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Henry C. Gordon Movies

American actor C. Henry Gordon enjoyed a long film career as a villain's villain--and almost never an American one. Reportedly he made his film bow in 1911, but his recorded credits begin during the 1928 transitional period between silent films and talkies. With the advent of the early-'30s gangster cycle, the demonic, mustachioed Gordon came into his own by playing a series of foreign-born gangsters. Many of these characters were ersatz Al Capones--never so obviously as in Gabriel Over the White House (1933) in which Gordon not only plays a Capone-like bootlegging czar but also repeats several of Capone's "bon mots" ("When I sell liquor, it's a crime; when they serve it on a silver platter, it's hospitality"). When Italian anti-defamation groups complained about such portrayals, producers were quick to insert scenes in which law-abiding Italians were depicted; in Howard Hughes' Scarface (1932), C. Henry Gordon is atypically cast as a scrupulously honest Italian-American police official. The end of the gangster vogue in 1935 had no effect on Gordon; he simply donned a turban and became the evil Surat Khan, nemesis of Errol Flynn in Charge of the Light Brigade (1936). Gordon was back playing gangsters--albeit with Anglo-Saxon surnames--in 1940, with appearances in two of MGM's Crime Does Not Pay shorts and in Charlie Chan at the Wax Museum. C. Henry Gordon died suddenly at the age of 57 as the result of having his leg amputated. ~ Hal Erickson, Rovi
1939  
 
In the tradtion of producer Harry Sherman's earlier Zane Grey westerns for Paramount, Heritage of the Desert features an essentially non-western star in the lead. Donald Woods plays John Abbott an eastern man-about-town who heads west to claim an inheritance. Crooked attorney Henry Holderance (C. Henry Gordon) contrives to have Abbott shot down before he ever arrives at his destination, but Abbott survives his wounds thanks to the tender ministrations of Miriam Naab (Evelyn Venable), daughter of friendly rancher Andrew Naab (Robert Barrat). Realizing that he's going to have to toughen himself up to survive in the west, Abbott does so, eventually paying Holderance back for his treachery. Heritage of the Desert was previously filmed in 1924, with Bebe Daniels, Ernest Torrence, Noah Beery and Lloyd Hughes. ~ Hal Erickson, Rovi

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Starring:
Donald WoodsEvelyn Venable, (more)
 
1939  
 
In this episode of the popular detective series, Chan attends a WW I reunion in Paris. While catching up with his buddies, he gets entangled in the investigation of the murder of a munitions maker who sent arms to the other side. The film was created in response to the Munich crisis of 1938. At the film's end Charlie delivers a stern warning about bargaining at conference tables. ~ Sandra Brennan, Rovi

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1939  
 
A racetrack melodrama, The Long Shot features Marsha Hunt and Gordon Jones as trainers of a thoroughbred horse. Despite the rivalries of their parents, the couple prepares to jointly enter the Santa Anita handicap. The odds are against their entry, but Hunt and Jones have every confidence of winning. Just before the starting bugle, gangsters intrude, demanding that the trainers throw the Big Race. Even those audiences of 1939 who anticipated the outcome (it wasn't hard) were satisfied with The Long Shot, one of the more engaging productions from the short-lived Grand National production company. ~ Hal Erickson, Rovi

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Starring:
Gordon JonesMarsha Hunt, (more)
 
1938  
 
In this desert adventure, a cruel commander viciously rules a regiment of foreign legionnaires. They tire of his brutality and rebel, stranding the despot and his few loyal soldiers in the burning sands with a few supplies. The deposed commander vows that he will return to civilization and have his revenge. It is difficult, but eventually the leader and his men make it back to the lonely outpost and find that it is under attack by Arab raiders. The soldiers inside take the leader back and they help to vanquish the invaders. Later the ring leader of the mutineers is awarded a medal for his courage then court-martialed for his crime. The leader too gets his just desserts when his second-in-command tells the court of his superior's cruelty. ~ Sandra Brennan, Rovi

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Starring:
Paul KellyLorna Gray, (more)
 
1938  
 
The Sidney Howard/Paul de Kruf Broadway play Yellow Jack was transferred to the screen by MGM in 1938. The film is set at the turn of the century, when yellow fever was the Number One killer in Latin America. Army doctors Lewis Stone, Charles Coburn and Stanley Ridges gather in Cuba to attempt to find the cause and cure of the dreaded disease. Five US soldiers--Robert Montgomery, Buddy Ebsen, Alan Curtis, Sam Levene and William Henry--volunteer to expose themselves to yellow fever as a means to test the experimental vaccines. In a very well handled close-up setpiece, the audience discovers long before the medical staff that the humble mosquito is the disease carrier. The "Let me be the first to die" brand of heroics is sometimes hard to take, but otherwise Yellow Jack is inspiring entertainment in the grand old Hollywood tradition. ~ Hal Erickson, Rovi

