Hal Cooper Movies

1982  
 
Rob Reiner coproduced, cowrote and costarred in this TV-movie about suburban "angst" in the 1980s. Reiner is one of four wealthy Long Islanders who play for an amateur softball team. All four men (Reiner, Bruno Kirby, Robert Costanzo and Christopher Guest) suffer from profound personal and professional problems, thus the weekly ball game becomes a method of working out their frustrations. So adept do they become at this cathartic activity that their team makes it to the state-wide championship--which leads to yet another crisis. Million Dollar Infield was the first of several "behind the scenes" projects for onetime TV sitcom star Rob Reiner; more recently, Reiner has been responsible for such moneymaking theatrical films as This is Spinal Tap, Misery and A Few Good Men. ~ Hal Erickson, All Movie Guide

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1975  
 
Add Sanford and Son: Season 05 to QueueAdd Sanford and Son: Season 05 to top of Queue
Beginning its fifth successful season on Friday, September 12, 1975, Sanford and Son was essentially the mixture as before with most of the familiar regulars firmly in place. His well-publicized contract disputes more or less receding into memory, Redd Foxx was back as cantankerous Watts junk dealer Fred Sanford, with Demond Wilson as his long-suffering son and reluctant business partner Lamont. Also returning were LaWanda Page as Fred's explosively prudish sister-in-law Aunt Esther, Lynn Hamilton as Fred's sometimes fiancée Donna Harris, Don Bexley and Nathaniel Taylor as family friends Bubba and Rollo, and Hal Williams and Howard Platt as police officers Smitty and Hoppy. Conspicuously absent from the fifth-season roster were three actors who had departed for other sitcoms: Gregory Sierra (Julio Fuentes), who had moved to Barney Miller; Pat Morita (Ah Chew), who had transferred to Happy Days; and, most notably, Whitman Mayo (Grady Wilson), now starring in his own spin-off series, Grady. However, despite his new leading-man workload, Mayo would continue to make token Sanford appearances as Grady, returning to the series on a more or less regular basis after Grady (the series) folded in the spring of 1976. Additions and emendations to the Sanford format included the arrival of Marlene Clark as Janet Lawson, a widowed mother with whom Lamont would fall in love, and Edward Crawford as Janet's young son Roger. Also, Fred and Lamont Sanford would try to amplify their income by managing a boarding house, the Sanford Arms, which introduced as steady stream of recurring characters -- and also set the stage for the ultimate conclusion of Sanford and Son at the end of 1977. That denouement was still part of the distant future by the conclusion of the series' sixth season, during which Sanford ranked as America's seventh most popular weekly series. Fans were particularly gratified that NBC chose to rerun selected episodes on Wednesday evenings from April to August 1976, under the title The Best of Sanford and Son. ~ Hal Erickson, All Movie Guide

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Starring:
Redd FoxxDemond Wilson, (more)
1974  
 
Add Sanford and Son: Season 04 to QueueAdd Sanford and Son: Season 04 to top of Queue
Season four of Sanford and Son was ushered in on Friday, September 13, 1974, with wonderful news for longtime fans of the series: after a well-publicized volley of recriminations between star Redd Foxx and the series' producers over Foxx's numerous (and somewhat bizarre) contractual demands, the actor was back to stay in the role of irascible Los Angeles junk dealer Fred Sanford. Before long, it was "business as usual," with Fred ruling the roost over his backyard junk business and his long-suffering son Lamont seeking out better means of making a living. Likewise, Fred resumed his ongoing war of words with his Bible-quoting, purse-swinging sister-in-law Esther (LaWanda Page), and his hot-and-cold engagement to nurse Donna Harris (Lynn Hamilton). Having more or less replaced Fred as head of the Sanford household during the waning months of season three, Whitman Mayo was back as Fred's oldest friend Grady Wilson, though by the end of season four Mayo would himself temporarily exit the series to star in his own spin-off sitcom, the short-lived Grady. Other regulars returning to the Sanford fold during the 1974-1975 season were Hal Williams and Howard Platt as police officers Smitty and Hoppy, Don Bexley as Fred's shifty pal Bubba, Nathaniel Taylor as Lamont's crony Rollo, and Gregory Sierra as rival junk dealer Julio Fuentes. Only one character of significance joined the series during this season: Pat Morita as Japanese-American restauranteur Ah Chew. The return of Redd Foxx performed wonders for Sanford and Son's ratings. Ranked third among America's most popular series during season three, the program was restored to the coveted "Number Two" spot during season four. ~ Hal Erickson, All Movie Guide

