Valeria Golino

With Quiet Chaos (Caos calma), acclaimed Italian helmer Nanni Moretti steps away from his standard directorial role to essay the lead and co-author the script in a gentle psychological drama directed by Antonello Grimaldi. Moretti stars as Pietro, a film executive whose life takes an irreversible and devastating turn one fateful morning. During a trip to the beach with his brother, Pietro's path intersects with that of a woman, Eleonora (Isabella Ferrari) who is drowning in the ocean; horrified, Pietro rushes in to save her. He subsequently returns home only to discover that his wife, Lara, just died in a nasty falling accident; devastated to the core, this nascent widower must make the necessary psychological accommodations to adjust to life as a single parent, with sole responsibility for raising his ten-year-old daughter Claudia (Blu Yoshimi). Almost instinctively, as a reaction to Lara's death, Pietro opts to sit and wait for his daughter to finish school each day (in a park across from the school), in lieu of abandoning her to his own priorities and commitments. This means that the fellow's colleagues in the film industry must, by necessity, come to do business with him in the park. Through it all, Pietro remains silently dumbfounded that the tragedy itself hasn't shaken him more, that the grief (the "quiet chaos" of the title) is subtly agonizing instead of grossly traumatizing and debilitating. Nevertheless, he ultimately begins to approach a full realization and acceptance of his loss, and gains an enhanced awareness of himself and others from the potentially crippling events thrust into his path. Valeria Golino (Rain Man) co-stars; Roman Polanski lends a cameo as one of Pietro's industry colleagues. ~ Nathan Southern, All Movie Guide

A brilliant detective from Southern Italy investigates the death of a young girl found drowned in a remote lake in the mountains of Friuli in director Andrea Molaioli's dramatic mystery. ~ Jason Buchanan, All Movie Guide

A handful of semi-professional musicians struggle to make a name for themselves in this nostalgic comedy-drama set in Italy in the mid-seventies. Faustino (Antimo Merolillo) is a would-be jazz guitarist who has just graduated from school and is looking for a gig, at least in part because he's trying to avoid the military draft. If he can get local promoter Raffaele (Ernesto Mahieux) to sign him to a contract, Faustino can tell the draft board that he's a professional supporting his widowed mother with his career in music, but getting Raffaele to make a deal is proving difficult. Faustino plays part time with a local band led by hard-drinking Mimmo Falasco (Toni Servillo), but when Augusto Riverberi (Fabrizio Bentivoglio), a once-famous bandleader looking to make a comeback, arrives in town, Raffaele pulls some strings and gets Faustino a job as Riverberi's assistant. In need of a singer, Faustino and Raffaele persuade Riverberi to hire a vocalist named Gerry Como (Peppe Servillo), and the first few dates of the tour go well as Riverberi entertains the crowds and juggles romances with Faustino's mother (Lina Sastri) and a lovely small-town hairdresser (Valeria Golino). But when Raffaele double-crosses Riverberi and runs off with the band's money, Faustino begins to wonder if he'll ever make good as a musician. Lascia Perdere, Johnny! (aka Don't Waste Your Time, Johnny!) was the first directorial credit for veteran actor Fabrizio Bentivoglio, who also co-stars as the bandleader Riverberi. ~ Mark Deming, All Movie Guide

A determined mother struggles to raise her adopted son with love and understanding as the disapproving eyes of her boyfriend and mother weigh heavily on her conscience in this drama from director Antonio Capuano. Mario (Marco Grieco) is a rebellious youngster who has been taken from his abusive mother and placed in the care of Giulia (Valeria Golino) and Sandro (Andrea Renzi). Though the maternal Giulia has vowed to treat her young charge as her own blood and lovingly accepts all of the challenges generally associated with foster parenting, her partner, Sandro, is resentful of the young Mario and views his foster child's presence as little more than an unwelcome disruption. Defying the vocal objections of her outspoken mother, Giulia holds steadfast to her pledge of giving the troubled working-class misfit a stable childhood in her comfortable, middle-class home. ~ Jason Buchanan, All Movie Guide

