Ricky Paull Goldin Movies

Just before all three of them are to be wed to the men of their dreams, longtime friends Monique (Connie Sellecca, Eve (Twiggy) and Teri (Shawnee Smith) flying off to Australia for a pre-nuptual photo shoot. To fully appreciate the episodic events that follow, it should be noted that Monique is a magazine editor engaged to a control freak; Eve is a model whose trail is being dogged by a psychotic ex-suitor; and Teri is a bewitching lass who has not told her fiancé everything he should know about his past. Amidst a sea of romance-on-the-rebound, tense melodrama and deep dark secrets, the audience is afford a few islands of relief vis-à-vis the performance of Dina Merrill as Monique's ailing "old-money" mom. Adapted from the novel by Jillian Karr and Karen Katz,the made-for-TV Something Borrowed, Something Blue made its initial CBS network appearance on March 11, 1997. ~ Hal Erickson, All Movie Guide

Yasmine Bleeth is cast very much against type in this made-for-TV melodrama as Emily Gilmore, a meek, mild woman with a hideously scarred face. Receiving no help or support from her alcoholic mother and gorgeous sister, the easily led Emily falls in with a bad crowd, and before long she is sent to prison for a robbery she didn't commit. Once behind bars, Emily is able to get plastic surgery, emerging as stunningly beautiful--and totally unrecognizable. Upon her release, the no-longer shy and retiring Emily assumes a new identity--the first step in a chilling scheme of revenge, aimed at settling the score with the man (James Wilder) who framed her. Originally telecast March 11, 1996 by NBC, A Face to Die For has been released to video as simply The Face. ~ Hal Erickson, All Movie Guide

This highly rated independent production was written years before Bull Durham, and though it covers much of the same territory, it is considered worth seeing in its own right. In the story, Roy Dean Bream (William Russ) is too old to be part of his minor-league baseball team's cultural mainstream. In short, he's often ignored, derided, or treated to the worst or last of everything, like any other outcast. Tyrone (Glenn Plummer) is so young that it gives the same teammates who shun Roy the willies and reminds them that they too are getting older -- so he's an outcaste, too. What could be more natural than for these two men to seek one another out. It doesn't matter that the older man is white, the younger is black. They both love the game, and Roy has been around the block a few times and has plenty to teach Tyrone. When the time comes for Roy to be sent to retirement, everyone holds their breaths to see how he will react. It's a pity they didn't get to know him better, or they would know that this kind, generous man wishes them all well. ~ Clarke Fountain, All Movie Guide

When ALF forgets to relay a phone message, Lynn (Andrea Elson) is stuck with two dates for the same dance: Randy Boylan (Mark Clayman) and Danny Duckworth (Ricky Paull Goldin). Unable to figure her way out of this dilemma, Lynn turns to an advice columnist for help. But the cure may be worse than the disease: the only "columnist" available is ALF, alias "Dear Alien." ~ Hal Erickson, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

This sci-fi offering from director Peter Hunt boasts an unsympathetic cast of three aliens who have escaped from their spacecraft docked on the moon. Robyn (Sydney Penny) is the female alien watching over young Tavy (Rosie Marcel) and the three-armed, three-eyed baby Kirbi who feeds on gasoline and hot coals. Dirt (Ricky Paull Goldin) is a friendly soul who adopts the three aliens, but he runs into trouble after the captain of the spaceship lands nearby and starts looking for the trio. More complications set in when a senator arrives at Dirt's father's ranch and a local cop starts to suspect the alien captain of murderous intentions toward the politician. ~ Eleanor Mannikka, All Movie Guide

This remake of the 1948 Preston Sturges classic stars Dudley Moore as the symphony conductor who imagines ways to get back at the wife he believes is unfaithful to him. Moore plays Claude Eastman, the conductor of a prestigious sympathy, who suspects that his actress wife Daniella (Nastassja Kinski) is fooling around behind his back with the orchestra's handsome soloist, Maxmillian Stein (Armand Assante). The tip comes courtesy of Norman Robbins (Albert Brooks), Daniella's brother. As Claude is conducting a symphony, an elaborate plot plays out in his head -- he will murder his unfaithful wife to get revenge on her. The plot is simpler and more straightforward than the original version, in which the conductor harbored three separate elaborate fantasies. ~ Michael Betzold, All Movie Guide

Coach of the Year is the pilot film for a potential Robert Conrad TV series. Conrad plays Jim Brandon, formerly a star athlete, now a wheelchair-bound Vietnam vet. The embittered, self-involved Brandon is hired to coach a team of teenagers at a correctional facility. Once he's "reached" these so-called incorrigibles, Brandon begins to see his own life in a different light. The film was co-produced by John Ashley of Filipino horror-flick fame. Originally titled The Coach, then 4 Down Behind Bars, Coach of the Year debuted December 20, 1980. ~ Hal Erickson, All Movie Guide