Lloyd Gough Movies
Red-haired character-actor Michael Gough was brought to Hollywood in 1948 after 14 years on Broadway. Gough's burgeoning film career was cut short when he was blacklisted on the basis of alleged communist ties; likewise prohibited from working in films was Gough's wife, Karen Morley. The most immediate effect of Gough's blacklisting occurred in the opening titles of RKO's Rancho Notorious (1952); though Gough was prominently cast as the film's principal villain, RKO head man Howard Hughes, a rabid commie-hater, demanded that the actor's name be removed from the credits. Gough retreated to the stage, returning before the cameras in the 1960s, by which time Hollywood's witch-hunt mentality had dissipated. One of his first "comeback" roles was as Michael Axford in the 1966 TV series The Green Hornet. In the 1976 film The Front, Lloyd Gough was reunited with several other former blacklistees, including actors Zero Mostel, Herschel Bernardi and Joshua Shelley, director Martin Ritt and screenwriter Walter Bernstein. ~ Hal Erickson, All Movie Guide- 1982
After three members of the same family are found murdered in their home, the police arrest the family's son, Glen Werner (Kelly Ward), for the killings. Glen's attorney tries to cop a plea for his client, claiming that the boy was insane at the time of the murders. Both Quincy (Jack Klugman) and DA Sal Angeletti (Joseph Sirola) are convinced that Glen is feigning insanity--but unless they act quickly, the murderer will be back on the streets in less than 90 days. ~ Hal Erickson, All Movie Guide
- 1982
Quincy (Jack Klugman) prepares to provide expert testimony in the murder trial of mob boss Victor Ramsay (Tige Andrews), determined to prove that Ramsay pressured his victim into having a heart attack. Unfortunately, Ramsay's son Joseph (Peter Virgo Jr.) has carefully arranged for Quincy to be discredited by planting phony evidence near the dead body of the only witness to the crime. Now Quincy has a scant three weeks to restore his reputation and nail the bad guys. ~ Hal Erickson, All Movie Guide
- 1980
In Fun and Games, a professional career woman is harassed by her boss, who then rejects her for promotion. The woman then sues her boss for sexual harassment ~ Jason Ankeny, All Movie Guide
Recently widowed Dr. Nichols (Walter Matthau) finds himself ill at ease in re-entering the singles scene. Then he meets Ann Atkinson (Glenda Jackson), a patient recuperating from a jaw operation. Freshly divorced from a philandering spouse, Jackson is as reluctant to inaugurate a lasting commitment as Walter--but inaugurate they do, in a hilarious scene wherein Jackson and Walter try to emulate those romantic couples in 1930s movies who were forced by the censors to keep one foot on the floor while lying in bed. It is Jackson who encourages Matthau to stand up for his ideals during a lawsuit involving senile head physician Dr. Willoughby (Art Carney, who is unbearably funny at times). Richard Benjamin rounds off the cast of polished farceurs who add so much sparkle to House Calls. The film was later adapted into a TV sitcom starring Wayne Rogers in the Matthau role, Lynn Redgrave (and later Sharon Gless) in the Jackson counterpart, and David Wayne as a less aphasiatic version of the Carney character. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Matthau, Glenda Jackson, (more)
- 1977
- PG
Larry Cohen's pseudo-biography of J. Edgar Hoover (Broderick Crawford) was virtually howled off the screens upon its release in 1977. Today, with the cross-dressing Hoover so much a matter of historical record that even Oliver Stone didn't bother to make too much of a point of it in Nixon, the Cohen film plays more like a dramatic re-enactment rather than the puerile paranoid fantasy it appeared to be at the time. Unfortunately, Cohen's method is part exploitation and part historical tableau. On the one hand, Cohen dramatizes historical moments in Hoover's momentous life story -- the shooting of John Dillinger in front of Chicago's Biograph Theater, his first arrest -- with a deadening solemnity (even abandoning the backlot facsimiles to shoot on the actual historical locations). On the other hand, Cohen relishes his scenes of Hoover's homosexuality and his propensity for sitting in the dark with a bottle of whiskey, replaying tapes of the amorous liaisons of high government officials -- the decadently homosexual Hoover built his political power base by getting all the dirt he could on the government's movers and shakers -- particularly their sexual liaisons -- and blackmailing them for their support when he could not get it in any other way. A true schizophrenic masterwork in its time, the film is now muted by a reality more incredible than Cohen ever imagined in his wildest dreams. ~ Paul Brenner, All Movie Guide