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Starring:
Robert MontgomeryVirginia Bruce, (more)
 
1938  
 
Secret agent Jeff Clavering (Alan Marshal) is in the employ of a group of businessmen dedicated to world peace. In order to get the goods on war profiteer Kamarov (C. Henry Gordon), Clavering is ordered to romance Kamarov's wife Stephanie (Mady Correll). Our hero and heroine experience any number of thrill-packed adventures while uncovering the villain's nefarious scheme to plunge the World into war. Gee? if Kamarov had only waited a few months, he could have saved himself the trouble. Some much-needed comedy relief is provided by Herbert Mundin as a bumbling British detective. ~ Hal Erickson, Rovi

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Starring:
Alan MarshalTala Birell, (more)
 
1937  
 
In this, the final episode in the "Sophie Lang" trio of crime comedies, the incorrigible female crook is again a fugitive from justice and heading for the West coast. Soon after her arrival, she hooks up with a screenwriter and not only helps him finish his latest script, she also helps him retrieve a valuable stolen necklace. ~ Sandra Brennan, Rovi

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Starring:
Gertrude MichaelLee Bowman, (more)
 
1937  
 
Conquest was released in England as Marie Waleska, the name of the real-life historical personage portrayed by Greta Garbo. The film begins in 1807, when Marie, a Polish countess, is dispatched by her country to meet with Emperor Napoleon Bonaparte (Charles Boyer). Marie has been encouraged to press for Polish independence by whatever means possible--and though no one comes out and says as much, it is understood that she will offer herself sexually to the promiscuous Napoleon. She dutifully becomes Bonaparte's mistress, bears his child, and--almost as an afterthought--falls in love with him. Thanks to the political chicanery of Talleyrand (Reginald Owen), Napoleon is obliged to marry Hapsburg princess Marie Louise, and Marie is cast aside, her usefulness at an end. Only after Napoleon has been exiled to Elba in 1815 is he reunited with Marie and their son (Scotty Beckett). Though it stands up pretty well today, Conquest was a flop in 1937, and the beginning of the end of Garbo's screen career. ~ Hal Erickson, Rovi

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Starring:
Greta GarboCharles Boyer, (more)
 
1936  
 
Future best-selling novelist Irwin Shaw made his screenwriting bow with the modest RKO Radio sports drama The Big Game. The story revolves around the efforts by a group of crooked gamblers to fix the outcomes of college football games. When star quarterback Clark (Philip Huston) refuses to be bribed, the villains kidnap him on the eve of the titular Big Game. Clark is rescued by his burly teammates just in the nick of time, but the film's not over yet: there's a riot on the football field during the final scenes, reportedly inspired by a real-life incident during a 1935 NYU-Fordham game. Adding to the enjoyment of The Big Game is the presence of several genuine members of the 1936 All-American football squad: The University of Chicago's Jay Berwanger, Notre Dame's William Shakespeare, Southern Methodist's Bobby Wilson, NYU's Irwin "King Kong" Klein, Ohio State's Gomer Jones, and Stanford's Robert "Bones" Hamilton, Monk Moscrip and Frank Alustiza. ~ Hal Erickson, Rovi

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Starring:
Philip HustonJames Gleason, (more)
 
1936  
 
Two silent film versions preceded this 1936 Hollywood adaptation of the 19th century novel by the writer Ouida Bergere. It is set in Saharan Africa but was filmed in the Arizona desert. Ronald Colman is Corporal Victor, a man who has taken the rap for a crime committed by his younger brother. Victor has joined the French Foreign Legion to escape his past, taking with him his valet Rake (Herbert Mundin). His commander is the ruthless Major Doyle (Victor McLaglen), who becomes jealous when Cigarette (Claudette Colbert), a nightclub singer with a yen for men in uniforms, sets her sights on Victor. Victor, however, lusts after a more refined Englishwoman named Lady Venetia (Rosalind Russell), and he eventually dumps Cigarette for Venetia. McLaglen sends Victor off on a difficult mission from which he hopes that he won't return. ~ Michael Betzold, Rovi

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Starring:
Ronald ColmanClaudette Colbert, (more)
 
