Cliff Gorman Movies

Justine (Anouk Aimee) is a Jewish prostitute living in Egypt who manages to sleep her way to the top. Marrying a financial minister, Justine works her way up from her beginnings as a hooker, but continues to use her sexual allure as a tool to win her and her husband's ends. Along the way, she helps the Jews fight for their own homeland against the British and Arabs. The story is told from the perspective of the English nobleman Darley (Michael York), who first meets the temptress in 1938. The Jews in Egypt are continually pressured by the Moslem majority, who also persecute local Coptic Christians. Justine helps both Christians and Jews in Alexandria receive fair treatment despite religious and racial prejudice. Dirk Bogarde and Anna Karina also star in this story tinged with adultery, incest, homosexuality and religious and nationalistic fervor. This story is based on the novel Justine, one of four which comprise the Alexandria Quartet, by British diplomat and novelist Lawrence Durrell. ~ Clarke Fountain, All Movie Guide

The made-for-TV The Class of 63 is set at a ten-year college reunion. Joan Hackett and Cliff Gorman play a married couple who eagerly anticipate meeting old friends at the event. But Gorman's festive spirit dissipates when Hackett's old boy friend James Brolin makes an appearance. In fact, Gorman harbors dreams of eliminating Brolin for keeps. First telecast March 14, 1973, Class of '63 was filmed on location at Princeton University and USC. ~ Hal Erickson, All Movie Guide

Originally made as a pilot for a failed television pilot, this action crime drama centers on the exploits of a special strike force that is comprised of a Federal agent, a state trooper (a very young Richard Gere), and a New York City police officer who busted up a ring of drug dealers. The film, a typical detectives-find-the-crooks drama, is appropriately authentic with plenty of the grit, language, and concern for then neighborhood that we have come to expect from New Yorkers. Straight-ahead drama, moderate action, and solid acting mean that this film will not disappoint. Although the recent release on DVD features Richard Gere on the cover, this was one of his very first film appearances, and in a minor role at that. The DVD release does nothing to improve on what appears to be a direct transfer of an older, quite grainy film. ~ Michael Erlewine, All Movie Guide

The Silence is based on the true story of Stanley Greenberg, a finer West Point cadet who broke one of the Point's most intimidating traditions. Richard Thomas plays Greenberg, a young man to whom being in the right is something of an obsession. Already an unpopular cadet, Greenberg is accused by of cheating by an upper classman and "invited" to leave West Point. He refuses, whereupon he is subjected to "The Silence:" the other cadets not only refuse to speak to him, but pretend as though he doesn't exist. After two years of this treatment, Thomas hires writer Cliff Gorman to publish the details of his ordeal. The result is the legal elimination of West Point's "Silence;" we should be happy at this, but Richard Thomas' portrayal of Greenburg character is so doggedly obnoxious that we don't care one way or another what happens to him. ~ Hal Erickson, All Movie Guide

Like 1976's "Part One," Having Babies, Part 2 is a multiplotted TV movie about the effect of parenthood on four couples. The first film concentrated on a natural childbirth class. This second film broadens the subject matter with glances at adoptions and unwanted pregnancies. Among the many new parents are Tony Bill (taking time off from his producing career), Carol Lynley, Wayne Rogers, Lee Meriweather and Rhea Perlman. The film closes on some actual footage of twins being born. One year later, a third Having Babies film was telecast, under the imaginative title Having Babies III. Repeating her role from "Part 2" was Susan Sullivan, whose obstetrician character became the basis of the short-lived series Julie Farr, MD. ~ Hal Erickson, All Movie Guide

A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide

The protagonists are secondary and uni-dimensional in this unlikely actioner about a divorced father (James Brolin) tearing through New York chasing the man who kidnapped his daughter (Abby Bluestone). Sean Boyd (Brolin) is an ex-cop with an enemy on the force out to kill him. Between dodging his would-be assassin, fighting off street thugs, and getting crashed into by one car after another, Boyd is not about to give up or get seriously hurt. In the meantime the police themselves are too inept to catch the kidnapper (Cliff Gorman), and the winsome Marie (Julie Carmen) has decided to hang out with Boyd and help him find his daughter. ~ Eleanor Mannikka, All Movie Guide