- Starring:
- Broderick Crawford, José Ferrer, (more)
The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, All Movie Guide
- Starring:
- Woody Allen, Zero Mostel, (more)
Los Angeles is the natural site for a film about earthquakes: they happen there frequently, and the landscape is familiar to moviegoers from thousands of films. A huge number of ongoing vignettes which include cameos from numerous celebrities and stars are tied together by the ongoing efforts of architect Graff (Charleton Heston) to rescue his estranged spoiled-rich-girl wife (Ava Gardner), while helping out with the ongoing rescue efforts taking place around him and while trying to determine what has happened to his mistress Denise (Genvieve Bujold). The rumbling sound effect designed for this film (Sensurround) won a "Best Sound" Oscar for the film in 1975. ~ Clarke Fountain, All Movie Guide
- Starring:
- Charlton Heston, Ava Gardner, (more)
For his TV-movie directorial debut, Michael Landon selected the autobiography of baseball-great Roy Campanella. It's Good to Be Alive begins when Campanella (Paul Winfield) is nearly killed in a car accident on January 26, 1958. He survives, but his fifth cervical vertebra has been fractured, meaning that he will be paralyzed for the rest of his life. Thanks to months of tireless efforts by physical-therapist Sam Brockington (Louis Gossett Jr.), Campanella is able to move about a bit, though he remains bitter about his condition. Campanella's accident causes a deeper rift in his already tottering marriage to his second wife Ruthie (Ruby Dee), and alienates his son David (Ty Henderson), who has been raised on his father's "never say die" philosophy. Realizing that by pitying himself he is letting his family down, Campanella sincerely adopts a more optimistic, upbeat outlook on life. Eventually, the wheelchair-bound Campanella accepts an offer to coach the LA Dodgers during spring training. In a finale reminiscent of Pride of the Yankees, Roy Campanella tearfully declares to an SRO audience at Los Angeles Coliseum that "It's good to be alive." When this 90-minute film first aired on February 22, 1974, it was introduced by the real-life Roy Campanella and his family (including his third wife Roxie). ~ Hal Erickson, All Movie Guide
- 1973
A roman a clef depicting the Wylie-Hoffert murders, this is the first of the made for TV movies introducing the Kojak character and was essentially the pilot for the long-running crime series. When a black ghetto youth is accused of two bizarre murders, Kojak takes it upon himself to find the real murderer. ~ Tana Hobart, All Movie Guide
If you think that Oliver Stone invented the "political paranoia" movie, take a glance at Executive Action sometime. Based on Mark Lane's Rush to Judgment, the conspiracy theorist's bible, Executive Action perpetuates the popular urban legend that John F. Kennedy was assassinated at the behest of a right-wing cartel with military and industrial interests. The film further hypothesizes that Lee Harvey Oswald not only didn't pull the trigger, but was also set up as a disposable dupe (this notion wasn't even new in 1973). Burt Lancaster, Robert Ryan and Will Geer play the sinister conspirators. In the film's coda, still photos of 18 witnesses to the assassination are shown, while the accompanying text informs us that all of these people had died between 1963 and 1973. We are further told that the odds against this coincidence are one in a trillion. When Oliver Stone's thematically similar JFK came out in 1991, viewers with long memories were quick to notice the eerie similarities between the Stone film and Executive Action -- right down to choice of camera angles. Hmmm....a conspiracy, perhaps? ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Robert Ryan, (more)
- 1972
