Ann Todd Movies

Suicidal Sylvia (Ann Todd) desperately wants to be reunited with Peter, the callous fortune-hunter whom she'd married after a whirlwind courtship, and whom she was forced to divorce by her wealthy father John Leeds (John McIntire). Aware of Sylvia's ardor, Peter approaches John and offers to leave for good if he is paid off. Upon finding this out, Sylvia pulls out a gun -- but whom will she shoot, herself or Peter? This episode is based on a short story by Ira Levin, of Rosemary's Baby fame. ~ Hal Erickson, All Movie Guide

Breaking the Sound Barrier juxtaposes the history of jet aviation with an intensely personal fictional story. Ralph Richardson plays a wealthy aircraft manufacturer, stubbornly determined to develop a jet that will travel faster than the speed of sound. Richardson's seemingly cavalier attitude toward the pilots who have died on behalf of his dream--including his own son (Denholm Elliott)--has turned his daughter (Ann Todd) against him. When the daughter's fighter-pilot husband (Nigel Patrick) agrees to test Richardson's jet, he too loses his life. The daughter walks out of her father's life and sets up residence with the wife (Dinah Sheridan) of another pilot (John Junkin). Richardson approaches this pilot as well with his challenge--and this time the "sound barrier" is successfully broken without anyone being killed. Reconciled to the fact that her father's apparent coldbloodedness was in the interest of scientific progress, the daughter and her newborn child are reconciled with Richardson. The first independent project of director David Lean, Breaking the Sound Barrier was a huge success, persuasively scripted by Terence Rattigan and beautifully photographed by aerial specialist Jack Hildyard. The film's original British title was simply The Sound Barrier, but the American distributor apparently didn't want filmgoers to think the movie was about the record industry. ~ Hal Erickson, All Movie Guide

Daybreak a dark, depressing melodrama, tells the story of Eddie (Eric Portman) an unemployed hangman who marries Frankie (Ann Todd) after meeting her in a bar. The couple live on a barge and one day Portman returns home unexpectedly to finds Frankie in the arms of handsome longshoreman Olaf (Maxwell Reed). A fight ensues, and Eddie is knocked overboard and disappears. Frankie, guilt-ridden, commits suicide, and Olaf is arrested for the murder and sentenced to death as the story concludes in a surprising plot twist. The film, rather long and somewhat labored, is difficult to watch because of its unrelentingly depressing viewpoint, but the performances of Eric Portman and Ann Todd add interest and flavor to an otherwise slow drama. ~ Linda Rasmussen, All Movie Guide

Though its title suggests that Gaiety George is yet another vehicle for British comedian George Formby, the film is in fact a biopic. Richard Greene plays Irish theatrical impresario George Howard, whose elaborately staged musical entertainments were highlights of the early 20th century. Wounded during World War I, Howard returns to London and virtually forgotten, compelling him to mount a spectacular comeback. Surprisingly, the weakest element is not its banal plotline but the musical numbers, which are staged with little of the "feel" or energy of the period. Released in the US as Showtime in 1948. ~ Hal Erickson, All Movie Guide

This sequel to the classic adventure, stars Sean Flynn, the son of the swashbuckling actor who played Captain Blood in the original. In this version, the son of the notorious pirate is raised by his mother. She wants him to be a doctor, but unfortunately, the lad has salt-water in his veins and adventure in his heart; he longs to sail the high seas of his father. Eventually the mother gives in, and young Blood joins a crew. There he finds himself falling in love with a pretty passenger. Trouble ensues when a wicked pirate attempts to forcibly board the ship. He soon discovers that the old villain was one of his father's worst enemies. Adventurous mayhem ensues. After the ocean-going outlaws are defeated, the good sailors race homeward to warn the people of an impending tidal wave. They succeed and end up hailed as heroes. The young Blood then decides that he has had enough of the sea-faring life and decides to become a humble doctor after all. The lovely female passenger remains by his side. ~ Sandra Brennan, All Movie Guide

In this British drama, a new public school encounters trouble when the new sports instructor arrives and begins using his willful personality to manipulate his peers and the headmaster. When he attempts to forcibly foist himself upon the assistant matron, a brave hero intervenes and saves her. Later the matron and he journey to Canada to begin a new life. ~ Sandra Brennan, All Movie Guide

