Ferdinand Gottschalk Movies

Before he became the high priest of realism, producer/director Andrew L. Stone was fascinated with classical music (he'd return to this fascination in his last production years with the disastrous Song of Norway and The Great Waltz). Two attractive jewel thieves, one female (Olympe Bradna), one male (Gene Raymond) escape together after their latest escapade and hide out in the home of an aged concert pianist (Lewis Stone). To cover their tracks and keep the old man from turning them in, the thieves pretend to arrange his comeback concert. The artifice becomes reality, the pianist makes a triumphant return, and the thieves reform. This 1938 film is not a remake of 1932's Stolen Heaven, which wove an entirely different story about a suicide pact. ~ Hal Erickson, Rovi

In this musical comedy of errors, David Brassard, Sr. (William Collier, Sr.) has his heart stolen from him by a conniving, gold-digging nightclub singer named Josette (Tala Birell). Brassard's two sons, Pierre (Robert Young) and David Junior (Don Ameche) are both horrified and vow to lure the temptress away from their dad. However, they somehow become convinced that the woman in question is Renee LaBlanc (Simone Simon), who is merely posing as a chanteuse in order to help out her friend Barney Barnaby (Bert Lahr), whose nightspot is in trouble. In time, Pierre and David Junior both realize that they've been chasing the wrong woman -- but they also realize that they've both fallen in love with her. The supporting cast includes William Demarest and Lon Chaney, Jr., the latter only a year before One Million B.C. would reshape his career and make him a star of horror and science fiction films. ~ Mark Deming, Rovi

In this comical murder mystery, three playwrights use $500 in advance money to get an apartment in which to write a mystery. A drunken neighbor staggers in and interrupts their brainstorming before passing out on the floor. The three playwrights then pretend that he is really dead and begin trying to figure out how it might have happened. Unfortunately, somewhere along the way, the drunk ends up dead for real and now the writers have some real work to do. ~ Sandra Brennan, Rovi

Autograph hound Al Babson (Eddie Cantor) accidentally disrupts the filming of a movie about Ali Baba, and is injured in the process. The filmmakers try to buy him off, but nurse Dinah (Virginia Field) suggests he be hired as an extra. He takes an overdose of painkillers, and his Arabian Nights dreams combine with the plot of the movie. His name leads the populace to think he's the son of Ali Baba, and he's taken to the palace of Sultan Abdullah (Roland Young), who's so impressed by Al that he makes him prime minister. Princess Miriam (June Lang) is in love with Yusuf (Tony Martin), the leader of the peasants, while Al has fallen for Deenah (also Virginia Field), whose father Omar (Maurice Cass) is trying to make a carpet fly. Meanwhile, the evil Prince Musah (Douglas Dumbrille) is conspiring with Sultana (Louise Hovick), one of Abdullah's many wives, to capture the princess, take over Bagdad, and kill Abdullah and Al as well. Miriam and Yusuf are unhappy because royalty and commoners cannot marry, so Al comes up with a plan to help his friends, but the plan spectacularly backfires, and Abdullah orders him to be boiled in oil. ~ Bill Warren, Rovi

Veteran movie leading man Bert Lytell warmed the director's chair for Along Came Love. Irene Hervey plays a shopgirl, while western star Charles Starrett dons civvies in the role of a pediatrician. Through a series of bizarre but credible complications, Hervey's mother (Irene Franklin) is arrested during a raid at a burlesque house, which plot device serves to bring hero and heroine together. All misunderstandings are ironed out within the film's 65-minute time frame, as we all knew they would be. Along Came Love was cowritten by Arthur Caesar, miles away from his Oscar-nominated original story for 1934's Manhattan Melodrama. ~ Hal Erickson, Rovi

This light-hearted musical romance follows the exploits of Nikki Martin (Lily Pons), a beautiful French opera star who stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader (Gene Raymond), who, after hearing her sing, eventually comes to reciprocate her feelings. That Girl From Paris received an Academy Award Nomination for Best Sound, and includes musical highlights such as, "Seal It With a Kiss," "The Blue Danube," "Una Voce Poco Fa," and "The Call to Arms." Directed by Leigh Jason, this movie also features actors Mischa Auer, Frank Jenks, Lucille Ball and Jack Oakie. ~ Tracie Cooper, Rovi

Marlene Dietrich stars as the noble Domini Enfilden in this third film version of Robert Hichens' 1904 novel. After caring for her dying father, Domini is told by her Mother Superior (Lucille Watson) that she should go to the Algerian desert to rest and seek sanctuary. On her way to the town of Beni-Mora, Domini meets the ill-tempered and mysterious Boris Androvsky (Charles Boyer), a Trappist monk who has forsaken his vows and also seeks the Algerian desert for salvation. Domini is attracted to this moody monk, but continues on. Her desert guide, Batouch (Joseph Schildkraut), takes Domini to a cabaret, where a riot breaks out during a production number. Boris re-appears to rescue her from the trashed club. Domini and Boris fall in love, marry, and travel to the desert for their honeymoon. There the newlyweds encounter a unit of the French Foreign Legion, whose commander, De Trevignac (Alan Marshal), holds a secret to Boris's past. ~ Paul Brenner, Rovi

