Eddie Golden Movies
- 1973
Lee Remick made her TV movie debut in And No One Could Save Her. She plays an American heiress whose husband (Frank Grimes) has apparently disappeared in the middle of a transcontinental flight. Remick heads to Ireland, her husband's original destination, to get to the bottom of things. And No One Could Save Her was the first TV production of the Robert Stigwood Group (Saturday Night Fever, Grease, Can't Stop the Music etc.) The film originally aired February 21, 1973. ~ Hal Erickson, All Movie Guide
This internationally produced adaptation of Anna Sewell's Black Beauty is essentially a vehicle for Oliver star Mark Lester. The young Lester spends most of the film trying to reclaim his beautiful black horse, which passes through several hands over the course of 90 minutes. All the setpieces of the Sewell original are in attendance, including the showstopping "burning barn" sequence. Walter Slezak is the only truly recognizable actor in the film outside of Lester. ~ Hal Erickson, All Movie Guide
- Starring:
- Mark Lester, Uschi Glas, (more)
Based on the classic novel by James Joyce, this drama deals with the life of an impotent married Jewish man, his wife and a student/poet in Dublin. Focusing more upon the characters' thoughts and fantasies than upon their actions, it features some of Joyce's previously banned prose. This drama was filmed in Ireland with a largely Irish cast and was nominated for an Academy Award for Best Screenplay. ~ Kristie Hassen, All Movie Guide
- Starring:
- Barbara Jefford, Milo O'Shea, (more)
- 1965
Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Taylor, Julie Christie, (more)
- 1964
Pat Boone plays Stephen Cole, a young Irish man who believes himself to be worthy of a promotion from his employer. Believing that his boss instead is practicing nepotism, giving the promotion to his own nephew, Stephen writes--and mails--the company a caustic letter. Before long, however, Stephen finds that he has, indeed, just been named general manager/junior partner rather than the nephew. Now he must rush to London to intercept the letter before it reaches its initial destination. ~ Kristie Hassen, All Movie Guide
- Starring:
- Pat Boone, Milo O'Shea, (more)
Brendan Behan, the quixotic, eternally sloshed Irish poet/playwright, peppered his play The Quare Fellow with plenty of "gallows humor." The film version dispenses with most the play's morbid jests, leaving us with a grim, straightforward account of a Dublin death-row prison guard (Patrick McGoohan) and his growing empathy with two condemned prisoners. One could understand the removal of the play's comic elements had the film been made in timorous Hollywood. But since Quare Fellow was financed and produced in Ireland, it seems a inappropriately glum tribute to one of the country's boldest and most brilliant talents. Quare Fellow was directed by American "B" specialist Arthur Dreifuss, who also adapted Behan's play for the screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Patrick McGoohan, Sylvia Syms, (more)
- 1960
This uneven, wartime drama delves into the complexities of the political situation in Northern Ireland, compounded in World War II when the IRA collaborated with the Nazis against England, their long-time foe. Robert Mitchum stars as the heroic Dermot O'Neill, willing to join the IRA yet unhappy with their ties to fascist Germany. His interaction with the local IRA unit is intense and occurs at the same time as his love affair with Neeve Donnelly (Anne Heywood). His buddy Sean Reilly (Richard Harris) is also around to lend moral support when a situation calls for it. Between Dermot and his relationships and family clan, and the political intrigues, things can get a little crowded at times. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Robert Mitchum, Anne Heywood, (more)
- 1960
In this touching drama, a precursor for Ted Allan's later story about Jewish life in Montreal, a young Dublin lad idolizes his grandfather, a humble seller of rags and bones. His parents are not pleased by the adoration and attempt to keep the pair apart. ~ Sandra Brennan, All Movie Guide
- 1959
Broth of a Boy is an even-keel film version of a play by Irish dramatist Hugh Leonard. Barry Fitzgerald plays the world's oldest man, a taciturn centenarian Irishman. Media representatives converge on Fitzgerald's village on the occasion of the old coot's 110th birthday. The eager TV exec who stages the event discovers that damage control is definitely in order: not only is Fitzgerald a widely despised poacher, but he also truculently refuses to participate in the ceremony. Broth of a Boy is a pleasant, easygoing satire of exploitive journalism--a target that is as viable today as it was in 1959. ~ Hal Erickson, All Movie Guide
- 1959
This well-acted drama about an Irishman just released from jail is filled with rich characterization. The story is adapted from a stage play by Walter Macken who also plays the role of the ex-convict Paddo in this screen version. Direction is by J. Fielder Cook. Once Paddo returns home after being sentenced to five years for killing a man, his old friends try to put him back in their niche of local hero but Paddo will have none of it. He is disillusioned and changed. His son Willie (Arthur Kennedy) walks with a limp that keeps him too self-conscious to assert himself as he would like with the young woman of his dreams. While other people come in and out of Paddo's life, from his taciturn friend the trapper to the local tinker, it is Paddo's son Willie suffering from his own disability who makes the difference in his father's life. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Walter Macken, Eileen Crowe, (more)
- 1959
This British comedy is set in 1945 Ireland and tells the story of a small town that plans to erect a monument to honor an IRA rebel during the 1920s. The son of the British colonel responsible for the killing strongly objects. After the statue has been unveiled, the rebel's mischievous son destroys the tribute and tries to frame the colonel's son. Just as the enraged townsfolk are preparing to lynch the young Englishman, the rebel's son confesses his crime. ~ Sandra Brennan, All Movie Guide
- 1958
One of the few Irish-made films of the 1950s to get an American release, The Poacher's Daughter stars Broadway actress Julie Harris, supported by members of the Abbey Players. Harris portrays an Irish colleen who sets her cap for Tim Seely, a young roisterer who's inherited a farm. Seely is a stranger to responsibility, and proves it by selling off his valuable sheep to buy a motorcycle. Thanks to the intervention of Harris's poacher father (Harry Brogan), Seely is dragged back to town and coerced into marriage at gunpoint. This is a comedy, mind you. Originally titled Sally's Irish Rogue, The Poacher's Daughter was based on George Shiels' stage play The New Gossoon. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Tim Seely, (more)
I See a Dark Stranger manages to be both an absorbing espionage yarn and a slyly amusing send-up of the entire genre. Deborah Kerr is terrific as Irish colleen Bridie Quilty, raised from childhood to despise the British and everything they stand for. Bridie's anglophobia proves useful to Nazi spy Miller (Raymond Huntley), who hopes to use the girl to help him steal the plans for the D-day invasion. Playing her "Mata Hari" role to the hilt, Bridie wholeheartedly throws herself into a world of clandestine meetings and coded messages, certain that by helping the Germans she is also helping Mother Ireland. Eventually she realizes the error of her ways, enabling her to turn the tables on Miller and his co-conspirators. Trevor Howard co-stars as David Baynes, with whom the impulsive Bridie falls in love despite his English forebears. I See a Dark Stranger was released in the U.S. as The Adventuress. ~ Hal Erickson, All Movie Guide
- Starring:
- Deborah Kerr, Trevor Howard, (more)
