Michael Gough Movies

Writer/director Derek Jarman injects his patented iconoclasm in this biography of Renaissance artist Michelangelo Merisa da Caravaggio. Nigel Terry plays the title role, whom (according to Jarman) essentially told his own life story in his paintings. Caravaggio travelled among thieves and prostitutes, many of whom were his models. He once killed a man, kept a deaf/mute child as a virtual slave, and squandered every penny he ever made. That we should care anything about so miserable and obscure a personality is a tribute to Jarman's filmmaking savvy--and the number of elements from his own well-publicized life that he injects into the film. ~ Hal Erickson, All Movie Guide

In this sequel to the original miniseries, Lili (Phoebe Cates), having discovered the true identity of her mother, now begins looking for her father. ~ Sandra Brennan, All Movie Guide

Out of Africa is drawn from the life and writings of Danish author Isak Dinesen, who during the time that the film's events occured was known by her married name, Karen Blixen-Flecke. For convenience's sake, Karen (Meryl Streep) has married Baron Bor Blixen-Flecke (Klaus Maria Brandauer). In 1914, the Baron moves himself and his wife to a plantation in Nairobi, then leaves Karen to her own devices as he returns to his womanizing and drinking. Soon, Karen has fallen in love with charming white hunter Denys Finch Hatton (Robert Redford), who prefers a no-strings relationship. A woman who prides herself on her independence, Blixen finds herself unhappily in thrall to a aloof man -- and doubly unhappy for living out such a cliché situation. Although Redford received a lion's share of criticism for his too-American performance, Streep has rarely been better, and the film's perfectly measured pace is offset by David Watkin's stunning location photography. The movie was nominated for 11 Academy Awards and won 7, including Best Picture, Best Director for Sydney Pollack, Best Adapted Screenplay for Kurt Luedtke, and Best Cinematography for Watkin. ~ Hal Erickson, All Movie Guide

This is an uneven modern remake of A Yank at Oxford (1938) from writer-director Robert Boris, the man behind such diverse earlier productions as Some Kind of Hero (1981) and Doctor Detroit (1983). Rob Lowe stars as Nick Di Angelo, an American hustler and parking attendant in Las Vegas who falls in love at first sight with a beautiful, classy British woman, Lady Victoria (Amanda Pays). He follows her back to England and learns that she is a student at the prestigious Oxford University. Intent on wooing the object of his affection despite their obviously different locations in the social strata, Nick manages to finagle his way into an admission at the school by paying a computer hacker for some illegal tampering. With his arrogant manner and self-centered worldview, Nick quickly offends nearly everyone he encounters, except fellow American expatriate Rona (Ally Sheedy), who becomes his only friend. Nick also secures a spot on the rowing team, an experience that builds his character. A typical example of the mid-'80s "Rat Pack" film, Oxford Blues featured a soundtrack with several forgettable rock songs written expressly for the movie, interjected at intervals into the narrative through music video-style sequences. ~ Karl Williams, All Movie Guide

Like the Virginia Woolf novel which it interprets, this 1983 BBC production has three parts: "The Window," "Time Passes," and "The Lighthouse." The first focuses on one day in the life of the Ramsay family -- the father and mother, their eight children, and four guests -- while they vacation on the Cornwall peninsula in remote southwestern England. In conversations in the summer house, at the beach, during strolls, and at cricket and wrestling matches, the characters reveal their beliefs, their prejudices, and their longings in an era when old traditions are dying and new traditions are quickening. James, six -- a brat to his father but a dear to his mother -- repeatedly asserts his wish to visit a lighthouse on an island within easy rowing distance. His father Michael Gough refuses to go (and, thus, no one goes) because the weather isn't right. In a moment of dramatic irony, the self-centered father scolds the boy for always thinking only of himself. Self-effacing Mrs. Ramsay (Rosemary Harris) comforts the child. She also sees to the needs of other family members and guests, who have lighthouses of their own -- metaphorical ones -- to preoccupy them. Her daughter, Prue, for example, anticipates her coming marriage while visitor Lily Briscoe looks forward to her career as a painter. In defiance of social convention, Briscoe chooses to remain unmarried. The film depicts the second part of the novel, "Time Passes," with transitional scenes showing changes of season over ten years. During this period, Mrs. Ramsey dies, and Mr. Ramsey laments her death in a weeping spell, saying she never really understood that he loved her. In the final part, "The Lighthouse," James finally gets his wish when he, his father, and other members of the family row out to the towering beacon. On the shore, meanwhile, Lily Briscoe finishes a painting of Mrs. Ramsey. ~ Mike Cummings, All Movie Guide

In the second episode of the four-part story "Arc of Infinity," the renegade anti-matter creature (Ian Collier) has overtaken the titular Arc as part of an overall scheme to pass over into normal matter. Crucial to the villain's plan is to adopt a physical presence, and thus, the renegade bonds with the Doctor (Peter Davison), making him a huge risk to the well-being of the universe. First broadcast on January 4, 1983, "Arc of Infinity, Episode 2" was written by Johnny Byrne. ~ Hal Erickson, All Movie Guide

