Lance Gordon
- 1984
Convicted murderer Dr. Jeffrey MacDonald had hoped that, by telling his side of the story to investigative journalist Joe McGinniss, the authorities would be persuaded of MacDonald's innocence. Instead, McGinniss ended up unswerving in his belief of MacDonald's guilt, and the result was the devastating best-seller Fatal Vision. In this two-part TV adaptation of McGinniss' book, Gary Cole plays MacDonald, a former Green Beret officer, while Frank Dent essays the role of McGinniss. MacDonald's wife and two children are brutally murdered in their Fort Bragg, North Carolina home on February 17, 1970. The prime suspect, MacDonald insists that the killings were committed by a gang of stoned-out hippies, a story that at first is accepted in toto by the doctor's father-in-law Freddy Kassab (Karl Malden). But after MacDonald is officially exonerated, Kassab notices several holes in his son-in-law's story, and becomes convinced that MacDonald was in fact the murderer. Through Kassab's persistence, as well as the uncovering of new forensic evidence, MacDonald is ultimately convicted for all three murders in 1979. Since the TV premiere of Fatal Vision on November 18 and 19, 1984, there has been a growing movement by MacDonald's sympathizers to discredit McGinniss' book and to retry the case--a movement that has been hampered time and again by MacDonald's own erratic behavior. ~ Hal Erickson, All Movie Guide
- Starring:
- Karl Malden, Eva Marie Saint, (more)
- 1984
If Elizabeth Montgomery must continue to play put-upon women in her TV movies, it cannot be denied that she possesses the superior talents to pull it off. In Second Sight: A Love Story, Ms. Montgomery portrays a woman who has been blind for 20 years. Worried that people will try to get close to her out of pity, she distances herself emotionally from everyone but her seeing-eye dog Emma. A romance with Barry Newman begins to pull Montgomery out of her shell. When the opportunity arises for a delicate operation that may restore her sight, Ms. Montgomery is alternately elated and perplexed: will the loss of her handicap also lose her the affections of Newman--not to mention Emma? Second Sight: A Love Story was inspired by Sheila Hocken's autobiographical novel Emma and I. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Montgomery, Barry Newman, (more)
This atrocious sequel to the 1977 horror classic is padded with so much of that film's footage that it seems more like a rerun than a new story. The entire cast seems to have lengthy flashbacks of the previous movie's events, including -- in what must be a cinematic first -- the German shepherd dog. The remaining screen time is spent on an uninvolving battle between some bland motocross bikers and the cannibal hillfolk. To be fair, director Wes Craven has stated that the film was extensively tampered with prior to release. That may get Craven off the hook, but doesn't make this muddled mess any easier to watch. ~ Robert Firsching, All Movie Guide
- Starring:
- Michael Berryman, Tamara Stafford, (more)
- 1983
- R
In this run-of-the-mill romantic drama, the title Independence Day refers to the usual Fourth of July fireworks festival in the U.S. but also to the dilemma of Mary Ann Taylor (Kathleen Quinlan) who lives in a small town but has a big ambition to go to the city and study photography for a profession -- should she go, or should she stay in her hometown with the man she loves? Focus on Mary Ann's dilemma slips to other characters -- her boyfriend's suicidal sister (Dianne Wiest) who is abused by her husband, the abusive husband's equally nasty father, and Mary Ann's boyfriend himself who is preparing his Camaro for the annual Fourth of July race. With the story moving from here to there, hampered by some extraordinary leaps of imagination, the narrative is thinned considerably by the time the Fourth is at hand. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Kathleen Quinlan, David Keith, (more)
This sequel to Every Which Way But Loose finds Philo Beddoe (Clint Eastwood) on the road, orangutan companion Clyde in tow, as he makes his way as a bare-knuckle fighter. The action begins with Philo punching out a new victim while Clyde relieves himself on the seat of a police car, setting the tone for the rest of the story. From there, Philo and Clyde return home, where Philo, who still lives with Ma (Ruth Gordon), is offered a contest with Jack Wilson (William Smith), the Mafia-sponsored East Coast bare-knuckle champ. Philo inadvertently saves Wilson's life, but then the Mafia kidnaps his girlfriend (Sondra Locke) to force him to go ahead with the match. Philo and Wilson team up to battle the Mob, but somehow they end up fighting anyway in a grueling climactic sequence. Country music, bikers, the Mafia, an orangutan, pick-up trucks, defecation jokes, fighting, drinking, and swearing -- it's all here in this lowbrow comic stew. ~ Don Kaye, All Movie Guide
- Starring:
- Clint Eastwood, Sondra Locke, (more)
Horror auteur Wes Craven followed his threadbare but horrifically compelling cult classic Last House on the Left with this wonderfully demented morality fable about a bloody war of attrition between two extremely different families. The story opens on the journey of the Carters, a mildly dysfunctional extended family led by patriarch "Big Bob" Carter (Russ Grieve), as they travel across the California desert in search of an inherited silver mine. When a broken axle leaves them stranded in the middle of a former nuclear testing site, their attempts to find help lead them unwittingly into the territory of a savage family of cave-dwelling cannibals, the apparent progeny of the bearlike Jupiter (James Whitworth) and an abducted prostitute. Jupiter's eldest son Pluto (professional movie weirdo Michael Berryman) leads the first brutal attack on the defenseless Carters who, through necessity, are driven to equally extreme measures in order to survive. Though the film is not overtly bloody, the scenes depicting this confrontation are rendered with an unflinching directness, and the violations visited on the Carters are so brutal as to make the survivors' regression into savagery all the more convincing. No one is spared from the nightmare: Jupiter's boys have even kidnapped the youngest member of the Carter family -- a mere infant -- to serve as fodder for their next barbecue, and the baby becomes the main point of contention between the rival clans. Craven nevertheless refuses to take the easy way out by depicting his "monsters" as soullessly evil; parallels between either family's "values" are clearly drawn as the differences between the two clans begin to blur. ~ Cavett Binion, All Movie Guide
- Starring:
- Susan Lanier, Robert Houston, (more)
- 1970
- R
This exploitation film is set during the riotous New Orleans Mardi Gras, a suburban housewife throws aside her conservative values to become a hussy sleeping with every man who catches her fancy. Even her daughter's handsome boy friend is fair game to the sexually insatiable woman. It is all great fun until a motel parking lot attendant and his spooky sidekick begin trying to pursue and blackmail her. The title terror ensues. ~ Sandra Brennan, All Movie Guide