David Lean's Madeleine was inspired by a true story that rocked the English legal system to its foundations in the mid-19th century. Told in flashback, the film explains why aristocratic young Scotswoman Madeleine Smith (Ann Todd, then the wife of director Lean) is on trial for murder. The audience is apprised of Madeleine's illicit romance with deceptively charming Frenchman Emile L'Angelier (Ivan Desny), her futile attempts to break off the relationship, her "proper" betrothal to Englishman William Minnoch (Norman Wooland), and the murder by poison of the now-inconvenient L'Angelier. The jury's verdict was as controversial in 1950 as it had been a century earlier. David Lean and scenarists Stanley Haynes and Nicholas Phipps refuse to take sides, permitting the viewers to draw their own conclusions about the notorious Madeleine. ~ Hal Erickson, All Movie Guide

Roddy McDowall stars Hugh Aylesworth, as a well-bred English youth who is evacuated to America during the London blitz. Hugh moves into the home of Mr. and Mrs. Andrews (Don Douglas and Katherine Alexander), both of whom are charmed by their little guest's impeccable manners. Less charmed is the couple's own son Don (Freddie Mercer), who not only feels neglected, but considers Hugh a royal pain in the posterior. But Hugh proves himself a "regular guy" when he helps Hugh foil a particularly scabrous schoolyard bully (Stanley Clements). For reasons unknown, On the Sunny Side never seems to show up on TV, not even in the wee small hours. ~ Hal Erickson, All Movie Guide

The British writer/director team of Jimmy Sangster and Seth Holt was never satisfied unless it scared the bejeepers out of its audience. Scream of Fear stars Susan Strasberg as the crippled daughter of Ann Todd, whom she meets for the first time during a vacation on the Riviera. There's something unsettling about Strasberg's surroundings and her mother's behavior. But when Strasberg insists that she's seen the dead body of her father, it is she who is considered off the beam, while everyone else is treated as normal. Perhaps the authorities are right; perhaps Strasberg is merely neurotic and overwrought. And perhaps there's more than one plot twist ahead of us as we draw nearer and nearer the truth. Scream of Fear was originally released in Great Britain as Taste of Fear. ~ Hal Erickson, All Movie Guide

Taking advantage of Paramount's "frozen funds" in Britain, producer Hal Wallis was able to film much of So Evil My Love in London. Based on a novel by Joseph Shearing, whose previous Gothic romances included Moss Rose and Blanche Fury, the film stars Ray Milland in his first (but hardly his last) all-out villainous characterization. Milland is cast as charming scoundrel Mark Bellis, or at least that's what he's calling himself at the moment. Escaping his latest criminal escapade by boat, Bellis falls victim to a malaria epidemic. Nursed back to health by young widow Olivia Harwood (Ann Todd), Bellis repays the favor by pretending to fall in love with her, all the while intending to deplete her of her estate and bank account. Eventually Bellis' evil nature corrupts Olivia as well, prompting her to indulge in blackmail, with her old school friend Susan Courtney (Geraldine Fitzgerald) as the victim. Eventually, Olivia is driven to commit murder, carefully arranging the evidence to convict poor Susan. But when Bellis double-crosses her one time too many, Olivia belatedly does the "right thing," clearing her conscience if not her good name. ~ Hal Erickson, All Movie Guide

An emotionally disturbed cult member loses grip on his sanity and sets off on a killing spree. ~ Iotis Erlewine, All Movie Guide

The Green Scarf may be set in France, but its cast, crew, and overall tone is impeccably British. Michael Redgrave, hidden beneath a mattress of whiskers, portrays a French lawyer who takes on a seemingly hopeless case. His client, Kieron Moore, is a blind deaf-mute seaman accused of murder. Moore has already confessed to the crime, but Redgrave is sworn to give the best defense possible. At times, however, it is the dullest defense possible, despite a few random spurts of imagination. The Green Scarf was adapted from the novel The Brute by Guy des Cars. ~ Hal Erickson, All Movie Guide