Thomas Gomez Movies

The third installment in Universal's low-budget "Inner Sanctum" mysteries, Dead Man's Eyes promises a great deal more than screenwriter Dwight W. Babcock can deliver. Lon Chaney Jr. stars as Dave Stuart, a struggling artist promising his fiancée Heather Hayden (Jean Peters) that he will marry her as soon as he finishes a portrait of beautiful Tanya Czoraki (Acquanetta). The jealous Tanya causes Dave to have an accident that blinds him. According to eye specialist Dr. Sam Welles (Jonathan Hale), Dave's sight can only be restored by a cornea transplant and Heather's father, "Dad" Hayden (Edward Fielding), promptly wills the unfortunate young man his own eyes. When Dad is found killed, Dave becomes the obvious suspect but Welles nevertheless goes ahead with the operation. Tanya, meanwhile, has her suspicions about the identity of the killer, but before she can reveal the name to Heather, she, too, is killed. Although the operation seems at first to have been a failure, Dave regains his sight just in time to unmask the killer, who is made to confess. ~ Hans J. Wollstein, All Movie Guide

For their first film in a year, Bud Abbott and Lou Costello played it safe with a medley of old burlesque routines and slapstick setpieces -- and never mind a coherent plot. The boys play Eddie and Albert, a pair of plumbers hired to fix the pipes of a fancy society mansion. While a masquerade party takes place on the first floor, our heroes wreak havoc in the bathroom on the second floor. The angry owners (Thurston Hall, Netta Packer) shoot off a letter of complaint to the plumbers which gets mixed up with an invitation for a fancy weekend party. Thus it is that Eddie and Albert, accompanied by their female cab-driving pal Elsie (Marion Hutton), show up dressed to the nines at a posh country estate. While the boys get mixed up in further comic complications, Elsie carries on a romance with wealthy and handsome Peter (Kirby Grant). Things come to a head when a valuable painting is stolen, prompting Eddie and Albert to chase after the thieves by commandeering a fire engine! Released in most areas simply as In Society, this slapped-together comedy proved beyond all doubt that Abbott and Costello's appeal had not slipped during their screen absence. Highlights include a variation on the burlesque chestnut "Floogel Street" (here renamed "The Susquehanna Hat Company"), a wild and crazy fox hunt, and the climactic fire-engine pursuit, which was lifted virtually in toto from W.C. Fields' Never Give a Sucker an Even Break (1941). ~ Hal Erickson, All Movie Guide

Olsen and Johnson's followup to their zany, iconoclastic Hellzapoppin' was the more conventional Crazy House. The premise: Having nearly laid waste to Universal while filming Hellzapoppin', O & J are thrown out of the studio when they arrive with plans for a new picture. Only momentarily daunted, our heroes decide to produce the film themselves, renting a studio and hiring carhop Margie (Martha O'Driscoll) as their leading lady. The success of this plan hinges upon an "angel", self-proclaimed millionaire Col. Merriweather (Percy Kilbride), who promises to advance the money for the new film. Things get sticky when the Colonel turns out to be a balmy eccentric with nary a cent to his name. After a wild courtroom trial presided over by ever-scowling Edgar Kennedy, it is decided that Olsen and Johnson will be permitted to screen their new film before a gathering of Hollywood studio executives, with distribution rights going to the highest bidder. The finale devolves into frantic slapstick when the last reel of the film turns up missing (a plot device later utilized in Mel Brooks' Silent Movie). Though Crazy House gets off to a suitably wacky start-when word arrives at Universal that Olsen and Johnson are coming, barricades are set up and armed guards posted, while every studio contractee from Leo Carrillo to "Sherlock Holmes" (Basil Rathbone) and "Dr. Watson" (Nigel Bruce) brace themselves for the comedians' invasion-the film quickly settles into a standard musical-comedy groove, complete with such guest stars as Allan Jones, Count Basie, the Delta Rhythm Boys and the Glenn Miller Singers. Still, there are plenty of hilarious moments along the way, most of them handled by raucous comedienne Cass Daley, playing a dual role. And there's seldom been a more satisfying movie finale than the last gag of Crazy House, which literally disposes of tiresome romantic leads Martha O'Driscoll and Patric Knowles. ~ Hal Erickson, All Movie Guide

