Will Gotay Movies

An ancient evil escapes its captivity in a Mayan temple in Mexico, kills the archaeologists who unearth it, and heads straight for a toy factory, which is eventually taken over by a new American owner (Sam Bottoms) and refurbished. When the owner's daughter (Candy Houston) discovers one of the previous owner's doll creations and brings it home, she soon develops a strangely intense attachment to her new toy. The family's superstitious housekeeper begins to suspect demonic work afoot... and is promptly dispatched by the doll. Another archaeologist (Rip Torn) attempts to further his predecessor's research into the demon's origins and finds that the evil force was conjured centuries ago by a black-magic cult, whose members aspired to breed a hybrid of man and demon. The little girl's parents refuse to accept this theory... until they come face-to-face with an army of the malevolent dolls, all of which are under the man-beast's control. A decent but obvious riff on Child's Play, this also makes a few chilling nods to Trilogy of Terror's rampaging Zuni doll segment, and the dollies are suitably spooky. ~ Cavett Binion, Rovi

John McNaughton's flawed but interesting follow-up to Henry: Portrait of a Serial Killer languished in distribution limbo for years before its brief theatrical run and subsequent video release. It presents a completely different breed of killer: an alien criminal who is exiled to life on Earth in human form. As if that weren't punishment enough, the creature's human guise is susceptible to frequent head-eruptions, creating the constant need for replacement heads. This leads to a grim and violent series of episodes in which the creature pops the tops of various citizens, ranging from a kindly, homeless eccentric (Antonio Fargas) to a lascivious doctor (Tony Amendola)... at one point, he even "borrows" the head of a dog! Following the trail of discarded heads are two cops (Rae Dawn Chong and Don Gordon), who eventually begin to suspect they're not dealing with the M.O. of the average serial killer. A few creative plot twists (particularly at the conclusion), grim atmosphere and generally good performances enliven this one-note material, which nevertheless fails to measure up to the harrowing, character-driven horror of McNaughton's acclaimed debut feature. ~ Cavett Binion, Rovi

Edward James Olmos portrays the real-life Jaime Escalante, a no-nonsense mathematic teacher in a tough East LA high school. Handed a classroom full of "losers" and "unteachables," Escalante is determined to turn his young charges' lives around. Drawing from his own cultural heritage, Escalante forms a bond with his largely Hispanic student body, evoking the names of famous Spaniards and Latin Americans whose great accomplishments were predicated on their ability to learn. The students gradually come to realize that the only way they'll escape their own poverty-stricken barrio is to improve themselves intellectually. As a result, the class' academic achievements soar dramatically -- too dramatically for the Educational Testing Service, which is convinced that the class' high test scores are the results of cheating. The triumphant exoneration of Escalante's students provides Stand and Deliver with its rousingly upbeat conclusion. ~ Hal Erickson, Rovi