Harold Goodwin Movies

This feature-length dramatization of James Herriot's best-seller was issued by EMI as a big-screen theatrical release in England, but debuted on NBC as a telemovie in the United States, February 4, 1975. It stars Simon Ward as Herriot in his early days as a veterinarian. The story picks up in 1937, with Herriot's first assignment as assistant to eccentric Yorkshire vet Siegfried Farnon (Anthony Hopkins). The film's highlight is the strenuous delivery of a newborn colt; its most poignant moment is the mercy killing of a seriously ill dog. In between "cases," Herriot courts pretty farmer's daughter Helen (Lisa Farrow). The film eventually spawned a television series. ~ Hal Erickson, Rovi

The key image of this film occurs early on, as a hideous monster removes its face, only to reveal itself as Baron Frankenstein in a mask. Hammer's fifth installment in the series sees the transformation of doctor into monster complete. Peter Cushing's portrayal of the Baron here is all insanity and hatred, rather than the misunderstood (if unethical) genius of previous entries. Frankenstein transplants the brain of an insane doctor into Freddie Jones' body, creating a pathetic, misshapen beast, while using blackmail and rape to control the people around him. This was director Terence Fisher's favorite film, and his pacing and composition have rarely been better. Jones (the nasty showman in The Elephant Man) is great at communicating the disorientation and helpless agony of his condition, and while Cushing's character is more one-dimensional than usual, he does his normal excellent job as the Baron. Hammer's next installment was the silly Horror of Frankenstein before Fisher returned to end the series with Frankenstein and the Monster from Hell. ~ Robert Firsching, Rovi

This cheap, but colorful British period horror piece follows an ill-fated archaeological expedition to the cursed tomb of the pharaoh, Ra-Antef, whose sarcophagus the team's leader opts to sell to a smooth-talking American promoter who intends to set it up as part of an exploitive side-show attraction. No sooner has the tomb reached the States than the foul-tempered pharaoh is released; he then begins stalking and strangling all those who have desecrated his resting place. The bandaged one's vendetta doesn't stop there; he also has a score to settle with the reincarnation of a man who betrayed him eons ago. This rather dull mummy muddle was originally double-billed with Hammer Studio's superior chiller The Gorgon. ~ Cavett Binion, Rovi

Producer-writer Brian Clemens was in top form with this episode, which originally aired on February 15, 1964. Cathy Gale adds to her already impressive leather wardrobe when she joins a motorcycle gang. No, she hasn't "gone punk," she's merely trying to help Steed find the location of an insidious electronic jamming device. As for Steed himself, he has quite a time with a pair of "old witches," namely the Peck Sisters (Athene Seyler and Nora Nicholson). "Build a Better Mousetrap" made its American cable TV debut on April 1, 1991, arousing amusement over the episode's depiction of "typical" 1960s British teens. ~ Hal Erickson, Rovi

The star of this slapstick comedy is not a person but an antique Bentley sports car, the source of several misadventures. Murdoch Troon (Stanley Baxter) is a simple civil servant who has his heart set on romancing Claire (Julie Christie in an early role), the daughter of wealthy businessman Charles Chingford (James Robertson Justice). As a part of his scheme to appear irresistible, Murdoch takes driving lessons so he will be able to impress Claire in the Bentley. Both the lessons and his driving test produce moments of hilarity, and as might be expected, there cannot be a movie featuring a car without a wacky, wild chase. ~ Eleanor Mannikka, Rovi

This episode opens with an apparent murder in a college classroom--which turns out to be a staged event, dreamed up by Professor Ronald Hewes (Barry Atwater) to test his students' powers of observation. After the demonstration, however, Hewes discovers that the gun used to "kill" him had only one blank and five real bullets, ample proof that someone is planning to do away with him. Can this have anything to do with the fact that Hewes has made a small fortune by claiming authorship of a lurid bestseller which was actually written by one of his former students, a young girl who'd committed suicide? Whatever the case, Hewes is currently being taken to the cleaners not only by the dead girl's sister, but also by his own wife Laura (Patricia Breslin)--and it is Laura whom Perry Mason must ultimately defend on a charge of murdering the "prankish professor". ~ Hal Erickson, Rovi

The Longest Day is a mammoth, all-star re-creation of the D-Day invasion, personally orchestrated by Darryl F. Zanuck. Whenever possible, the original locations were utilized, and an all-star international cast impersonates the people involved, from high-ranking officials to ordinary GIs. Each actor speaks in his or her native language with subtitles translating for the benefit of the audience (alternate "takes" were made of each scene with the foreign actors speaking English, but these were seen only during the first network telecast of the film in 1972). The stars are listed alphabetically, with the exception of John Wayne, who as Lt. Colonel Vandervoort gets separate billing. Others in the huge cast include Eddie Albert, Jean-Louis Barrault, Richard Burton, Red Buttons, Sean Connery, Henry Fonda, Gert Frobe, Curt Jurgens, Peter Lawford, Robert Mitchum, Kenneth More, Edmond O'Brien, Robert Ryan, Jean Servais, Rod Steiger and Robert Wagner. Paul Anka, who wrote the film's title song, shows up as an Army private. Scenes include the Allies parachuting into Ste. Mere Englise, where the paratroopers were mowed down by German bullets; a real-life sequence wherein the German and Allied troops unwittingly march side by side in the dark of night; and a spectacular three-minute overhead shot of the troops fighting and dying in the streets of Quistreham. The last major black-and-white road-show attraction, The Longest Day made millions, enough to recoup some of the cost of 20th Century Fox's concurrently produced Cleopatra. ~ Hal Erickson, Rovi

Based on a tale by Edgar Wallace, this taut crime drama centers on the exploits of an heiress who finds herself the intended victim in an upcoming robbery. Fortunately, Scotland Yard's mysterious Agent Number Six is around to protect her. ~ Sandra Brennan, Rovi

Essentially a one-joke comedy hanging on the thinnest of plots, this routine series of slapstick situations is directed by Don Chaffey and concerns the ineptitude of an Air Force officer, Captain Kingsley (Jimmy Edwards). The likeable Captain has a fixation on mechanical contrivances, but at the same time he is an accident waiting to happen. The wait is never long, and so the Prime Minister himself orders everyone into action when the Captain comes up missing -- who knows what disaster may lie in the wings. ~ Eleanor Mannikka, Rovi

The weak story in The Bulldog Breed is an excuse to tie together a long series of funny episodes, slapstick incidents, and absurd situations. What does bring everything into a certain unity is the comic character type created by Norman Wisdom, an inept, likeable loser whose efforts to succeed against all odds somehow bumble through to final triumph. Playing Norman Puckle in this romp, he is heartbroken after being scorned by an unattainable blond and fails at a suicide attempt, only to end up in the Navy. Bungling most of his work there, he is surprised to discover that he has been chosen by the admiral to be the first man the Navy sends into space. This time, Norman's losing streak is up against a formidable phalanx of expertise -- what could possibly go wrong? ~ Eleanor Mannikka, Rovi

In this crime drama, a gentle old woman finds herself involved in a murder after she dials a wrong number and overhears a murderer telling how he killed a man during a robbery. ~ Sandra Brennan, Rovi

In this comedy, a common chemist lives up to his lineage (he's a direct descendant of Dr. Jekyll), and creates a concoction which changes him into a suave jewel thief. After pulling off a caper, the thief becomes his original self and then helps bring in a gang of robbers. ~ Sandra Brennan, Rovi