A good-natured Saturday night gathering amongst a group of thirtysomethings takes a decidedly perilous turn in director Fausto Paravidinio's moody entry into the 2007 Karlovy Vary Int'l Film Festival. At first the celebration was going strong, but when memories of two previous events arise and bitterness rears its ugly head, the events soon threaten to take a turn toward the tragic. ~ Jason Buchanan, All Movie Guide

Euro screen legends Gérard Depardieu and Daniel Auteuil star, respectively, as French cops Denis Klein and Leo Vrinks, in Olivier Marchal's tough-as-steel policier 36 Quai des Orfevres. The story unravels at the titular Parisian police headquarters, where Klein (who heads up the department's anti-crime unit) and Vrinks (who manages the "search and action squad") go head-to-head -- competing with one another not only to succeed their boss, but to be the first to solve an ongoing series of security-van robberies. Ultimately, the men resort to sabotaging one another, and thus set the stage for an ongoing series of twists, turns, reversals, and betrayals. Valeria Golino and Catherine Marchal co-star; Olivier Marchal co-authored the script with Dominique Loiseau, Julien Rappeneau, and Franck Mancuso. ~ Nathan Southern, All Movie Guide

This ambitious, four-hour cable miniseries stars Jeremy Sisto (taking time off from his regular series Six Feet Under) as Roman general-turned-emperor Julius Caesar. Expensively filmed in Malta and Bulgaria, the production vividly traces Caesar's rise to prominence as a brilliant military tactician (with remarkably accurate battle scenes); his complex relationships with his mentor General Pompey (Chris Noth) and his second wife Calpurnia (Valeria Golino); his ideological tiltings with Senator Cato (Christopher Walken), who advocates democracy over Caesar's dictatorial ambitions; and his bloody (but inevitable) murder at the hands of former friends and allies. Taking some dramatic license with the facts, the film is basically sympathetic to its subject, although Caesar is depicted as a flawed man, both physically and morally. Giving Caesar points for being fundamentally honorable, in full possession of his faculties, and possessing the "common touch" with the Roman citizenry, the teleplay does not shrink away from the man's violent epileptic seizures, his megalomania, his casually calculated cruelties, and his bigamous relationship with Egyptian queen Cleopatra (Samuela Sardo). Interestingly enough, however, the miniseries downplays his notorious bisexuality ("Every man's woman and every woman's man"). In his final performance, Richard Harris appears as Caesar's wily bête noire, Roman dictator Sulla. Caesar was first telecast in the U.S. on June 29-30, 2003, by the TNT cable network. ~ Hal Erickson, All Movie Guide

Italian director Emanuele Crialese's Respiro tells an intimate tale of a family living in a quiet fishing community. Grazia (Valeria Golino) is deeply committed to her husband Pietro (Vincenzo Amato) and their children, as well as stray dogs. She suffers from extreme mood swings that result in serious physical attacks in times of high anxiety. Pietro decides to send her to get help, but this prompts Grazia to run away. She survives with the help of her son Pasquale (Francesco Casisa). Respiro was screened during Critics Week at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