1936  
 
Universal contractee Henry Hunter never became a big star, but during his brief stay at the studio he appeared in a quite a few interesting films. Adapted from a novel by Rufus King, Love Letters of a Star casts Hunter as John Aldrich, the husband of the unfortunate Jenny Aldrich (Mary Alice Rice). When Jenny dies under mysterious circumstances, it is revealed that she was being blackmailed with a packet of love letters she'd written to Broadway celebrity Meredith Landers (Ralph Forbes). No sooner has Jenny's death been ruled a suicide than her blackmailer is murdered, immediately casting suspicion about the girl's grieving husband John. For a while, wealthy Artemus Todd (Samuel S. Hinds) is led to believe that he was the killer, but there's many another surprise twists before the final fadeout. ~ Hal Erickson, Rovi

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Starring:
Henry HunterPolly Rowles, (more)
 
1936  
NR  
Add The Charge of the Light Brigade to Queue Add The Charge of the Light Brigade to top of Queue  
Of the many film versions of Alfred Lord Tennyson's narrative poem, 1936's Charge of the Light Brigade has the least relationship to the facts concerning the famous 19th century British military blunder in the Crimea. Reflecting the popularity of 1935's Lives of A Bengal Lancer, the film uses the climactic charge as the culmination of events which begin in British India. Errol Flynn and Patric Knowles are cast as cavalry officers who are also brothers; both love Olivia De Havilland, but it is Knowles who wins out (this should tip us off that the rest of the film is pure fantasy). Indian potentate C. Henry Gordon, angered that the British government has cut off his subsidy, stages a revolt against the English settlements. Ordered on maneuvers, Flynn is unable to bring rescue troops to the besieged fort commanded by De Havilland's father. Gordon supervises the slaughter of every man, woman and child at the fort, then leaves India in the company of his Russian advisors. Flynn and his fellow Light Brigade lancers are then transferred to the Crimea--where, as luck would have it, Gordon is now ensconced with the Russians. Thirsting for revenge, Flynn falsifies an official order so that he and the Light Brigade can battle Gordon and his allies at Balaclava (thus are Britons Lord Cardigan and Lord Ragan, the actual instigators of the doomed charge, exonerated). As passages from the Tennyson poem are superimposed on the action, Flynn leads a suicidal charge against the Russians; he manages to kill the treacherous Gordon before being slain himself. Its dozens of historical inaccuracies aside, The Charge of the Light Brigade is rousing entertainment. Animal lovers be warned, however: several horses were killed during the climactic charge, a fact that compelled Hollywood (under the auspices of the ASPCA) to install safer and more stringent standards concerning the treatment of animals. ~ Hal Erickson, Rovi

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Starring:
Errol FlynnOlivia de Havilland, (more)
 
1935  
 
After a false start in 1932, Paramount's Big Broadcast series was jump-started in late 1935 with The Big Broadcast of 1936. The wisp of a storyline involves two-bit radio station owner Spud (Jack Oakie), who doubles as the station's sole announcer while his comic partner Smiley (Henry Wadsworth) serves as the house crooner. On the verge of bankruptcy, Spud is receptive to the wacky notions of George Burns and Gracie Allen, who've just invented a television device which can pick up and transmit any signal, any time, anywhere. Among the variety artists captured on cathode by George and Gracie's invention are Bing Crosby, Ethel Merman, Amos 'N' Andy (Freeman Gosden and Charles Correll in blackface), Bill "Bojangles" Robinson, the Vienna Boys Choir, bandleaders Ray Noble and Ina Ray Hutton, and a knockabout vaudeville act called Willie, West and McGinty, who spend most of the film's running time trying to simultaneously build and demolish a house. The plot evolves into a dry run for the later Hope-Crosby "Road" pictures, with Spud and Smiley ending up on the intrigue-ridden island governed by zany countess Ysobel de Nargila (Lyda Roberti). ~ Hal Erickson, Rovi

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Starring:
Jack OakieGeorge Burns, (more)
 
