Edogawa Rampo Movies

Directors Suguru Takeuchi, Akio Jissoji, Hisayasu Sato, and Atsushi Kaneko team to adapt four stories by acclaimed early-20th Century Japanese mystery novelist Taro Hirai, who penned his suspenseful tales under the telling pseudonym Edogawa Ranpo. Maverick Japanese indie star Tadanoby Asano stars in all four segments of the macabre omnibus. Takeuchi's "Mars' Canal," sets things into motion as a naked man (Asano) wandering through a desolate alien landscape recounts a sexual encounter that quickly took a violent turn. The second segment, directed by Jissoji and entitled "Mirror Hell," finds detective Kogoro Akechi (Asano) investigating the mysterious deaths of two young women. Upon discovering that mirrors crafted by malevolently handsome stationary shop master Toru Itsuki (Hiroki Narimiya) and that the mirror-maker knew both of the victims intimately, the investigation takes an unsettling turn that leads the detective to believe the occult may be involved. Director Sato's "Caterpillar," which comprises the third segment of the film, follows a quadruple amputee war veteran (Nao Omori) who returns from the battlefield only to face sadistic abuse at the hands of his nubile but resentful wife (Yukiko Okamoto). As a local artist (Ryuhei Matsuda) begins to take a morbid interest in the couple's twisted relationship, Detective Akechi (Asano) does his best to crack the strange case. Kaneko's "Crawling Bugs" rounds out the frightful quartet of tales by detailing the psychotic coupling between a well-known actress (Tamaki Ogawa) and her introverted driver (Asano), who longs to satisfy the sultry starlet in the same manner as her rough-handed lover (again Asano). ~ Jason Buchanan, All Movie Guide

Shinya Tsukamoto's latest work is a bit of a departure for the director of such over-the-top cult films as Tetsuo: Iron Man (1989). Though punctuated by his trademark kinetic camera work, this moody gothic horror film has the sort of brittle formalism more common in Japanese domestic dramas of the 1940s and 1950s. Dr. Yukio Daitokuji (Masahiro Motoki) is a well-to-do doctor living in a wealthy neighborhood located near a shantytown. He lives in a gorgeous old house along with his father, mother, and beautiful young wife Rin (Ryo). The couple seems happy, but Rin's lack of a past, due to amnesia, is a source of anxiety for the socially conscious doctor. The rigid respectability of the couple's upstanding bourgeois life shatters when a bizarre rag-wearing man kills off Daitokuji's parents in sudden and gruesome manners. The terror gets ratcheted up a notch when the mysterious assailant throws Daitokuji into a deep well on the family grounds and then reveals himself to be physically identical to the young doctor. The stranger assumes Daitokuji's identity by making passionate love with his wife and threatening to kill his patients. Tsukamoto brilliantly juxtaposes the oppressive opulence of the upper class, characterized by deathly silences and Kubrick-like compositions, with the grubby, desperate world of the slums, whose residents could have populated The Road Warrior (1981). While Tsukamoto's fascination with revenge, doppelgangers, and male rage, as seen in Tokyo Fist (1995) and Bullet Ballet (1998), are clearly present in this work, it also showcases the director's growing stylistic maturity. This film was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Director Teruo Ishii takes the helm for this controversial shocker that follows a young medical student as he escapes from a medical asylum and makes a shocking discovery while attempting to locate his mysterious doppelganger. Hirosuke is an amnesiac determined to locate his long lost father. Soon after escaping the asylum where he is being held against his will, Hirosuke is shocked to see a picture of his spitting image in the newspaper. Now, as Hirosuke assumes the identity of a dead man in order to travel to remote Panorama Island and unlock the secrets of his family past, the grotesque truth that awaits him will forever alter his perception of the natural world. Deep in the jungles of Panorama Island, Hirosuke's obsessed father has been conducting a series of bizarre medical experiments in hopes of finding a cure for his disfigured wife. But success has eluded the crazed scientist, and all that his experiments have yielded is an abominable dominion populated by repulsive, half-human/half-man hybrids. Here, in a surreal world of incest, murder, and insanity, Hirosuke will finally come face to face with the most terrifying creations ever to walk the earth. ~ Jason Buchanan, All Movie Guide