Helen Goss Movies

This is the film version of Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde in which Hyde is the handsome, clean-shaven one. Though top-billed Christopher Lee, portraying a caddish playboy, was the beneficiary of all the ad publicity, it is Paul Massie who plays Dr. Jekyll and Mr. Hyde. The "horror" in the film is mostly sociological, with Jekyll learning first hand of the corruption lurking beneath the respectable facade of the Victorian Era. His metamorphosis into Hyde is meant as an allegory to the evils of drug addiction, another "don't ask--don't tell" element of 19th century London. In still another departure from the Stevenson original, Jekyll becomes Hyde not because he can't control his alter ego, but because he wants to exact revenge on Christopher Lee, who has been siphoning off Jekyll's savings to finance his own gambling and womanizing. In contrast to Stevenson's story, Jekyll/Hyde does not die--though the strain of being Hyde has permanently scarred Jekyll's psyche. Two Faces of Dr. Jekyll was originally released in Britain as House of Fright. ~ Hal Erickson, All Movie Guide

In the 17th century, the arrogant, cruel Hugo Baskerville (David Oxley) brutalizes a servant and prepares to turn the man's daughter over to his equally depraved companions, but she escapes. When he catches up with the girl in a ruined abbey, he kills her and then is attacked and killed himself by a huge hound that is never seen. The audience then learns that this story is being told in flashback to Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) by Dr. Richard Mortimer (Francis DeWolff). He was the physician and friend to the late Sir Charles Baskerville, who recently died -- apparently of fright -- on the Devonshire moors near that same ruined abbey. Holmes is very skeptical, but agrees to meet Sir Henry Baskerville (Christopher Lee), who has just arrived in London to claim the estate. Sir Henry is cold and aloof but becomes convinced he's in danger when he's almost bitten by a tarantula. Holmes insists that he not go to Baskerville Hall alone, so Holmes sends Watson to Devonshire with Sir Henry.

In Devonshire, Sir Henry and Watson learn that an escaped convict, Selden, is at large on the moor. Watson meets local Bishop Frankland (Miles Malleson), and later on the moor, Baskerville's neighbors, Stapleton (Ewen Solon) and his daughter, Cecile (Marla Landi). Watson is almost trapped in one of the many bogs that dot the moors, but he escapes. Later, leaving Sir Henry stricken with a mild heart attack at the hall, Watson ventures again onto the moors, and to his surprise, discovers Sherlock Holmes there. Holmes has been hiding and watching for developments. They hear the howl of the hound, and are too late to prevent the huge beast from killing a man they take for Sir Henry. But back at Baskerville Hall, they find Sir Henry alive and well: the dead man was the convict Selden, dressed in some old clothes of Sir Henry's. At the ruined abbey, they find evidence that a strange rite has been performed.

When Holmes visits Frankland for information, he learns that someone has stolen the bishop's tarantula. (He's an amateur naturalist.) Meanwhile, near Baskerville Hall, Sir Henry meets Cecile, and they are attracted to one another. Holmes, Mortimer and Stapleton descend into a disused tin mine in search of evidence, but a cave-in almost traps Holmes. That evening, when Sir Henry goes to meet Cecile on the moors, he learns that she actually hates him, and that the hound is now on his trail. Holmes and Watson arrive almost too late to save him, but Holmes kills the hound and reveals it's an ordinary, if large, dog in a mask. The villain is a descendant of Sir Hugo's from "the wrong side of the sheets"; he and his daughter were determined to use the legend of the Hound to kill those standing between them and Baskerville Hall.
No movie version of Sir Arthur Conan Doyle's most famous novel follows its source very closely, and this colorful Hammer film is no exception. An extra killer is added, events are compressed, and even the novel's most famous line -- "they were the tracks of an enormous hound!" -- is omitted. The film also suffers at times from a budget too low for its ambitions and by extraneous elements aimed at making it more like a Hammer movie, such as the unexplained "rite." However, the movie has a brisk pace and particularly strong characters. Lee, initially icy and arrogant -- perhaps to remind us of Sir Hugo -- thaws into a likable person romantic enough to fall in love, atypically for Lee. Andre Morell is one of the most solid and realistic Watsons ever; there's nothing whatever of the harrumphing Nigel Bruce, no comedy elements to the role at all. He's straightforward, heroic in his own right. But the triumph of the film
was the casting of Peter Cushing as Sherlock Holmes. Cushing's Holmes is vivid, dynamic and arrogant; the actor does not even attempt to make Holmes likable, but instead plays the character exactly as Doyle wrote him. It's a performance of steely integrity and terrific skill, one of the greatest Holmes performances ever. Cushing later played Holmes in a television series, and became as identified with the role in England as Basil Rathbone was in the United States. Cushing returned once again to the role late in life, in the TV movie The Masks of Death, as well as writing about Holmes for several books. ~ Bill Warren, All Movie Guide