1935  
 
The Holy Wars are given the usual overblown Cecil B. DeMille treatment in The Crusades. It all begins in the 12th-century AD, when Jerusalem falls into the hands of the Saracens, and the Christians are slaughtered or sold into slavery. A holy man known as The Hermit (C. Aubrey Smith) rallies the rulers of England and Europe to launch a Crusade to reclaim Jerusalem in the name of Christianity. Among those embarking upon this massive undertaking is England's King Richard the Lion-Hearted (played as a swaggering roughneck by Henry Wilcoxon), who finances his knights by marrying wealthy French princess Berengaria (Loretta Young) sight unseen. Saladin (Ian Keith), the elegant and well-spoken ruler of the Saracens, attempts to stave off the crusaders by kidnapping Berengaria and holding her hostage. Sensing that he can never win against so formidable a collection of foes, Saladin eventually opens the gates of Jerusalem to all but Richard the Lion-Hearted, with whom he has a personal score to settle. In the film's most memorable scene, the fundamental difference between the boorish Richard and the cultured Saladin is demonstrated when the Saracen ruler delicately cleaves Berengaria's silk scarf in twain with his gleaming sword. It took a great deal of nerve to depict the film's hero as a thuggish brute and the nominal villain as the most sympathetic character in the story, but DeMille gets away with it in The Crusades, and still has time left over to deliver his usual quota of thrills, pageantry, convoluted history and campy dialogue. And yes, that is Ann Sheridan as a Christian captive in the opening scenes. ~ Hal Erickson, Rovi

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Starring:
Loretta YoungHenry Wilcoxon, (more)
 
1935  
 
A writer of mysteries helps a house detective solve a murder in this murder mystery. The murder occurs in the hotel in which the writer is staying. It is a mystery because, though the corpse was found in a hotel room, it was not the room he had registered for. One of the suspects claims that the man had asked to switch rooms. This leads the house detective to suspect the one who exchanged rooms.Unfortunately, the detective is easily mislead and it is up to the author to help solve the case. ~ Sandra Brennan, Rovi

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Starring:
Edmund LoweVictor McLaglen, (more)
 
1935  
 
Cruelly separated from his mother (Dorothy Peterson), little Donald McCoy (Scotty Beckett) is being robbed of his childhood by greedy relatives. Taking pity on the boy, pilot Mitchell (Chester Morris) "kidnaps" the kid and sets out to return him to his mom. Detective Maxine (Sally Eilers), assigned to bring Donald back to his legal guardians, instead joins Mitchell in his efforts to do what's best for the boy. Along the way, the three fugitives disguise themselves in blackface, a scene that has often been cut from TV showings. Pursuit is based on Lawrence G. Blochman's mini-novel Gallant Highway. ~ Hal Erickson, Rovi

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Starring:
Chester MorrisSally Eilers, (more)
 
1934  
 
Based on John Golden's stage play Four Walls, MGM's Straight is the Way offers the monumentally miscast Franchot Tone as tough ex-convict Benny Horowitz, who announces his plans to go straight. This warms the heart of Benny's Jewish mama (May Robson), but his ex-moll Shirley (Gladys George) is unable to join in the happiness, since she is now the mistress of Italian gang boss Monk (Jack LaRue). Despite his efforts to stay out of trouble, Benny is required to bump off Monk before he can lead a clean life. Meanwhile, nominal heroine Bertha (Karen Morley), Benny's stepsister, pines away of unrequited love. The original Four Walls had starred Paul Muni, who was certainly better suited to the ethnicity of the piece than the markedly WASPish Franchot Tone. ~ Hal Erickson, Rovi

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Starring:
Franchot ToneMay Robson, (more)
 
1934  
 
Based on Lea David Freeman's play Ruby, Lazy River takes place somewhere in the Mississippi River Valley. Jean Parker plays Sarah, a young Bayou girl who tries to guide three ex-convicts to moral redemption. Two of Sarah's charges, Gabby (Ted Healy) and Tiny (Nat Pendleton), seem to be beyond help, but there's still hope for Bill Drexel (Robert Young) a wealthy young man who's taken the wrong path in life. All three men prove that their hearts are in the right place by robbing the safe of crooked riverboat owner Sam Kee (C. Henry Gordon) then turn the money over to a needy widow. Producer Lucien Hubbard's screenplay manages to work in an alien-smuggling angle which jars with the rest of the picture -- and also artificially bloats the film's running time to 75 minutes. ~ Hal Erickson, Rovi

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Starring:
Jean ParkerRobert Young, (more)
 
1934  
 
Wounded criminal Lucky Wilson (Robert Montgomery) takes refuge in a small Connecticut farm. He falls in love with Maureen O'Sullivan, who at first is unaware of his criminal record. Lucky is fully prepared to shoot his way out when the cops come calling, but he is softened by O'Sullivan's affections and finally agrees to turn himself in. Screenwriters Frances Goodrich and Albert Hackett leaven several potentially melodramatic sequences with some first-rate comic dialogue; many of the funniest scenes belong to nightclub owners Henry Armetta and Hermann Bing. Hide-Out was remade in 1941 as I'll Wait for You, a title which rather gave away the ending. ~ Hal Erickson, Rovi

