Ernie S. Adams Movies

Filmed after the star and his producer already had signed a new deal with rival company Monogram, this Grand National Tex Ritter Western slashed the usual parsimonious budget even further by recycling the entire final reel of Ritter's previous Sing, Cowboy, Sing. Filmed back-to-back with Utah Trail, Ritter's final Grand National Western, Rollin' Plains once again burdened the star with perhaps the worst comic sidekicks available at the time, Horace Murphy and Snub Pollard, the latter still sporting the paint-on mustache he had used since the silent days at Keystone. The three played rangers coming to the assistance of Gospel Moody (silent screen star Hobart Bosworth), a cattle rancher in trouble with an ornery sheepman, Trigger Gargan (Charles King). Soon, Gospel is accused of killing old Hank Tomlin (Horace B. Carpenter), an act actually committed by his half-brother Cain (Ernie S. Adams). With Tex's help, Moody stages his own "death," only to come back as a "ghost." Accompanied by a group calling themselves The Beverly Hill Billies, Ritter performed Rollin' Plains by Whitcup, Samuels and Powell, Me, My Pal and My Pony by Frank Harford, and Rock of Ages by Augustus Montague Toplady and Thomas Hastings. Hank Worden, a friend of Ritter's from his days on Broadway, appeared in a bit part, still billed under his real name, Heber Snow. ~ Hans J. Wollstein, All Movie Guide

Tom Keene, formerly George Duryea and latterly Richard Powers, made his final starring appearance in the Monogram western The Painted Trail. Keene is cast as a former federal agent who is drawn out of retirement to stem the activities of smugglers Boss (Leroy Mason) and Driscoll (Walter Long). Disguising himself as an outlaw, our hero gains the confidence of the two desperadoes, only to be found out at the least appropriate time. Rest assured that Keene saves the day and manages to march ingenue Ann (Eleanore Stewart) to the altar. Painted Trail wraps things up with a spectacular shootout, with the hero on one side of the Mexican border,and the villains on the other. ~ Hal Erickson, All Movie Guide

Singing cowboy Jack Randall does his usual in Monogram's Danger Valley, Randall's second starring film. When someone discovers gold in them thar hills, several disreputable promoters try to take financial advantage of the ensuing rush. By producing a packet of forged papers, two of these crooks manage not only to fleece the prospectors, but to set up an "outlaw colony" in a rattletrap ghost town. Randall and his pal Lucky (Hal Price) do their best to protect the miners and rout the villains. Though a passable singer, Jack Randall is somewhat stiff as an actor; he was far more natural in a reel of Monogram outtakes, in which he constantly curses himself out after blowing his lines. ~ Hal Erickson, All Movie Guide

In this western, a lawman tries to help prove that his friend did not commit murder. He rides in and saves his pal from a lynch mob. Soon afterward, the accused takes off and the sheriff loses both his job and his community's respect. He must now prove that he and his friend are innocent. He finds the real killer, a true psycho, and after a tremendous gun battle is able to bring the killer to justice, restore his own honor, and save his friend. ~ Sandra Brennan, All Movie Guide

The 1937 Bob Steele western Ridin' the Lone Trail was released by the legendary Republic Studios, but it was filmed independently, its production values on a par with Steele's previous poverty-stricken efforts at lesser studios. At one point, the silence of the lone frontier is broken by the sound of an airplane motor. In between the anachronisms is a story involving a stagecoach line plagued by robberies. "Battling Bob" (as he was known in the trade papers) is hired to ride shotgun and to expose the bandits behind the holdups. Ridin' the Lone Trail was one of several Bob Steele westerns produced by the pinchpenny A.W. Hackel. ~ Hal Erickson, All Movie Guide

One of a slew of prison reform picture that flourished during the Great Depression, this melodrama was banned in Finland. Pat O'Brien stars as Steve Jameson, a former Army officer who is hired at the infamous California prison of the title and quickly brings military order to the facility, separating the general population from the most violent offenders. In the meantime, Steve is falling for a singer, May (Ann Sheridan), but he keeps his profession a secret when she reveals that her brother Joe (Humphrey Bogart) is serving time in San Quentin. May eventually learns of Steve's deception and their romance hits the skids. When a jealous rival guard, Lt. Druggin (Barton MacLane), arranges for Joe to discover the romance between Steve and his sister, Joe begins plotting escape and revenge. ~ Karl Williams, All Movie Guide

