Michael Gorrin Movies

Slow-moving and dark, this Klute clone stars Talia Shire as Emily Hollander, a retiring, painfully introverted woman with a stutter who advertises her insecurity. She is attacked one day and her anguish recorded on tape by her assailant. It soon becomes apparent that her wacko lesbian neighbor Andrea (Elizabeth Ashley) is in love with her but too demented to express herself openly. She hired the assailant, though exactly why is not clear. Detective Bob Luffrono (Joseph Cortese) is called in to watch over Emily and perhaps corner her attacker. The relationship between Emily and the detective starts to slowly heat up, but meanwhile, there is Andrea with her telescope, spying on Emily and definitely up to no good. ~ Eleanor Mannikka, Rovi

Norman Jewison's blackly satirical look at the American justice system has gained in stature as one of the more incisive social commentaries of its time. Al Pacino plays Arthur Kirkland, an incorruptible attorney who attempts to initiate reforms in the Maryland justice system. Kirkland is haunted by the fates of two past clients, one of whom committed suicide in jail; the other is still alive but is locked up on a trumped-up traffic violation. The ability of power and money to distort the pursuit of justice becomes all too clear as Kirkland finds out how deeply the rot has spread. He finally retaliates by representing a repulsive judge (John Forsythe) accused of rape. Pacino's and Forsythe's performances are intense and powerful. Many critics found the film biting and almost painful in its razor-sharp indictment of the justice system, while others declared the script too outrageous. ~ Don Kaye, Rovi

On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides. ~ Bruce Eder, Rovi