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Starring:
Robert MontgomeryMaureen O'Sullivan, (more)
 
1934  
 
In this crime drama, a famous criminal attorney is abandoned by his wife who has tired of his neglect and heavy drinking. She runs to the arms of a prominent gangster. Later, the lawyer must take a murder case--his ex-wife is the victim. It is quite a shock, but somehow he manages to keep it together and keep an innocent man from going to jail. The lawyer then brings the woman's criminal lover, the real culprit, to justice. ~ Sandra Brennan, Rovi

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Starring:
Otto KrugerUna Merkel, (more)
 
1934  
 
This Side of Heaven is an early, muted example of what would refine itself into the "screwball comedy" genre. Lionel Barrymore plays an accountant, who's also the head of a large family consisting principally of dizzy buffoons. Not only that, but the Barrymore clan is selfish, totally unappreciative of Dad's efforts in their behalf. But when Barrymore is falsely accused of embezzlement, the family members rally to his aid and prove their hidden worth. Amazingly, all the problems in This Side of Heaven are ironed out within a 24-hour span (and 78 minutes' screen time). ~ Hal Erickson, Rovi

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Starring:
Lionel BarrymoreFay Bainter, (more)
 
1934  
 
The real-life career of the notorious female spy known as "Fraulein Doktor" inspired several films of the 1930s. Stamboul Quest stars Myrna Loy as a seductive espionage agent, working on behalf of the Kaiser in 1915 Istanbul. American medical student George Brent crosses Loy's path, and the two fall in love. Divided between romance and duty, Loy opts for the latter, and apparently causes Brent's death. She goes mad with grief, and is packed away to a mental institution, where her fevered reminiscences provide the lengthy flashback sequences in this film. ~ Hal Erickson, Rovi

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Starring:
Myrna LoyGeorge Brent, (more)
 
1933  
 
Somebody at MGM had the bright idea in 1933 to build a series of feature films around the talents of popular radio comedians. This bright idea fizzled after a handful of misbegotten epics starring the likes of Jack Pearl, aka Baron Munchausen, and Ed Wynn. The Wynn film was titled The Chief, a reference to Wynn's radio fame as Texaco gasoline's "Fire Chief." What plot there is concerns a dimwitted fireman named Henry Summers (who else but Wynn?) who ends up running for the office of alderman. Actually, Henry is merely a cat's paw, a dummy candidate set up by a gang of crooks. But when it looks as though Henry will win the campaign and instigate reforms, the bad guys kidnap our hero's grey-haired mother (Effie Ellsler). To alert the cops to his mother's peril, Henry begins running around and breaking things, shouting "I'm crazy! I'm crazy!" (it's difficult to argue with that). Just when the plot is about to be resolved, the film dissolves to Ed Wynn, standing before an NBC microphone, broadcasting his "Fire Chief" program in the company of announcer Graham McNamee. Wynn apprises the audience as to the film's outcome, tells a few jokes, signs off the air -- and that's all there is! One could postulate that the scriptwriters had run out of jokes by the end of The Chief, but in fact they'd been out of material since the third reel. ~ Hal Erickson, Rovi

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Starring:
Ed WynnDorothy Mackaill, (more)
 
1933  
 
In this crime-comedy, an aspiring pulp writer elopes with a young woman and ends up in a boot-legger's lair. There he decides to impress his bride and the crooks with a story about the perfect murder. The crime boss likes the idea and uses it to plot the demise of his arch rival. When the would-be author learns of the plot, he and his wife do all they can to protect the hapless victim. ~ Sandra Brennan, Rovi

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Starring:
Ernest TruexUna Merkel, (more)
 
1933  
 
Based very loosely on Nathaniel West's Miss Lonelyhearts, Advice to the Lovelorn is a comedy-drama about a hotshot reporter (Lee Tracy) who is forced to become an advice columnist. Hiding behind a female nom de plume, the cynical Tracy dispenses fatuous advice and becomes quite popular. Ever seeking an extra buck, Tracy agrees to promote a shady line of pharmaceutical products in his column--a move that has tragic consequences when Tracy's mother (Jean Adair) dies thanks to bad medicinal drugs. With the aid of his girlfriend (Sally Blane) and his bucolic "leg man" (Sterling Holloway), a chastened Tracy brings the crooked drug dealers to justice. Beaten to a pulp by the criminals, Tracy nonetheless survives to get married (wrapped in surgical bandages!) ~ Hal Erickson, Rovi

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Starring:
Lee TracySally Blane, (more)