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Starring:
Redd FoxxDemond Wilson, (more)
1974  
 
To get out of proposing to his new girlfriend Judy (Judy Pace), Lamont (Demond Wilson) claims that he needs permission from his father to wed -- and, fortunately, his father is out of town. Undaunted, Judy makes a beeline to Lamont's godfather Grady (Whitman Mayo), cozying up to him so he will grant his consent. As a result, Grady is convinced that Judy has fallen in love with him! ~ Hal Erickson, All Movie Guide

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Starring:
Demond WilsonWhitman Mayo, (more)
1972  
 
Could Edith Bunker be a kleptomaniac? That's what Edith thinks when she is arrested for shoplifting after accidentally leaving a store with an unpaid-for item. Mike and Gloria advise that Edith visit a psychiatrist, but Archie insist that he handle the matter himself -- and guess what happens next! The supporting cast includes James Gregory as Kirkwood and Barnard Hughes in the recurring role of Father Majeski. Written by Sam Locke, Olga Vallance, and Don Nicholl, "Edith Flips Her Wig" first aired on October 21, 1972. ~ Hal Erickson, All Movie Guide

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Starring:
Carroll O'ConnorJean Stapleton, (more)
1972  
 
Season three of The Mary Tyler Moore Show was launched with a spoof of a then-current broadcasting trend: "Happy Talk" TV newscasts. Ordered by station management to lighten up the format of WJM-TV's six o'clock news report, Mary Richards (Mary Tyler Moore) is stuck with the responsibility of transforming humorless anchor Ted Baxter (Ted Knight) into a veritable laugh riot. The strategy backfires when Ted begins cracking bad-taste jokes at the slightest opportunity, culminating in an on-the-air confrontation with a fed-up Mary. Meanwhile, she tries to convince her chauvinistic boss, Lou Grant (Edward Asner), that equal pay for female employees is not merely a political slogan. "The Good-Time News" first aired on September 16, 1972. ~ Hal Erickson, All Movie Guide

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1972  
 
Edith is in a panic when she loses a valuable locket. Archie, however, is less concerned about the locket than in its long-range value. Hoping to purchase a new color TV set, Archie tries to persuade Edith to claim that the locket was stolen so he can collect a huge insurance settlement. Written by Robert Fisher and Arthur Marx (son of Groucho Marx), "The Locket" was originally scheduled to air on December 23, 1972, but was instead moved up to November 25. ~ Hal Erickson, All Movie Guide

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Starring:
Carroll O'ConnorJean Stapleton, (more)
1972  
 
Mary Richards (Mary Tyler Moore) is understandably upset when she hears about the marital breakup of her two good friends, Jack and Linda Foster (Bert Convy and Beth Howland). So imagine how she feels when Jack Foster asks her out on a date. That's right, sweet little Mary convinces herself that she's the Jezebel who broke up the Fosters' "happy" home. "Have I Found a Guy for You" made its first network appearance on November 18, 1972. ~ Hal Erickson, All Movie Guide

