Maude Turner Gordon Movies

Baroness Orczy, author of The Scarlet Pimpernel, came up with the story upon which The Emperor's Candlesticks was based. As in Pimpernel, the theme is international intrigue, but this time the setting is pre-World War One Europe and Russia rather than Revolutionary France. William Powell and Luise Rainer are spies working for opposing empires (Russian and Austrian) who travel undetected amidst the Nobility while plotting their plots. As they waltz about various ballrooms dressed to the nines, they fall in love--resulting in wavering loyalties for both. Emperor's Candlesticks is stronger on decor than on plot, with the talented Luise Rainer once more ill-used by Hollywood. ~ Hal Erickson, All Movie Guide

This second of MGM's Thin Man films reteams William Powell and Myrna Loy as, respectively, bibulous private detective Nick Charles and his socialite wife Nora. The Charleses are sucked into another murder case via Nick's lovely cousin Elissa Landi, whose husband Alan Marshall has vanished. Hubby has been conducting an affair with nightclub thrush Dorothy McNulty (later known as Penny Singleton) and is also blackmailing gangsterish Joseph Calleia. When the corpses begin piling up, Nick and Nora try to piece the clues together, with the earnest assistance of Jimmy Stewart, who carries a torch for Landi. You won't believe who turns out to be the murderer in this one--then again, given the plot's strict adherence to "least likely suspect" formula, you probably will. ~ Hal Erickson, All Movie Guide

In this drama, an amateur pilot is driven to living life in the fast lane after he pilots that plane that crashed and killed his parents and his sister. He goes on to marry. He and his new wife live in terrible conditions until he suddenly inherits $8,000 which he uses to buy a plane and start up a commuter service. Unfortunately, he finds himself again in debt. His disgusted wife leaves, but when he is hurt in a car crash, she eventually returns. ~ Sandra Brennan, All Movie Guide

This drama examines the rivalry between a mother and the daughter she is too vain to acknowledge. The mother is a famous actress who does not want her true age to be known. She, therefore, keeps her 19-year old daughter secreted away in a boarding school. The daughter is too old to be concealed. She wants her own life, and she wants her mother to acknowledge her existence. She goes to New York to see her mother. At her mother's house, the young woman encounters her mother's newest suitor. He sees the young girl and falls for her. The mother becomes terribly jealous and tries to thwart the romance. She fails, and the happy young couple get married. ~ Sandra Brennan, All Movie Guide

Dick Powell and Ruby Keeler reunite once again for this musical salute to the West Point Military Academy, including many scenes shot at West Point with "the full cooperation of the United States Army." Powell is Canary Dorcey, a private at a Hawaiian army post where he meets the perky Kitt Fits (Ruby Keeler), and she proceeds to flirt with him. Unable to handle the love games, Canary escapes Hawaii by getting an appointment at West Point, where he diligently pursues his studies and tries to forget about dames. But four years later, Kit shows up at West Point with her father, General Jack Fitts (Henry O'Neill), who has accepted the position of the new West Point commander. After some sparring and hedging, a visit to the Kissing Rock along the Flirtation Walk turns the two little lovebirds around, and soon enough they are appearing in the annual West Point musical revue, all forgiven. ~ Paul Brenner, All Movie Guide

Paramount Pictures seldom fully utilized the talents of contract player Carole Lombard, as witness such tedious programmers as Sinners in the Sun. Lombard plays Doris Blake, an elegant fashion model who spurns her auto-mechanic suitor Jimmy Martin (Chester Morris) in favor of married millionaire Eric Nelson (Walter Byron). Securing a job as a chauffeur, Jimmy marries his employer, wealthy heiress Claire (Adrienne Ames), on the rebound. Ultimately, both hero and heroine realize that (here comes the message) MONEY ISN'T EVERYTHING, whereupon both turn their backs on money and creature comforts to find happiness with each other. Somewhere near the bottom of the cast list is Cary Grant, who would later co-star with Carole Lombard in the infinitely better romantic drama In Name Only. ~ Hal Erickson, All Movie Guide

Based on a best-selling novel by Fannie Hurst, Back Street concerns an ill-starred couple, Rae (Irene Dunne) and Walter (John Boles). Rae meets Walter and falls hopelessly in love with him; Walter is also drawn to Rae, but he has already pledged to marry another woman and can't find a way out. They part, and for a while Rae takes up with someone else; Walter needs to leave the country and impulsively tries to arrange a marriage with Rae, but she is unable, due to her new beau, and he sails away without her. When Rae next encounters Walter, he has married a woman from a wealthy family. Even though he's wedded to another, a passion still burns between Walter and Rae, and they enter into an illicit affair. Over the course of nearly 30 years, Rae turns down opportunities to marry other men to live a shadowy life as Walter's mistress, until she accepts a proposal of marriage when she's convinced that Walter is finally through with her. This was the first of three film versions of Hurst's story; remakes were released in 1941 and 1961. ~ Mark Deming, All Movie Guide