In this anti-Japanese WW II propaganda film, Japanese invaders attempt to raid Alaska and are totally obliterated. The trouble begins when a stranger visits a small town and tells them that the U.S. is going to be taken over by a powerful country. The story turns out to be true when the Japanese bomb Pearl Harbor. The town then rises up and slaughters a Japanese raiding party. ~ Sandra Brennan, All Movie Guide

Bar Z Bad Men is a slick 1930s oater showcasing Johnny Mack Brown. Per the title, Brown signs on as ranchhand at the Bar Z. The spread is plagued by rustlers, and this plot peg builds to a well-staged cattle- stampede climax. Leading lady Lois January, whose acting ability was several steps above most western ingenues, provides spirited support for Brown. Bar Z Bad Men was produced independently by A. W. Hackel's Spectrum Productions, then released by Republic. ~ Hal Erickson, All Movie Guide

To those well versed in the Bob Steelewesterns of the 1930s, it's hardly surprising to reveal that the plot of Arizona Gunfighter was motivated by the murder of the hero's father. One of the more novel plot twists finds good-guy gunfighter Colt Ferron (Steele) casting his lot with reformed outlaw Wolf Whitson (Ted Adams). The fight scenes are impressive, the straight-acting scenes less so: though he was capable of delivering a good performance, Steele often as not ran the emotional gamut from A to B. Arizona Gunfighter was one of several Steele westerns produced by A.W. Hackel for Republic release. Most of these were directed by Robert N. Bradbury, who happened to be the star's father. ~ Hal Erickson, All Movie Guide

Each of Bob Allen's six westerns for Columbia had the words "Ranger" or "Range" in the title, and Law of the Ranger was no exception. It all begins when despotic frontier fuhrer Nash (John Merton) doesn't like what newspaper editor Polk (Lafe McKee) has been writing about him. He arranges Polk's death, which action attracts the attention of Texas Ranger Bob (Allen). Our hero rides into town to thwart Nash and make the range safe for homesteaders, accomplishing his task in less than one hour's screen time. Considering the newspaper background in Law of the Range, it's worth noting that leading-lady Elaine Shepherd later became a real-life journalist. ~ Hal Erickson, All Movie Guide

In an effort to compete with Republic's popular songfest Westerns, fours music numbers -- including Tumbling Tumbleweeds -- were added to The Old Wyoming Trail, an otherwise average Charles Starrett vehicle. No singer, Starrett left the vocalizing to his sidekick Donald Grayson and the popular Sons of the Pioneers. En route to purchase a herd of cattle, Bob Patterson (Starrett) and his sidekick Sandy (Grayson) get in the way of a scheme to defraud the local ranchers of their possessions. Aware of the coming railroad, the villains, Lafe Kinney (Guy Usher and Slade (Dick Curtis plot to take over Jeff Halliday's (Edward J. Le Saint) ranch. When Bob and Sandy get suspicious, the villains kidnap Halliday's daughter Elsie (Barbara Weeks). A posse is formed and in desperation, Slade demands that Bob meet him unarmed if Elsie is to be saved. In the ensuing shoot-out, Slade is killed and Bob is free to continue his romance with Elsie. Like many of the Starrett Westerns, The Old Wyoming Trail was filmed at the Andy Jauregui Ranch at Placerita Canyon, California, Jauregui himself appearing as a member of the posse. ~ Hans J. Wollstein, All Movie Guide

The Three Mesquiteers are back for more action in this well-photographed Republic western. This time, heroes Stoney Brooke (Bob Livingston), Tucson Smith (Ray "Crash" Corrigan) and Lullaby Joslin (Max Terhune) find themselves in a middle of a range war between cattlemen and sheepmen. The villains have the local constabulary in their pocket, and they intend to get what they want with a passel of forged land deeds and phony mortgages. The two chief heavies are played by Harry Woods and John Merton, and two meaner cusses never existed. An outsized gun battle brings this Mesquiteers entry to a rousing conclusion. ~ Hal Erickson, All Movie Guide

The seventh of the "Hopalong Cassidy" westerns, Hopalong Cassidy Returns stars, as always, William Boyd as the black-stetsoned hero. This one is a surprisingly sadistic item, in which a mysterious predator forces various ranchers off their land through rather direct means. In the opening scene, a wheelchair-bound victim is roped and dragged to his death! Hopalong Cassidy discovers that the instigator of these attacks is a woman, played by one-time silent star Evelyn Brent. She is killed in an appropriately gruesome manner by her disgruntled henchman--whereupon upstanding Mr. Cassidy shoots the killer twice at point blank range. ~ Hal Erickson, All Movie Guide