Gerald Gordon Movies

The discovery of a nude woman's body in a Manhattan elevator, six months after a similar discovery in another state, indicates that a serial killer is at large. The police manage to collar the killer, whereupon assistant D.A. Stone (Michael Moriarty) endeavors to have the accused stand trial in New York. But his efforts may be thwarted by the parents of the killer's previous victim, who intend to have the man tried in their own state -- where the death penalty is all but mandatory in such cases. ~ Hal Erickson, All Movie Guide

A newspaper heiress is kidnapped, brainwashed, and forced to join a group of terrorist bank robbers in this docudrama, based on the saga of Patricia Hearst. In 1974, Hearst (Natasha Richardson), the granddaughter of publishing tycoon William Randolph Hearst, was a student at the University of California. On February 4, members of the Symbionese Liberation Army, a radical political group, broke into the Berkeley home she shared with her boyfriend and kidnapped her. Hearst then allegedly spent 57 days locked in a closet as she was indoctrinated into the group's revolutionary beliefs by their charismatic leader, Cinque (Ving Rhames). Eventually, Hearst joined (or at least pretended to join) the SLA, adopted the name Tania and participated in a number of high-profile bank robberies. After several SLA members died in a police fire storm, Hearst and fellow members Bill and Emily Harris (William Forsythe and Frances Fisher) went on the lam and were later arrested. Although she claimed her participation in the group was a ruse carried out to protect herself from further rape, torture, and mind control, Hearst eventually served several years in prison after her 1976 conviction for bank robbery. Based on the novel Every Secret Thing, Hearst's own account of the events, Paul Schrader's film tells the story from the heiress' own viewpoint, with little in the way of conflicting evidence. After President Carter ordered her release from prison in 1979, Hearst went on to act in several films, including Cecil B. Demented, a John Waters spoof whose plot bears some resemblance to her own life story. ~ Brian J. Dillard, All Movie Guide

In this made-for-TV movie four suburban wives become vigilantes to protect innocent actresses from an amoral, blackmailing talent agent. ~ Sandra Brennan, All Movie Guide

Killer ants ruin the summer holidays of vacationers visiting a posh summer resort in this horror movie. ~ Sandra Brennan, All Movie Guide

This hastily assembled sequel to the blaxploitation hit Black Caesar downplays the gritty drama of that film to create a pure action tale with a comic book flavor. The story begins with badly wounded crimelord Tommy Gibbs (Fred Williamson) escaping an assassination attempt masterminded by corrupt District Attorney DiAngelo (Gerald Gordon) with the help of his estranged father, Papa Gibbs (Julius Harris). When DiAngelo's thugs attempt to kill him, Papa fights back and joins his son's criminal organization, a move that angers Gibb's top henchman Zach (Tony King). As Tommy and Papa build up their criminal empire, Zach secretly plots against them with DiAngelo. Zach also murders Helen (Gloria Hendry), Tommy's traitorous ex-wife, and pins in it on Papa to drive a wedge between them. Tommy gives up his New York crime operation and runs off to California. Papa takes over the operation, only to get killed by Zach during a fistfight. Angered by his father's death, Tommy returns to settle the score with Zach and DiAngelo. Hell up in Harlem delivers plenty of action set pieces and did fairly well at the box office, but lacks the consistency and the dramatic punch that made Black Caesar so memorable. As a result, it is considered to be one of Larry Cohen's lesser efforts. ~ Donald Guarisco, All Movie Guide

Working at a store under the alias "Dan Crowley", Kimble (David Janssen) is on hand when two-bit thief Herbie Grant (Warren Oates) is shot while holding up the place. Hiding out from the authorities, Herbie begs fellow fugitive Kimble to help clear him of other crimes of which he has been wrongfully accused. But Herbie's sister Lorna (Virginia Vincent) coldbloodedly demands that Herbie be turned over the police--and threatens to reveal Kimble's true identity if he refuses. ~ Hal Erickson, All Movie Guide

Damon Runyon's story "Little Miss Marker" gets a mid-'60s update in this comedy. Steve McCluskey (Tony Curtis) is the manager of a nightspot in Lake Tahoe owned by Bernie Friedman (Phil Silvers). Steve is the kind of guy who has heard every sob story in the book and is not easily impressed, but his hard heart begins to soften a bit when he meets Penny Piper (Claire Wilcox), a young orphan girl with no one to turn to and nowhere to go. Steve grudgingly takes her in and soon grows fond of the tyke. Penny thinks that Steve needs to get married and settle down, so she starts playing Cupid, trying to set him up with pretty Chris Lockwood (Suzanne Pleshette). However, Steve is still reeling from his failed first marriage and isn't so sure that another trip to the altar would be good for him. The film's finale sends Steve on a wild chase through Disneyland. Forty Pounds of Trouble marked the feature directorial debut of Norman Jewison, who would go on to make In the Heat of the Night, Fiddler on the Roof, and Jesus Christ Superstar. ~ Mark Deming, All Movie Guide

From at least the 1930s on to the 1970s, the upbeat protestant minister, Reverend Norman Vincent Peale, ministered to the well-heeled and upwardly mobile of the United States from his pulpit at the Riverside church on Fifth Avenue in New York City. At least as positive-thinking as the similarly cheery Dale Carnegie (How To Win Friends and Influence People), his lift-yourself-by-your-bootstraps message of good cheer was perceived as unorthodox by many within the churches he grew up in. After many decades of preaching his message, summed up in his best-selling book The Power of Positive Thinking, he was enshrined as a sort of secular saint. His influence reached to Presidents and corporate heads, and his name became synonymous with a kind of extraverted wholesomeness which has long since vanished. This biopic traces his career in the most respectful possible manner. ~ Clarke Fountain, All Movie Guide