In this mystery, an international news correspondent is fatally shot with three bullets. Now three men stand accused of the crime. All three confess their guilt and receive the death penalty, but only one of them is really guilty. Fortunately, a professor has invented a new kind of lie detector. He uses it to reveal the real killer's identity and save the lives of the others. ~ Sandra Brennan, Rovi

The old British musical-hall ditty "The Man Who Broke the Bank at Monte Carlo" provides the title for this lightweight Ronald Colman vehicle. Colman, playing a refugee Russian prince, is the "man" in question, and the owners of the "broken bank"--that is, the proprietors of the Monte Carlo casino where Colman scored the big win--are anxious to get their money back. They dispatch the beautiful Joan Bennett to lure Colman back into the casino. He falls for her and loses his winnings in the process, but she has pangs of remorse when she learns that Colman had been gambling on behalf of his impoverished countrymen. Bennett joins Colman as he merrily heads off to chase another rainbow. ~ Hal Erickson, Rovi

Anti-Communist politics and screwball romance make strange bedfellows in this comic tale that plays like a cross between the previous year's It Happened One Night (1934) and a less-sober version of a later generation's The Way We Were (1973). Barbara Stanwyck stars as Drue Van Allen, a college student whose father (Purnell Pratt) is a general in the U.S. Army. Dad is less than enthused with Drue's new beau Arner (Hardie Albright) because the lad is a propaganda-spouting Communist. The general would rather see Drue with Jeff (Robert Young), a handsome, all-American soldier who, despite the senior officer's endorsement, has chronic run-ins with authority and is about to go AWOL. When Drue and Jeff end up in a stolen trailer bound for Mexico, they get to know each other better, and General Van Allen sees a prime opportunity to get his daughter away from the red menace for keeps. Red Salute (1935) has also been exhibited under the titles Runaway Daughter and Her Enlisted Man. ~ Karl Williams, Rovi

Richard Boleslawski directed this lavish adaptation of Victor Hugo's oft-filmed epic novel. Fredric March stars as Jean Valjean, who is hauled into prison for stealing a loaf of bread. After ten years at hard labor, he escapes from the merciless prison but the years have taken their toll and Valjean is now a hard and embittered man. Valjean regains his compassion after the kindly Bishop Bienveenu (Cedric Harwicke) refuses to prosecute him for the theft of his candlesticks. Under an assumed name, Valjean becomes a widely liked and respected mayor. He devotes his life to helping others and adopts a young girl as his own. But the town's chief of police, Javert (Charles Laughton) is suspicious about the mayor and one day, after Valjean lifts a wagon off of a man, Javert remembers Valjean from his days on the prison galley. Javert sets out to uncover the mayor's true identity, but Valjean beats him to it -- when a man who claims to be Valjean is put on trial, Valjean appears at the court and reveals his secret. But before he is arrested, he escapes with his adopted daughter Cosette (Rochelle Hudson) to Paris. In Paris, he assumes yet another identity. Cosette falls in love with student radical Marius (John Beal) and Javert, assigned to Paris to keep an eye on the revolutionaries, latches onto Valjean's trail once again. As Paris simmers in revolution, Valjean and Javert reveal themselves to each other for a final confrontation. ~ Paul Brenner, Rovi

In this lively musical, debonair Maurice Chevalier plays a popular performer at Paris' most notorious hotspot. One reason he is much loved is that he bears an uncanny resemblance to the prominent Baron Cassini, a person the performer frequently mocks. The Baron is having severe financial difficulties and may lose his fortune if he cannot make two simultaneous appointments. But of course, he hires the performer to impersonate him at a grand ball. Unfortunately, the Baron neglects to tell the Baroness and the performer does not tell his girl and such is the beginning of many merry romantic mix-ups. This film was shot in two simultaneous versions, one French and one in English. In the former, the women were portrayed by different women, and the Folies Bergere dancers performed topless. The final production number "Straw Hat" earned choreographer Dave Gould an Academy Award. ~ Sandra Brennan, Rovi

If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman's reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband's "masterpiece," a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who'd later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn. And of course, Lily Pons is seen and heard to excellent advantage in a variety of solos, both brand-new (courtesy of Jerome Kern) and classical: In the closing production number, the svelte Ms. Pons is alluringly garbed in a revealing oriental costume, proving once and for all that women did have belly-buttons back in 1935! ~ Hal Erickson, Rovi