Mascha Gonska Movies

In mid-1978, the cult fantasy guru and comic book illustrator Bill Richert -- after months directing Jeff Bridges and Belinda Bauer in the scattergun carnival of a political satire, Winter Kills -- faced a real head-scratcher. With Winter yet to be completed, Richert's backer, Avco-Embassy, lopped off all funding and suspended production indefinitely. Projectless, Richert spun around, picked up an unproduced feature script by drive-in director Larry Cohen (Q, It's Alive!), and somehow found the cash to churn out a second piece of eccentricity with Bridges and Bauer in the leads, this one for Columbia Pictures -- hoping he could use the latter's earnings to polish off Winter. Thus began a very shaky history over the next 30 years for a little film originally called The American Success Company. This ghost of a picture bombed at the box office in 1979, was later reedited twice by Richert under distinct titles (first as American Success in 1981 and then as Success in 1983), and received limited theatrical distribution. It has since fallen through the cracks of movie history, never receiving official distribution on home video but popping up in bootleg versions under the titles Good as Gold and The Ringer. The movie tells the story of Harry Flowers (Bridges), a Milquetoast employee of a Munich-based credit card company, AmSucCo (did AmEx raise any eyebrows at that?), married to the daughter (Bauer) of his tyrannical boss (Ned Beatty). Flowers allows himself to be shoved around and coddled by everyone, until he suddenly decides to slip into an assumed identity -- that of a gruff, bull-by-the-horns modern-day prince, determined to "rescue himself" from wimpdom by learning sexual aggression from a prostitute (Bianca Jagger) and ultimately wresting millions from the hand that feeds him. ~ Nathan Southern, Rovi

An out of work architect and a recently discharged military man meet at a critical moment in their lives. Each of them has been deprived of an occupation which gave meaning to their existence, and is left, instead, with a $15,000 severance check. Neither one handles the situation at all well. Bert, the architect, is thinking about giving up his apartment and studio, and tries his hand at an elaborate con-game. Thomas, a former military air-traffic controller, must take an elaborate series of exams before he can resume his profession as a civilian. Their girlfriends are not a steadying factor in their lives. When circumstances get in the way of their plans, they soon have only their friendship to rely on. ~ Clarke Fountain, Rovi

Michel Piccoli is irresistibly slimy in the role of a conniving attorney. Making the acquaintance of two lovely sisters (Romy Schneider and Andrea Ferreol), Piccoli seduces them both. He then invites the sisters into his latest scam: marrying and murdering gullible men and women, then cheating their insurance companies. The noirish intrigues of Infernal Trio are all the more remarkable in that they are based on a true story. It shouldn't be too surprising to first-year French students that the original title of this French/Italian melodrama was Le Trio Infernal. ~ Hal Erickson, Rovi

This German language suspense film is based on a quite long best-selling novel of the same name by Johannes Mario Simmel and condenses the novel's complex story using flashbacks and rapid movement between locations. When a young man (Alain Noury) goes to Vienna to try to solve the mystery of his industrialist father's assassination, his investigation leads to events that took place in Vienna in 1939. It also infringes on secrets important to all the Allied Force secret services (French, Russian, American and British), so much so that they forget their natural antagonism and join forces to try and stop the young man in his quest for answers. ~ Clarke Fountain, Rovi

This German-language comedy is the first effort at legitimate filmmaking by former porno film director Franz Antel. The story concerns a professor's research of animals that are closely related to mankind. His chief research target is a chimpanzee who, unknown to him, has a drinking habit. The majority of the film's humor comes from the goofy situations precipitated by the chimp. ~ Clarke Fountain, Rovi