In the third episode of the four-part story "Arc of Infinity," a renegade anti-matter creature (Ian Collier) has passed over into the normal universe by bonding with the Doctor (Peter Davison). The High Council of Gallifrey decrees that the only way to destroy the deadly creature is to execute the Doctor -- a fate to which he reluctantly but valiantly acquiesces. First broadcast on January 10, 1983, "Arc of Infinity, Episode 3" was written by Johnny Byrne. ~ Hal Erickson, All Movie Guide

The complicated relationship of two men who have given their lives to the theater forms the basis for this acclaimed drama. During World War II, an aging but once famous Shakespearean actor, addressed by his cast and crew only as "Sir" (Albert Finney), continues to tour the British theater circuit with a rag tag group of elderly and handicapped actors who are exempt from military service. Sir has grown frustrated, senile, and is on the verge of a nervous breakdown; he's come to rely upon his dresser Norman (Tom Courtenay), an endlessly loyal homosexual who would do anything for the man he's come to love. Norman tries to guide Sir through yet another tour of the hinterlands in The Tempest. This expanded film adaptation of Ronald Harwood's award-winning stage drama also stars Edward Fox as Oxenby, an unhappy member of Sir's company; Sir was said to be based on real-life actor Donald Wolfit. ~ Mark Deming, All Movie Guide

From its humble beginnings as a four-character short story, Agatha Christie's Witness for the Prosecution matriculated into a long-running London and Broadway stage hit, as well as a masterful 1957 film version directed by Billy Wilder. The 1982 TV version of Witness was overseen by Briton Norman Rosemont, who made remakes of earlier films his life's work in the 1980s (Hunchback of Notre Dame, Little Lord Fauntleroy). Sir Ralph Richardson heads the cast as prominent barrister Sir Wilfred Robarts, who takes on the case of Leonard Vole (Beau Bridges), a likeable chap accused of murdering a rich old lady. Sir Wilfred is shocked to discover that Vole's German-born wife (Diana Rigg) is prepared to divorce her husband and appear as witness for the prosecution; it is the first of many surprises for the aging lawyer, the cleverest of which occur just minutes before the end of the story. Deborah Kerr costars as Sir Wilfred's remonstrative nurse--a character that appears in neither the original story nor the play, but was created for Elsa Lanchester in the 1957 film version (which starred Lanchester's husband Charles Laughtonas Sir Wilfred). For playing an eleventh-hour addition, Ms. Kerr was awarded with an Emmy. Another reliable British favorite, Wendy Hiller, appears briefly as a post-deaf witness. Adapted for television by John Gay, Witness for the Prosecution was originally a Hallmark Hall of Fame presentation. ~ Hal Erickson, All Movie Guide

This film of Ira Levin's novel The Boys from Brazil wastes no time in establishing the fact that several seemingly unrelated men have been mysteriously murdered. Elderly Jewish Nazi hunter Ezra Lieberman (Laurence Olivier), brought into the case when the clues seem to point to a neo-fascist plot, traces the trail of evidence to Paraguay. Here he finds an unregenerate Auschwitz doctor, patterned on Joseph Mengele and played by -- of all people -- Gregory Peck. Lieberman discovers that the murdered men had all fathered sons who were identical -- the results of a cloning experiment, designed to create a race of incipient Hitlers. ~ Hal Erickson, All Movie Guide

Filmed in England, Galileo is based on Charles Laughton's 1947 adaptation of the play by Bertolt Brecht, which, like this 1975 film, was directed by Joseph Losey. Israeli film-star Topol plays the 17th century Italian astronomer, whose theories run contrary to the edicts of the Catholic Church. Forced to renounce his ideas about planetary movement, Galileo nonetheless holds fast to those beliefs to the end of his days, certain that time will vindicate him. Brecht's trademarked "alienation" technique, wherein the audience is constantly reminded that it is watching a play, is muted by Losey's cerebral direction. Galileo was one of producer Ely Landau's American Film Theatre presentations. ~ Hal Erickson, All Movie Guide

Richard Matheson adapted the screenplay of The Legend of Hell House from his own novel. In the tradition of Shirley Jackson's Haunting of Hill House, four people with alleged extrasensory powers are called upon to spend a weekend in a supposedly haunted house, to either prove or disprove the presence of ghosts. Roddy McDowall has been in the house before, and refuses to treat the possibility of paranormal activity lightly; scientist Clive Revill believes that he can trace the happenings to rational explanations involving electric current; Pamela Franklin is convinced that, if spirits exists, she will be able to communicate with them; and Gayle Hunnicutt plays Revill's young wife, ripe for "possession." ~ Hal Erickson, All Movie Guide

Henry VIII and His Six Wives is a feature film based upon the 1971 BBC miniseries The Six Wives of Henry VIII. Keith Michell weathers several makeup changes as the much-married titular monarch. While the miniseries was able to explore the political and personal reasons for the selection (and sometimes rejection) of the wives, the shortened version concentrates chiefly on such highlights as the birth of Queen Elizabeth and the execution of Anne Boleyn. The film is constructed in flashback form, with an aged Henry recalling his marital record. Side note: Donald Pleasence appears as Thomas Cromwell in Henry VIII and His Six Wives; Pleasence's daughter Angela had played Katherine Howard, Bride No. 5, in the original Six Wives of Henry VIII. ~ Hal Erickson, All Movie Guide