In one of her few English-speaking appearances, French leading lady Martine Carol plays Tracy, the daughter of a political prisoner. Tracy hires soldier-of-fortune Carson (Van Johnson) to smuggle her into Albania by way of Greece. Once behind the Iron Curtain, Tracy and Carson enlist the aid of a group of freedom-loving Albanian outlaws, led by Trifon (Herbert Lom). The final third of the film details the desperate escape attempt involving Tracy, her father and Carson. Filmed in Spain and released in the U.S. by Van Johnson's home studio of MGM, Action of the Tiger was based on a novel by James Wellard. Watch for Sean Connery in a barroom-brawl sequence. ~ Hal Erickson, All Movie Guide

The second of Disney's British-produced "historicals" (the first was Robin Hood, the last was Rob Roy, the Highland Rogue), The Sword and the Rose eschews historical accuracy in favor of wall-to-wall adventure and eye-filling pageantry. The film takes place in the court of King Henry VIII (James Robertson Justice), whose sister Mary Tudor (Glynis Johns) has fallen in love with soldier of fortune Charles Brandon (Richard Todd). Mary appoints Brandon Captain of the Guards, which rests not at all well with her erstwhile suitor, the Duke of Buckingham (Michael Gough). Rather than foment court intrigue, Brandon decides to move on to America, only to end up in the Tower of London when Mary tags along with him, disguised as a boy. Mary is ordered by Henry to wed the aging King of France (Jean Mercure), who promptly dies, leaving the girl at the mercy of the evil Dauphin (Gerard Oury). When rescued by the Duke of Buckhingham, Mary is informed that Charles is dead, but in fact her true love still lives, as he proves beyond doubt in a climactic battle with the duplicitous Duke. Sword and the Rose was based on Charles Major's novel When Knighthood Was in Flower, previously filmed in 1923 with Marion Davies. ~ Hal Erickson, All Movie Guide

The British Something Money Can't Buy offers a few smaller-scale variations on themes previously explored in the 1946 Hollywood Oscar-winner The Best Years of Our Lives. Harry Wilding (Anthony Steel), a high-ranking wartime military officer, has trouble adjusting to his go-nowhere civilian job and the monotony of his home life. Harry's wife Anne (Patricia Roc) tries to make things easier for her husband, but there are no easy answers to his plight. The inherent drama of the situation is leavened by moments of gentle humor, not to mention the warm rapport between stars. The supporting cast includes hirsute comic actor (and longtime David Niven crony) Michael Trubshawe and the venerable A. E. Mathews, at the time billed as England's oldest working actor. Director Pat Jackson co-authored the perceptive screenplay of Something Money Can't Buy with James Lonsdale Hudson. ~ Hal Erickson, All Movie Guide

