Minna Gombell Movies

High-class call girls provide the focus of this intelligent romantic comedy that takes a rather scathing look at the down-side of blazing passion. The trouble begins when a young wife learns that her husband has been fooling around with the ladies of the evening on the side. As she investigates, the wife ends up getting entangled in her own affair. ~ Sandra Brennan, All Movie Guide

Based on a novel by Vina Delmar, Bad Girl stars Sally Eilers as heroine Dot Haley. The title notwithstanding, Dot isn't bad at all. She enters into a decent marriage with a decent guy, radio store clerk Eddie (James Dunn), and sticks with her man through thick and thin (mostly thin). But Eddie misunderstands Dot's seeming indifference to the new apartment which he has rented and furnished as a first-anniversary surprise. Eddie doesn't know what Dot and the audience do: there's a baby on the way, and that's all that Dot can think about. Once this misunderstanding is cleared up, Eddie takes on all sorts of extra jobs to pay for a pricey obstetrician, even moonlighting as a prizefighter. So impressed is the baby doctor by Eddie's devotion that he refuses to charge a cent when delivering Dot's baby (the bill, by the way, is a daunting $40). Curiously, some synopses of Bad Girl suggest that the hero and heroine never get married, which is hardly the case. ~ Hal Erickson, All Movie Guide

Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love. ~ Craig Butler, All Movie Guide

Peter Piper (Charles Farrell) and Sidney Taylor (Marian Nixon) are deeply in love, and saving to get married, but their mothers have other ideas. Mrs. Piper (Josephine Hull) is jealous of Sidney, refusing to allow the couple to move in with her after they marry. Elsie (Minna Gombell), Sidney's mother, is disgusted with her husband Willie (William Collier, Sr.) and has an affair with their border Mr. Jarvis (William Pawley); she wants Sidney to marry a rich man. When he fears his embezzlement will be found out, Jarvis persuades Elsie to leave the country with him. After they're gone, Willie finds the note Elsie left for Sidney in which she reveals she never loved him; as a result Willie has a heart attack. Peter and Sidney are forced to use their savings for his hospitalization, and then Sidney fears Peter is attracted to another woman. ~ Bill Warren, All Movie Guide

Grace Livingston (Janet Gaynor) is leading a happy life in her small town, with her mother (Maude Eburne) and father (Robert McWade), being courted by two men, the steady but predictable Tommy Tucker (Charles Farrell) and the more ambitious, flashy, and worldly Dick Loring (George Meeker), who seems closer to Grace in his desire for travel and adventure. It's Tommy whom she marries, however, while insisting that they live someplace other than the town where they grew up. So Tommy abandons his successful insurance business and the couple moves to Joplin, MO, where he takes over a real-estate business, and for 11 months the couple struggles quietly while Tommy goes about trying to establish himself, and Grace becomes increasingly bored and impatient, not liking Joplin or the tiny three-room apartment where they live. Tommy has been steadily working on a plan that will bring them all the money they need, acquiring land that he is certain that the railroad needs, but closing the deal with the purchasing agent (Henry Kolker) requires him to throw a small dinner party, on the very day that Tommy is down literally to his last ten dollars, and when Grace's patience is at an end and her kitchen help falls ill. With the maid's inexperienced daughter (Leila Bennett) doing her barely adequate best, they muddle through dinner to a successful conclusion to the deal; however, when the unexpected reappearance of Dick Loring throws a wrench in the works, not only of the deal but their marriage, his presence suddenly brings to a head all of Grace's frustrations. The couple splits up, Grace leaving Tommy to return to her parents' home, and even though each soon has some wonderful news to tell the other, it takes a lot of help -- and a knock-down, drag-out fight between two of the contending parties -- to help get them back to a place where each will give the other the hearing they should.