Cocaine and Blue Eyes was the pilot film for a TV detective series starring former footballer O.J. Simpson (who also produced the film). Playing a private eye in San Francisco, Simpson is hired by a man who ends up seriously dead. The deceased client had wanted Simpson to locate a former girl friend, and in carrying out his assignment Simpson unearths a deadly (and very well connected) cartel of drug dealers. Cocaine and Blue Eyes gathered dust until O.J. Simpson's murder trial in 1994. After that, this tiresome old TV movie became a staple of "Late Late Shows" everywhere. ~ Hal Erickson, All Movie Guide

Based on William Bayer's novel Switch, the made-for-TV Doubletake introduced Richard Crenna to his oft-played role of detective Frank Janek. As always, Janek is assigned to a particularly gruesome and profoundly puzzling murder case. A prim lady schoolteacher and a hooker are both killed on the same evening; their bodies are decapitated, and their heads are switched! The first installment of this two-part movie details the early stages of the investigation, as well as the growing relationship between Janek and photographer Caroline Wallace (Beverly D'Angelo), the daughter of a cop who'd died in a mob hit. Part two reveals the "dark side" of the case, exposing corruption in the highest police circles and implicating someone very close to Janek in the double murder. Doubletake was originally telecast on November 24 and 26, 1985, and has since been reissued as a single three-hour film. ~ Hal Erickson, All Movie Guide

Internal Affairs is the second TV-movie based on the works of detective novelist William Bayer. Richard Crenna, who first played NYPD detective Richard Janek in 1985's Doubletake, is back, now as a functionary of Internal Affairs. He has been assigned to solve the murder of a woman who may have been the victim of a kinky serial killer who'd flourished in Saigon 12 years earlier. Meanwhile, Janek's ex-boss (Lee Richardson), now a jailbird, gives the Janek the tip that several cops may be illegally selling guns. Internal Affairs was originally telecast in two parts in November of 1988. ~ Hal Erickson, All Movie Guide

Michael Gross plays Don Scott, the real-life protagonist of the 1990 TV movie Vestige of Honor It is Scott's mission in life to uphold the governmental assurances made to the Montagnards, a group of pro-US Vietnamese who'd been promised safe conduct to America after the war. But when Saigon fell, the Montagnards were left behind in a refugee camp supervised by a disgraced ex-Green Beret (Gerald McRaney). Forming an uneasy alliance with the military man, Scott battles the new Vietnamese government and an indifferent American bureaucracy in securing freedom for the Montagnards. Partially filmed in Bangkok, Vestige of Honor is well intentioned, but seems more interested in proselytizing than in stirring up emotional involvement in the story. ~ Hal Erickson, All Movie Guide

Richard Crenna returns as Lt. Frank Janek of the NYPD in the TV movie Murder in Black and White. As in his previous appearances in Doubletake (85) and Internal Affairs (89), Janek is called upon to solve a bizarre and baffling murder. This time the victim is Janek's own boss, the new commissioner of police. The lieutenant deduces that this murder is tied in with the killing of a physician, which occurred only a few hours earlier. Diahann Carroll plays the commissioner's widow, who may or may not be privy to a departmental cover-up. Murder in Black and White was the first made-for-TV movie to be telecast in 1990. ~ Hal Erickson, All Movie Guide

Richard Crenna makes his fifth appearances NYPD detective Frank Janek in Terror on Track 9. The villain this time is a serial killer who preys upon women at Grand Central Station. The murderer's modus operandi is to inject his victims with poison. Janek suspects that the perpetrator is a man with a extensive background in chemistry-but he's still whistling in the dark, inasmuch as he has millions of suspects to choose from. Joan Van Ark and Swoosie Kurtz costar. Made for television, Terror on Track 9 debuted September 20, 1992. ~ Hal Erickson, All Movie Guide