Sandcastles dresses up an old story with pretty seascapes and prettier actors. Bonnie Bedelia is a lonely young musician who strikes up an acquaintance with the enigmatic Jan-Michael Vincent. Even though she sees him only while walking along the beach, Bonnie falls in love with this curious young man. When she tells others of her affair, she is informed that no such young man exists...but that he did exist, before he turned criminal and was killed. The truth is out: Vincent is a ghost, returned to Earth to clear his reputation. Sandcastles was shot on videotape by veteran TV-series helmsman Ted Post. ~ Hal Erickson, All Movie Guide
- 1971
- R
Adjustment to civilian life after participating in the Vietnam War does not prove easy for an old rancher's son. The boy (Michael Moriarty) returns to his father's ranch in the Pacific Northwest and brings along two of his war-time buddies to help out. One of them is a little slow on the uptake (William Devane), the other is a former sergeant who is a little too tightly sprung (Mitchell Ryan). After some initial conflicts, they seem to get along until the sergeant goes into flashback mode, believing he is back in Vietnam. ~ Clarke Fountain, All Movie Guide
Although the characters' names were changed, The Great White Hope was a thinly veiled account of the trials and tribulations of boxer Jack Johnson, based on the play by Howard Sackler and directed by Martin Ritt. James Earl Jones stars as boxing great Jack Jefferson, who defeats Frank Bardy Larry Pennell in a Reno, Nevada bout to become the world's first black heavyweight champion. After crossing a state line with his white girlfriend Eleanor (Jane Alexander in her feature debut), however, Jack is arrested and tried under the miscegenation-barring Mann Act. Found guilty and sentenced to three years in prison, Jack escapes and leaves the U.S., but he's dogged by his now bad reputation and can't get honest work as a fighter. Offered his freedom from criminal charges if he'll agree to a fixed fight in Cuba that will restore the title to a white contender, Jack refuses and Eleanor commits suicide, their life on the run overwhelming her. Jack finally accepts the bout in Havana, but he fights his opponent with everything he's got. ~ Karl Williams, All Movie Guide
- Starring:
- James Earl Jones, Jane Alexander, (more)
- 1969
- PG
After being blacklisted from Hollywood for 21 years, writer/director Abraham Polonsky made a healthy comeback with Tell Them Willie Boy is Here. The title character, played by Robert Blake, is a Paiute Indian living in 1909 California. After several years in the White Man's world, Willie Boy returns to his reservation, hoping to renew his romance with tribeswoman Lola (Katherine Ross). Old Mike (Mike Angel), Lola's father, strongly disapproves of her relationship with Willie Boy and attacks the youth. Acting in self defense, Willie Boy kills Old Mike. Under tribal rules, Willie Boy is now permitted to claim Lola as his woman. But white lawman Christopher Cooper (Robert Redford) is forced to charge Willie Boy with murder. The Indian and his girl escape the reservation, pursued by the essentially decent Cooper and a less-than-decent crowd of white vigilantes. What begins as comparative minor incident, snowballs into a huge political crisis, with the bewildered but defiant Willie Boy as the catalyst. Tell Them Willie Boy is Here is distinguished by the fine performances of leading players Redford, Blake, Ross and Susan Clark, and by the haunting cinematography of Conrad Hall. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Redford, Katharine Ross, (more)
- 1968
On California's Malibu Beach in the late 1960s, young people are enjoying a life with few responsibilities and plenty of romantic opportunities. Denny McGuire (Michael Sarrazin) is a beach bum without ambition. His roommate Collie Ransom (Tony Franciosa) is a professional tennis player who soaks up the admiration of other beach dwellers. Denny is attracted to Vickie Cartwright (Jacqueline Bisset), a mostly-out-of-work actress, and would like to settle down with her, but she is more enamored with a series of meaningless sexual encounters with men she meets on the beach or during acting jobs. The film turns more serious with the brutal beating death of Vickie. Denny pulls himself together and decides to become a more responsible adult by taking a job at a hardware store. Also working there is Choo-Choo Burns (Bob Denver), an off-the-wall jazz pianist. Choo-Choo joins Denny and Collie as another roommate. Pop music is provided by the San Francisco psychedelic band Moby Grape and the British balladeer Dusty Springfield. The script by Tom Mankiewicz was based on a novel by William Murray. ~ Michael Betzold, All Movie Guide
