries into wealth and sets herself up as the mistress of a vast estate. Enter Heathcliffe-like stable boy Philip Thorn (Granger), who intends to run the estate and eventually claim Blanche as his own. After a torrid, bodice-ripping romance between Blanche and Philip, the story segues into a no-names-please reenactment of the infamous 19th-century "Rush Murder." To "explain" the motives of the characters, the screenwriters deviate from the original Joseph Shearing novel by imposing all sorts of 20th-century "psychological disturbances" upon hero and heroine, with an abruptness and lack of logic that takes the viewer's breath away. Up until the end, however, Blanche Fury is a prime example of high-budget postwar British melodrama. Oddly, despite its $1.5 million price tag, con brio performances and superb Technicolor cinematography, Blanche Fury was a box-office disappointment, bringing an end to the "Gothic cycle" that had begun so promisingly with 1943's The Man in Grey. ~ Hal Erickson, All Movie Guide
- Starring:
- Valerie Hobson, Stewart Granger, (more)
This 1948 adaptation of Leo Tolstoy's Anna Karenina was produced in England by Alexander Korda, and released in the US by 20th Century-Fox. Vivien Leigh plays the title role, a 19th-century Russian gentlewoman married to Czarist official Ralph Richardson. Though her marriage is not intolerable, Anna is swept off her feet by dashing young military officer Vronsky, played by Kieron Moore. The ensuing scandal ruins Anna's status in society. Anna Karenina had previously been filmed twice in Hollywood, with both versions starring Greta Garbo. ~ Hal Erickson, All Movie Guide
- Starring:
- Vivien Leigh, Ralph Richardson, (more)