A Rupert Hughes novel was the source for this soulless but sophisticated comedy-drama. William Powell is a charming roue who lives off the gifts given to him by lonely married women. In exchange, he escorts them around town (among other services) when their husbands aren't looking. The only woman Powell truly cares about is Kay Francis, who is disgusted by her lover's lifestyle. The daughter (Carole Lombard) of one of Powell's married companions falls for the rakish gentleman--which results in tragedy when Lombard's father seeks revenge for the ruination of his family. Ladies' Man is definitely no relation to the 1961 Jerry Lewis comedy of the same name. ~ Hal Erickson, All Movie Guide

In this comedy, set during the 1900s, a Florodora girl slowly falls for a gentle millionaire. Songs include: "My Kind Of Man," "Pass The Beer And Pretzels," "Swingin' In The Lane," and a Technicolor stage sequence of "Tell Me Pretty Maiden." ~ Sandra Brennan, All Movie Guide

This drama opens with a most disturbing scene as a jilted lover places a gun to his head and pulls the trigger. Fortunately, he is but an actor in a play and the gun is but a prop. His co-star is a beautiful young woman. A young man is utterly in love with the actress and after the show visits her and presents her with an arm-load of fragrant blossoms. He then invites her to meet his wealthy family in Philadelphia. The family, who lives in an ancient mansion, prove to be a very strange lot. The father is a stern and dour fellow. Grandpa is a lascivious old coot. She also meets an assortment of snobs and perverts. Upon meeting her, they immediately assume that she is a gold digger. Soon the family lawyer offers her a large amount of money for the love letters the young man had written her. She accepts the money and then gives it to the boy to keep him on the straight and narrow. Her good deeds are finally made apparent to the dour patriarch who begins courting her and eventually marries her. ~ Sandra Brennan, All Movie Guide

One of those transitional Vitaphone productions with a few dialogue scenes and a canned music score, the underworld melodrama The Kid Glove starred one of the period's busiest actors, Conrad Nagel, in the title role of a prohibition hijacker. When lovely Ruth Darrow (Lois Wilson) is hurt in the crossfire between the Kid and trio of bootleggers, the kindhearted criminal nurses her back to health in his apartment. Ruth's fiancé John Stone (John Davidson, a bootlegger masquerading as a law abiding citizen, finds them together and blackmails the Kid into marrying the girl. When Stone realizes that Ruth wasn't two-timing him after all, he attempts to have the Kid killed. Ruth, who has fallen in love with her rescuer, agrees to leave him and marry Stone. But the latter is implicated in yet another gangland killing and the Kid, who has reformed, asks Ruth to remain his wife. ~ Hans J. Wollstein, All Movie Guide

Recreating her famous Broadway role from 1920, former Ziegfeld star Marilyn Miller took to the Warner Bros. soundstages with the energy that had made her a household name. Miller is Sally Bowling Green, an orphan named after a telephone exchange. Slaving away in a New York coffee shop, she dreams of becoming a famous dancer, a dream that keeps interrupting business. After accidentally dumping a plate of food on booking agent Otis Hooper (T. Roy Barnes), Sally finds herself once more in the employment line. She obtains yet another waitress job at the Balkan beer garden owned by amiable "Pops" Schendorff (Ford Sterling) where Connie (Joe E. Brown), the down-on-his-luck former Grand Duke of Czekoslovonia, also works. She also makes the acquaintance of socialite Blair Farquar (Alexander Gray), who has long loved her from afar. With Farquar's help, Sally proves her nimbleness on the dance floor and is hired by Hooper to impersonate Madame Noskorova, a famous Russian dancer who has eloped despite pressing engagements. Arriving at a party given by influential Mrs. Ten Brock (Maude Turner Gordon, Sally keeps up the masquerade until the hostess announces the engagement of her daughter Marcia (Nora Lane) to Blair. Hurt by the latter's duplicity, she leaves with Connie and Hooper, with Hooper arranging for her to star in the Ziegfeld Follies. On her opening night, a hugely successful Sally is reunited with Blair, who has refused to marry Marcia. ~ Hans J. Wollstein, All Movie Guide