- Starring:
- Anthony Franciosa, Michael Sarrazin, (more)
It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, All Movie Guide
- Starring:
- Richard Widmark, Henry Fonda, (more)
Frank Sinatra brings a sneering Rat Pack ethos to his first hard-boiled detective role in Tony Rome. Tony is an ex-cop who lives on a houseboat off Miami, accepting fees for private-eye work. His former partner, Ralph Turpin (Robert J. Wilke), asks Tony for help in locating Diana Pines (Sue Lyon), the daughter of rich construction magnate Rudolph Kosterman (Simon Oakland). Tony finds her unconscious and drunk in a sleazy motel room and returns her to her home. Rudolph decides to hire Tony in order to find out why his daughter is behaving so erratically. In the meantime, Diana's stepmother, Rita (Gena Rowlands), also offers Tony money to inform her first about whatever Tony finds out. He discovers that Diana has lost an expensive diamond pin, but before he can act upon the information, he is beaten up by two goons and nearly killed by Diana's crazy step-uncle. Tony then finds out that Turpin has been murdered. With help from sultry and sexy divorcée Ann Archer (Jill St. John), Tony discovers that Diana has been funneling large sums of money to her alcoholic mother, Lorna (Jeanne Cooper), with Rita's priceless jewelry being replaced by fakes. A collection of disagreeable human sludge all take their turns trying to get Tony and the information that he holds -- including his old pal Lieutenant Santini (Richard Conte). After a murder attempt on Rudolph's life, Tony uncovers a series of vile connections involving blackmail, deceit, and betrayal. ~ Paul Brenner, All Movie Guide
- Starring:
- Frank Sinatra, Jill St. John, (more)
- 1966
In Washington DC for a secret meeting with a journalist who believes in his innocence, Kimble (David Janssen) saves the life of African ambassador Unawa (Ivan Dixon). Out of gratitude, Unawa allows Kimble to hide out in his country's embassy building, where the fugitive is protected by diplomatic immunity. Unforunately, Unawa's wife Davala (Diana Sands) is planning to turn Kimble over to the cops in a desperarte efforts to improve relations between her country and the U.S. Brock Peters rather surprisingly shows up unbilled in the role of an embassy servant. ~ Hal Erickson, All Movie Guide
- 1966
Using the alias Stephen Fitzgerald, con artist Andrew Cook (James Daly) has married the widow of a bank owner, embezzled the bank funds, and murdered his wife--a pattern he has followed for years in several other cities. Now the homicidal Cook has targeted wealthy Amy Hunter (Margaret Leighton) as his next victim, with both Amy's life and a million-dollar "prize" at stake. Inspector Erskine (Efrem Zimbalist Jr.) must figure out the reason behind Fitzgerald's modus operandi in order to stop him before he can steal--and kill--again. ~ Hal Erickson, All Movie Guide
- 1966
Elaine Bayler (Mala Powers), the wife of small-town big shot Richard Bayler (Lloyd Gough), is being blackmailed by an unknown party who threatens to expose Elaine's romance with her protegee, musician Donald Hobart (Will Hutchins), unless she ponies up $10,000. While making the "drop", Elaine is murdered, whereupon Donald's girlfriend Cynthia Perkins (Luana Patten) is charged with the crime. Perry Mason (Raymond Burr) is forced to relinquish a long-awaited fishing excursion to defend Cynthia in court. ~ Hal Erickson, All Movie Guide
- 1964
At great personal risk, Kimble returns to Fairgreen, Indiana, the home town of his late wife Helen. Having heard that his father-in-law Ed Waverly (Lloyd Gough) is on the verge of bankruptcy, Kimble hopes to somehow offer a helping hand. Though both Ed and his daughter Terry (Louise Sorel) have always believed that Kimble is innocent of Helen's murder, they are overruled by Ed's neurotic wife Edith (Ruth White), who refuses to accept any story but the "official" one about Kimble's guilt. Ultimately recognized by a local cop, Kimble must place his life in the hands of Ed and Terry--and somehow force Edith to face some very unpleasant truths about her "sainted" daughter Helen. ~ Hal Erickson, All Movie Guide
- 1964
In Volume 34 of a collection culled from the 1963-1965 science fiction anthology television series, an astronaut returns from Venus to find he can no longer stay warm in Earth's climate. ~ Jason Ankeny, All Movie Guide