Cheer the Brave is a minor British domestic comedy, good for a few laughs during its scant 62 minutes. Elsie Randolph plays the domineering wife of downtrodden Geoffrey Keen. As if wifey isn't enough of a terror, Keen has to contend with mother-in-law Marie Ault. Keen finally gets the gumption to skeedaddle when Randolph's first husband Jack McNaughton make a return appearance. Cheer the Brave was the first directorial effort of former editor Kenneth Hume, who also wrote and produced it. ~ Hal Erickson, All Movie Guide

The alternate title to the British The Woman in Question is Five Angles on Murder. That pretty much sums up the tenor of this investigatory drama, wherein an enigmatic fortune teller (Jean Kent) is murdered. The police track down the five most likely suspects and start asking questions. Each suspect offers a different perspective on the murdered woman, and each provides a vital clue towards solving the killing. This "prismatic" technique was of course the foundation of Citizen Kane; while The Woman in Question is not in Kane's league, its gimmick holds the audience's attention whenever director Anthony Asquith allows the pace to lag. ~ Hal Erickson, All Movie Guide

There's dirty work backstage in the British melodrama My Sister and I. Sally Ann Howes plays Robina Adams, an aspiring actress who lands a job at the provincial repertory company managed by Miss Havisham-like Mrs. Camelot (Martita Hunt). Still carrying a torch for her late husband, Mrs. Camelot makes everyone's life miserable until she is found dead of gas poisoning. The solution to the murder is hinted at in the film's title, which is all that can be revealed for now. A subplot concerns the romantic tug-of-war between Robina and her two would-be swains, actor Graham Forbes (Dermot Walsh) and lawyer Roger Crisp (Patrick Holt). ies. ~ Hal Erickson, All Movie Guide

In this costume drama, a woman finds herself the prize in a battle between two jealous brothers. Eventually she marries the suave one, but finds that he is most displeased by her inability to behave in a matter he deems appropriate for a woman of her station. The sad wife takes her troubles to the other brother who suggests she divorce her husband and take up with him. She ignores the advice and reconciles with her man. The angered brother then poisons the husband and tries to get the wife blamed for the death. ~ Sandra Brennan, All Movie Guide

Adapted from a novel by Osbert Sitwell, A Place of One's Own has a double-edged title: It refers to a physical place as well as a spiritual one. An elderly couple (played with a surplus of age makeup by Barbara Mullen and James Mason) purchase an old house. They've been warned that it's haunted by the spirit of a murdered girl, but decide to set up housekeeping anyway. The restless ghost responds to this intrusion by possessing the soul of Annette (Margaret Lockwood), the old couple's young live-in companion. Leading man Dennis Price is on hand as Dr. Selbie to attempt an emergency exorcism on the vulnerable Annette. A Place of One's Own is a serviceable "spook show" which might have even been better with a little more emotional involvement on the part of the principals. ~ Hal Erickson, All Movie Guide

Based on a novel by Dorothy Whipple, the British They Were Sisters is not so far removed from the standard Hollywood plot of three sisters' lives taking divergent paths. The siblings in this instance are Phyllis Calvert, Dulcie Gray and Anne Crawford. Each sister is married, thus the film periodically shifts attention from one household to the next. What gives this film teeth is James Mason, playing the nastiest and most abusive of the husbands. Incidentally, They Were Sisters supporting player Pamela Kellino became James Mason's real-life wife. ~ Hal Erickson, All Movie Guide

Released in the US as The Randolph Family, Dear Octopus was based on the internationally popular play by Dodie Smith. The story is motivated by the Golden Wedding anniversary of Charles and Dora Randolph (Frederick Leister, Helen Haye). As the relatives gather, each reveals his or her personal quirks and shortcomings. Caught in the middle is family secretary Penny Fenton (Margaret Lockwood), who has the unenviable task of sorting and smoothing out the family's many deep-set hostilities and jealousies so that a good time will be had by all. The basic premise of Dear Octopus is established early on; the rest of the film is variations on a single theme, albeit consistently amusing ones. ~ Hal Erickson, All Movie Guide