Thomas Gomez Movies

Sometime after the events of the first Planet of the Apes, the climax of which is repeated frame for frame at the beginning of this sequel, another set of astronauts arrives on the far-future Earth that is the titular planet. This time it's Brent (James Franciscus) who survives the crash landing and learns that evolved simians have taken over the world, post-apocalypse. After hooking up with Nova (Linda Harrison), the mute, fur bikini-clad beauty who spent the first film being squired by astronaut Taylor (Charlton Heston), Brent confers with Zira (Kim Hunter) and Cornelius (David Watson, giving Roddy McDowall his only break during the five-film series), the ape scientists whose adherence to scientific principles makes them friendly to the possibility of intelligent human life. Something of a military coup has taken place among the apes, who dispatch an army to the desolate "Forbidden Zone" where Taylor has coincidentally disappeared. With the apes and the humans both rooting about in the ruins of 20th century civilization, it's only a matter of time before they all find out what happened to the other survivors of the nuclear holocaust. ~ Brian J. Dillard, All Movie Guide

At the behest of a Latin-American dictator (Thomas Gomez), the Mafia sends one of their most efficient operatives (James Callahan) on a kidnap assignment. The prospective victim is the dictator's most powerful political foe, publisher Emilio Cruz (Gilbert Roland), who is living in exile in the U.S. Offered FBI protection by Inspector Erskine (Efrem Zimbalist Jr.), the headstrong Cruz turns the Inspector down--little realizing that his best friend is in on the kidnap plot. ~ Hal Erickson, All Movie Guide

Elveron is one of those corruption-ridden towns just ripe for reforming by idealists like doctor James Franciscus. He has tried to conduct business honestly, while all the powerful folks around him have pulled strings and paid off authorities to keep certain awkward business and personal deals under the rug. But now, a murder trial involving important people threatens to become one more farcical cover-up. Franciscus vows that the truth will be heard, despite strongarm threats from crooked law officer Leslie Nielsen. The fact that Shadow Over Elveron is a 1968 TV movie should leave no doubt as to the outcome for this strident little civics lesson. ~ Hal Erickson, All Movie Guide

Wandering into the small Mexican town where Luis Gallegos (John Alonso) is about to be hanged, mercenary peddler Sykes (Thomas Gomez) sells the rope to the hangman, then turns around and sells a handful of "magic dust" to the condemned man's father (Vladimir Sokoloff). Lying through his teeth, Sykes insists that the dust will spread goodwill throughout the community -- and, it is hoped, will spare Gallegos' life. One doesn't have to be a diehard Twilight Zone fan to guess what will happen next. Douglas Heyes, Jr., son of the episode's director, plays a small role. Written by Rod Serling, "Dust" was first telecast January 6, 1961. ~ Hal Erickson, All Movie Guide

Hypochondriac Walter Bedecker (David Wayne) would do anything to feel better -- including making a deal with the Devil. When His Satanic Majesty makes an appearance in the form of the jovial Mr. Cadwallader (Thomas Gomez), Walter enters into a contract whereby he will be given perfect health and immortality. Unfortunately, Walter soon discovers that eternal life isn't all it's cracked up to be, while his wife Ethel suffers spectacularly from Walter's efforts to "spice up" his existence. Several 1960s TV icons appear in supporting roles, including commercial "stars" Virginia Christine (aka Mrs. Olsen) and Dick Wilson) (Mr. Whipple), The Beverly Hillbillies' Raymond Bailey, and McHale's Navy's Joe Flynn. First telecast November 6, 1959, "Escape Clause" was written by Rod Serling. ~ Hal Erickson, All Movie Guide

In the historical epic The Conqueror, John Wayne stars as Temujin, better known as Genghis Khan. Red-haired Susan Hayward costars as Bortai, the Tartar princess whom Temujin claims as the spoils of battle. Eventually, Bortai's hatred for her captor metamorphoses into love, while Temujin's hordes lay claim to the entire Gobi Desert. Director Dick Powell, many of the actors (John Wayne, Susan Hayward, Pedro Armendariz, Thomas Gomez, Agnes Moorehead), and several of the crew members later fell victim to cancer, allegedly the result of producer Howard Hughes' decision to lens the film on location near the atomic testing grounds in the Utah desert. ~ Hal Erickson, All Movie Guide

The exciting, metaphorical world of bull-fighting provides the setting for this dramatic tale of an aging toreador faced with a difficult decision after his illustrious reputation is nearly destroyed when he introduces his young rival and protege and suddenly runs from the ring. The distraught old matador finds comfort in the tender arms of an American fan. Unfortunately, her old boyfriend gets jealous and proclaims the fighter a coward. In time, the matador and his student enter the ring together for a final battle. It is here in the unforgiving arena that the true nature of their relationship is revealed. The film's director Budd Boetticher, gives the film added realism as he, a former matador, also worked as the technical advisor. Originally, the bull-fighting scenes were more graphic, but squeamish censors intervened and the scenes were heavily edited. ~ Sandra Brennan, All Movie Guide

Actor Abner Biberman specialized in unpleasant characters; when he turned director in the mid-1950s, he specialized in unpleasant subjects. The Looters is a marked-down variation of the Spencer Tracy film The Mountain. When a plane crashes on Pike's Peak, a group of mercenaries agree to search for survivors. The real motivation of some members of the rescue party is to strip the plane of all valuables, and to dispose of awkward witnesses. But a handful of the crash survivors also have looting on their minds, leading to a bloody clash in the snowy crags. ~ Hal Erickson, All Movie Guide