Randolph Scott was the star of Corvette K-225, a tribute to the World War II corvette escorts which guided Allied convoys through treacherous Atlantic waters. Scott plays the officer in charge of a Royal Canadian corvette cruiser, dedicated to keeping the troops safe from enemy submarine attack. The focus of the film is a danger-ridden journey from Halifax to Britain, the tension quotient heightened by the use of actual combat footage. Only the romantic triangle involving Scott, James Brown and Ella Raines bogs down this thrill-a-minute war picture. Corvette K-225 was produced by Howard Hawks, though the direction was credited to Richard Rosson. ~ Hal Erickson, All Movie Guide

From the first frame of its opening credits, Sherlock Holmes and the Voice of Terror promises (and subsequently delivers) mystery and thrills several layers deep -- following a short prologue intended to introduce Holmes to contemporary England (circa 1942), there is a series of terror broadcasts from Germany, announcing destruction throughout the British isles, and a montage of explosions and other disasters causing havoc. Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) are called in by Sir Evan Barham (Reginald Denny) of British intelligence's Inner Council to investigate the Voice of Terror and the accompanying sabotage. The other members of the council are disdainful of Holmes' presence, and express heightening doubts as his investigation seems to take him up several blind alleys. The case starts to break when a dying informant gives Holmes a tip that takes him and Watson to London's seedy Limehouse district, where they get a hostile reception until Kitty (Evelyn Ankers), the widow of the murdered informant, makes a patriotic speech reminding her friends that regardless of their class or their feelings about British society, this is a war for the survival of England. With Kitty leading them, the men and women of Limehouse form an invisible army and go out in search of the saboteurs. Holmes determines that the Voice of Terror is recorded on phonograph records in England and flown to Germany for broadcast; with Kitty's help, he traces the saboteurs to a deserted dockside location where he and Watson, along with intelligence chief Mr. Lloyd (Henry Daniell), are nearly killed by Meade (Thomas Gomez), the leader of the saboteurs. Holmes and company are rescued at the last moment by Kitty's army, but Meade escapes. He crosses paths with Kitty, who pretends to be a thief on the run and joins him. Working her way into his trust, she finds evidence that Meade plans to kill Sir Evan Barham; Holmes arrives just minutes behind Meade and heads off an attempt by a German plane to land on Barham's remote estate. All of these incidents of sabotage and attempted assassination are serious enough, but Holmes suspects they're part of a larger, more sinister plot that could lead to the destruction of England. The film ends with a chase to the South Coast and a bombed-out church, where Meade and his men are preparing to take over the country. Holmes captures Meade and unmasks the man behind him, and reveals just how far ahead of the Germans he has been, turning their certain victory into defeat, but he loses a good friend and ally in the process. ~ Bruce Eder, All Movie Guide

In a harem in a Middle Eastern palace, the guardian leads the women he protects in telling the tale of Halroun-Al-Raschid (Jon Hall), the Caliph of Bagdad, who found himself an enemy close to home in the form of his half-brother Kamar (Leif Erickson), who was ineligible for the throne because of his mother's having been a slave. Halroun and his followers initially put down Kamar's attempt at usurpation, until Halroun's ambitious vizier Nadan (Edgar Barrier) changes sides. In the confusion of the ensuing battle, Halroun is wounded -- spotted by the young acrobat Ali (Sabu), he is sheltered by a group of traveling players led by Ahmad (Billy Gilbert), whose ranks also include a player and storyteller (and, if he is to be believed, former sailor) named Sinbad (Shemp Howard) and a man named Aladdin (John Qualen) who is searching for a magic lamp -- and a dancer named Scheherazade (Maria Montez), who had beguiled Kamar and welcomes his ascent to the throne, because she has been told that she is destined to marry a king. She loves the wounded man in her care, whose identity she doesn't know, but is intent on marrying Kamar, now that he is Caliph. But her plans are thwarted by Nadan, who wants no competition from her in his sway over Kamar, and has arranged to have her killed; but when an avaricious officer (Turhan Bey)instead sells her and the entire performing troup to a dishonest slave trader (Thomas Gomez). From that moment, complications ensue for all concerned, as the new Caliph goes after his beloved, the deposed king Halroun tries to protect her and regain his throne, and Nadan hopes to come out sitting on the throne himself. Treachery and narrow escapes, and even a few thwarted plans ensue on all sides as the hero Haroun has to watch out for Scheherazade and himself from several sides at once, all while keeping his identity from her. ~ Bruce Eder, All Movie Guide