It sometimes seems as though, during the 1930s, the studios could mix comedy and drama more freely and easily without having to go into too many explanations for their audience -- whereas in the 21st century, audiences need a guide and a warning for pictures such as The First Year, which might be very funny in many spots (especially in the scenes with Grace's parents) and steeped in drama and serious moments elsewhere. Although not remotely as substantial as some of Charles Farrell and Janet Gaynor's other work together, The First Year is a good representation of the high level of quality of their work together when they weren't acting in masterpieces such as Street Angel or near-masterpieces like After Tomorrow. ~ Bruce Eder, All Movie Guide

A sequel to the 1931 George O'Brien western Riders of the Purple Sage, The Rainbow Trail picks up where the earlier film left off -- sort of. In Riders, fugitive from justice Jim Lassiter (O'Brien) and his sweetheart Jane Withersteen (Marguerite Churchill) escaped to the "lost valley," sealing themselves off from civilization with the aid of a huge boulder. In the sequel, O'Brien assumes the role of Lassiter's nephew Shefford, who has been assigned to search for his missing uncle; thus, in effect, the actor spends the early portions of the film chasing himself. Shefford's search is interrupted by a confrontation with his uncle's old nemesis Dyer (W. L. Thorne), now a masked bandit. On a more pleasant note, our hero inaugurates a romance with the lovely Fay Larkin (Cecilia Parker, in her film debut). Unfortunately, it is necessary to be familiar with Riders of the Purple Sage to be able to follow the convoluted plotline of The Rainbow Trail (both properties, of course, were based on the works of Zane Grey). ~ Hal Erickson, All Movie Guide

This earnest, socially-conscious road drama centers on two California teenagers who find their comfortable lives thrown into turmoil during the Great Depression. To find work for themselves, the adventurous lads sneak aboard a Chicago-bound train. ~ Iotis Erlewine, All Movie Guide

Perennial sidekick George E. Stone is given the leading role in The Big Brain. Stone plays a small-town barber, short of stature but a giant in the world of stock promotion. As his bank account grows, Stone's ethics diminish, and soon he's playing fast and loose with other people's money. Disgruntled investor Fay Wray is the one who finally blows the whistle on the prevaracating hair-snipper. Reportedly based on the career of real-life swindler Charles Ponzi, The Big Brain also owes a great deal to the 1931 Edward G. Robinson vehicle Smart Money. This RKO programmer was released in Great Britain as Enemies of Society. ~ Hal Erickson, All Movie Guide

In this romantic musical, a carnival knife thrower's assistant falls for a Parisian tour guide who earns money wearing a sandwich board that says "Is Your Heart Happy? No? Consult Professor Bibi, 17 Rue Canton." After a few romantic mishaps, true love eventually ensues. Songs include: "Lover of Paree," "Lucky Guy," "In a One-Room Flat," "The Way to Love," "It's Oh, It's Ah, It's Wonderful" (Ralph Rainger, Leo Robin). ~ Sandra Brennan, All Movie Guide

Marshall Neilan, a great silent film director on the verge of obscurity, had one last big-studio stand with The Lemon Drop Kid. Lee Tracy plays a racetrack tout who calls himself a "horse medium"--that is, he reads the horse's minds for the gullible bettors. He quits the track for the love of a good woman (Helen Mack) and settles down in a small town, determined to go straight. But when his wife falls ill, Tracy goes back to his old crooked ways to raise money for her treatment. Adapted from a Damon Runyon story, Lemon Drop Kid was refilmed in 1951 with a whole new plot to accommodate Bob Hope, the Christmas season, and the hit song "Silver Bells". ~ Hal Erickson, All Movie Guide

In this sudsy hospital melodrama, a married nurse finds herself falling in love with one of two surgeons when her husband goes mad and needs an operation. One of the surgeons regards his pursuit a lark, while the other harbors genuine affections for the nurse. At first, she is attracted to the cad, but after her husband follows the suggestion of another insane patient and dives out of a window to his death, she seeks consolation in the arms of the other surgeon. ~ Sandra Brennan, All Movie Guide