In the 1950s, historical spectaculars set in the Far or Middle East became the repository for exploitive tales of eroticism, pure lust, and concupiscent freedom. The "decadence" of previous times gave American filmmakers an excuse to satisfy viewers' libidinal and voyeuristic desires. All this holds true for The Adventure of Haji Baba, a racy, sex-soaked oasis of a film. John Derek stars as an Persian barber given a mission to escort the beautiful princess Fakzia across a desert to her wedding. Haji bets a friend that he will have succeeded in seducing her by the trip's end and the games begin. The two, elegant in their self-assurance, trade barbs and entendres until they're captured by robbers who are in turn captured by a group of renegade Amazons. The Amazons are all former harem girls who have taken to highway robbery and kidnapping to extract a measure of justice from the society that imprisoned them. Haji convinces the leader of the Amazons to let him live and she does as long as he can perform sexually. This buys him enough time to plan an escape with Fakzia and finally cross the desert. Haji, of course, collects on his bet. Redolent with offscreen hints of prodigious debauchery, The Adventures of Haji Baba is a unique, and unexpected, product of '50s cinema. ~ Brian Whitener, All Movie Guide

This tuneful romantic melodrama is set in a tiny Mexican village and is comprised of three storylines. One tale concerns a pair of young lovers from rival villages who will not be able to marry until a long time feud is ended. In another tale, an heir to a large fortune falls in love with an impoverished girl. His family is dead set against the match. When he is diagnosed with a fatal tumor, the man begs the girl to marry him, but she refuses and instead arranges for him to marry another. In the third story, a matador's comely sister falls in love with a street vendor. Unfortunately, the matador hates her beloved and to break them up permanently, slyly convinces the peddler to enter the dangerous bullring. Fortunately for the sister, her brother's scheme fails spectacularly. She then marries the peddler and makes an ironic discovery. ~ Sandra Brennan, All Movie Guide

Based on an operetta by Franz Lehar, this remake of the 1934 original finds a wealthy widow (Lana Turner) returning to her husband's native land to dedicate a memorial to him. The king (Thomas Gomez) of the country, deep in debt, tries to convince her to stay by offering a young count (Fernando Lamas) for her to marry. The film earned Oscar nominations for Best Art Direction/Set Decoration and Best Costumes. ~ John Bush, All Movie Guide

The tendency is to scoff at Macao as just another example of Josef von Sternberg's late-career exercises in exoticism; true, it has its problems, including a weak plot and a slightly hasty pace, but it is still an extraordinary film for its time and its personnel. The real sparkplug for the movie is Jane Russell as out-of-work singer Julie Benson, who inadvertently gets the plot rolling when she ends up in a cabin with a lout who won't take no for an answer. Her plight, and a flying shoe, brings in laconic, slightly mysterious traveler Nick Cochran (Robert Mitchum), who seems to have something to hide and manages to get his wallet (including passport) lifted by the opportunistic Julie. Crossing paths with them is Lawrence Trumble (William Bendix), a good-natured lunkhead salesman coming to Macao for the gambling. And gambling, among other less legal activities, is what local hood Halloran (Brad Dexter) is all about. He's just hot enough in international crime circles to attract the authorities, who can't touch him in Macao; he's already had one New York detective killed and expects another to arrive, and he's keeping an eye on any suspicious, unfamiliar Westerners arriving, which leads him to Julie, Cochran, and Trumble. Halloran has other, obvious plans for Julie, especially when obliging corrupt police chief Thomas Gomez points her to a singing job at his club, much to the distress of his one-time girlfriend (Gloria Grahame); he dismisses Trumble as a lovable clown. But Nick has cop written all over him and is hiding something. All of the pieces fit together neatly in the end, and everyone is keeping at least one secret that will surprise viewers.

What makes Macao truly special are the performances, beginning with Jane Russell, who, with the possible exception of Gentlemen Prefer Blondes, was never better. Her ample physical assets are on display as usual, but she also never gave a sharper, more naturalistic or purely sensual acting performance. Russell had clearly found her talent and her center with this film. Whether she's shooting a suspicious glance at larcenous police chief Thomas Gomez, singing a sultry torch song in a seductive white strapless outfit, or striding forward in an exquisite dolly-out shot, she commands every scene in which she appears. And it's not just her imposing physique that does it, but a boldness of nuance; Russell had learned a lot since The Outlaw. Brad Dexter, the odd man out in The Magnificent Seven, makes an excellent villain, like a more pathological version of Steve Cochran. Meanwhile, Robert Mitchum, in his portrayal of a neurotic, perhaps shell-shocked veteran, shows a vulnerable side that seldom came out so convincingly or touchingly in his RKO movies; and even William Bendix found a new wrinkle to his screen persona as the seemingly larcenous commercial traveler. The audience will be beguiled and surprised throughout this movie -- an underrated noir classic -- and not just by the stories that unravel. The last line and wrap shot create an amazingly lusty, censor-challenging denouement for an early '50s film. ~ Bruce Eder, All Movie Guide

Jean Peters is at her feisty best in Anne of the Indies. Harboring a grudge against all men (and not without reason), Anne becomes "Captain Providence," one of the most notorious pirate leaders of the Spanish Main. Anne is pursued by French captain Pierre la Rochelle (Louis Jourdan), who intends to bring her to justice. To this end, La Rochelle makes romantic overtures to Anne, but she gloms onto his scheme and abducts the captain and his wife Molly (Debra Paget). After leaving her victims to die on a desert island, Anne relents and rescues them. She later fully redeems herself (at great personal cost) during a battle with her fiercest rival, Blackbeard (Thomas Gomez). Few actresses could have pulled off the contrarily-written title character in Anne of the Indies with as much determination and conviction as Jean Peters; surprisingly, the actress was reportedly never comfortable before the cameras, often insisting that she'd rather be a schoolteacher! ~ Hal Erickson, All Movie Guide