Following up on his innovative work Timecode, which featured four stories being told in real time simultaneously, Mike Figgis returns to a modified form of his technique in this film about the tourists, the prostitutes, the tour guides, a killer, and a film crew who frequent the Hungarian Palace Hotel in Venice, Italy. A corrupt Eastern European politician and his moll are visiting the city to complete a shady business deal while Sophie is a high-priced call girl who makes an office in one of the hotel's suites. The film crew is attempting to shoot a Dogma 95-style adaptation of John Webster's The Duchess of Malfi only to run into one problem after another. Magic is a professional assassin with a very odd kink -- he must have sex immediately after completing a job. Quintus, who abandoned his attempts to get fame and fortune as an actor, is a tour guide with an unusual secret. And then there is maid who not only has the skeleton key to the hotel, but also a habit of snooping. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Although Things You Can Tell Just by Looking at Her does bear some similarities to Short Cuts and Magnolia in its setting (Southern California) and mood (modern malaise), and its multiple story format, its focus is exclusively on female characters, and it's possible to view each story on its own. The film begins with a prologue: Police detectives are investigating the apparent suicide of a Hispanic woman (Elpidia Carillo). "This Is Dr. Keener" deals with Dr. Elaine Keener (Glenn Close), a single professional woman attempting to care for her aging and infirm mother and deal with her own loneliness. She invites Christine (Calista Flockhart), a tarot card reader, into her home to make some sense of her life. "Fantasies About Rebecca" profiles a successful bank manager (Holly Hunter) involved with a married man (Gregory Hines). When she learns that she is pregnant, he coldly advises her to take care of the "problem." Before she visits Dr. Keener to have an abortion, she impulsively has a fling with a colleague (Matt Craven). She is also confronted by a female street person in the bank's parking lot. "Someone for Rose" is about a single mother (Kathy Baker), a writer of children's books. She is attracted to a new neighbor, a dwarf (Danny Woodburn), and he catches her spying on him in his house. She's also amazed to find that her son is more sexually active than she knew -- and more than she is herself. "Good Night Lilly, Good Night Christine" details the relationship between the tarot card reader Christine and her lover, Lilly (Valeria Golino), who is critically ill with an unnamed disease. The final story, "Love Waits for Kathy," concerns two sisters, Carol (Cameron Diaz), a lovely blind woman with an active social life, and her police detective sibling, Kathy (Amy Brenneman), one of the detectives who appeared in the prologue. Kathy is attracted to the medical examiner in the suicide case, and her story ends with him taking her out on a date. In an epilogue, Dr. Keener drops in to a bar, where she meets a male character from one of the earlier stories. Debuting director Rodrigo Garcia, a noted cinematographer, is the son of writer Gabriel Garcia Marquez. Things You Can Tell made its debut on cable television, although it was originally intended to be a theatrical release. ~ Tom Wiener, All Movie Guide

One day Jack (Matthew Lillard) shows up at the antiques-laden warehouse apartment of Max (Vincent D'Onofrio) and Jamie (Valeria Golino), two ruthless low-level criminals with higher aspirations than the two-bit thieving they do now. Jack insists he's Max's brother, but Jamie, whose hobby is collecting poison, has her doubts. When Max arrives to find Jack tied to a chair, it's revealed that Jack isn't Max's brother -- he's a hoodlum with a line on a briefcase with a million dollars and a priceless, mysterious antiquity called the Spanish Judges; all he wants is Max and Jamie's help recovering the loot. But when the plan goes awry, and violently so, suddenly loyalties and motives are called into question. Was this Jack's plan all along, or did Jamie have something to do with it? ~ Buzz McClain, All Movie Guide

Francesca Archibugi directed this Italian drama set in Rome where 14-year-old Siddhartha (Niccolo Senni) is forced to deal with his heroin-addicted mother Silvia (Valeria Golina). He occasionally gets a visit from his filmmaker father Massimo (Sergio Rubini), who left them years earlier. Silvia is involved with lawyer Roberto (Stefano Dionisi), and they have a child, four-year-old Domitilla (Francesca di Giovanni). She lives with her father but sometimes stays with Silvia and Siddhartha. One day Domitilla pricks her finger on a used needle belonging to her mother. Using the Internet to seek advice, Siddhartha is told to have Domitella tested for hepatitis and AIDS. Desperate, he sets forth but is soon stymied and frustrated by a medical bureaucracy. Shown at the 1998 Venice Film Festival. ~ Bhob Stewart, All Movie Guide

Two very different Italian women from opposite ends of the country and the Italian economic stratum forge a friendship based on their amorphous longing for something meaningful in their lives. Elena works as a chemical analyst with a cosmetics company in Treviso. It's a good job, and what with a wonderful lover plus a caring ex-husband, Elena has the makings of a fulfilling, happy life. But despite her fortunate circumstances, she is miserable all the time. One day, she has a fender-bender with Anita, a feisty 80 year-old-woman. The two eventually become friends, but then Anita suddenly dies. Elena decides to fly to Anita's southern hometown of Taranto to notify her relatives. It is there that Elena meets grocery-store clerk Maria, a troubled young woman with a brutal husband and a daughter who is losing touch with reality. A strange but strong friendship grows between the women that culminates in their taking a journey to Mont Blanc with Maria's daughter. ~ Sandra Brennan, All Movie Guide