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1971  
 
"The program you are about to see is All in the Family. It seeks to throw a humorous spotlight on our frailties, prejudices, and concerns. By making them a source of laughter, we hope to show -- in a mature fashion -- just how absurd they are." With this carefully worded disclaimer, the CBS television network ushered in a new era of television comedy on January 12, 1971, with the premiere of All in the Family. Inspired by the British sitcom Till Death Do Us Part, the series was proposed by producers Norman Lear and Bud Yorkin in early 1968, and a pilot episode titled "Those Were the Days" was commissioned by ABC. From the beginning, Carroll O'Connor and Jean Stapleton were "set" as leading characters Archie and Edith Bunker (original last name: Justice), though two unknowns were cast as the couple's daughter, Gloria, and son-in-law, Mike Stivic. Also from the beginning, it had been decided to retain the controversial nature of the original British series, with bigoted hard-hat Archie forever at odds with his flaming liberal son-in-law. Alas, ABC had just been burned by the hostile reception afforded another hot-potato project, Turn-On, and had lost its taste for controversy, even when Lear and Yorkin toned down the venom in a second pilot. But in 1970, CBS, in desperate need of a hit for its sagging Tuesday-night lineup, decided to take a chance on "Those Were the Days," which by now had been christened All in the Family, and had added Sally Struthers and Rob Reiner to the cast as Gloria and Mike. Worried that audiences might be unkindly disposed to Archie Bunker's incessant harangues against "hebes," "spics," and "coloreds," CBS prefaced the first episode with the aforementioned disclaimer. Though the opener ended up an anemic 54th in the ratings (due primarily to the decision by several affiliates not to air the program, or to reschedule it to a "fringe" time slot), the first All in the Family was the topic of conversation in virtually every household and place of business in America before the week was out.

By the time the series began in its second season in the fall of 1971, All in the Family was CBS' top-rated program, a status it enjoyed for the next five years. Archie Burnker, a loading-dock supervisor who resided at 704 Houser Street in Queens, NY, was a firm and immovable believer in America, right or wrong (but mostly far, far right). Offsetting Archie's racial slurs, antediluvian political beliefs, and incessant malapropisms was his somewhat foolish but fundamentally good-hearted wife, Edith (or "Dingbat," as Archie designated her); his budding-feminist daughter, Gloria; and Gloria's long-haired, radical husband, Michael Stivic (aka "Meathead" and "Polack"), who while attending graduate school lived with Archie and Edith, and all but ate them out of house and home. In virtually every episode, an Issue (with a capital "I") was brought to the forefront -- gun control, the sexual revolution, homosexuality, religion, integration, rape -- with Archie taking the diehard conservative viewpoint, Mike assuming the liberal stance, Gloria siding with Mike, and Edith sitting on the sidelines making inane (but sometimes surprisingly sensible) comments. Usually, Archie would be hoisted by his own bigoted petard, but sometimes Mike would be trapped in the morass of his good intentions. Whatever the case, All in the Family tackled subject matter that only a few years earlier would have been rejected out of hand on network television, using language that likewise had seldom if ever been heard on the small screen. In this respect, All in the Family can be regarded as the single most influential situation comedy in television history.

Over the years, Archie's character mellowed a bit, but fundamentally he remained the same opinionated jerk he'd been in the first episode. Through it all, however, one never doubted that the members of the Bunker family all loved one another dearly and intensely. In addition to the "core" regulars, several other recurring characters paraded past Archie's beloved easy chair: Lionel Jefferson (Mike Evans), a black friend of Mike and Gloria's who, much to Archie's dismay, became their across-the-street neighbor (Lionel's upscale black family would later be spun-off into their own series, The Jeffersons); Irene and Frank Lorenzo (Betty Garrett and Vincent Gardenia), who were every bit as broad-minded as Archie was not; Bert Munson (Billy Halop), an employee at the cab company where Archie moonlighted; Archie's co-worker and lodge buddy Barney Hefner (Allan Melvin); and Tommy Kelsey (Brendan Dillon, and later Bob Hastings), owner of Kelsey's Bar, Archie's favorite hangout. At the beginning of the 1975-1976 season, Gloria and Mike moved next door to Archie and Edith, and in December of 1975, Gloria gave birth to her first child, a boy named Joey. During the 1976-1977 season, Archie met yet another sociological opponent in the form of Puerto Rican boarder Teresa Betancourt (Liz Torres). And as the 1977-1978 season began, Archie made the momentous decision to quit his job and purchase Kelsey's bar, which he renamed Archie Bunker's Place. This season ended with Mike, Gloria, and Joey bidding farewell to Archie and Edith when Mike landed a teaching job in California. The Stivics' former sleeping quarters were taken over in 1978 by Stephanie Mills (Danielle Brisebois), Edith's niece, who had been abandoned by her ne'er-do-well father.

All in the Family per se came to an end with the final episode of the 1979-1980 season; thereafter the multi-award-winning series was known as Archie Bunker's Place. In addition to its prime-time run, All in the Family was seen in rerun form as part of the CBS daytime lineup from December 1975 to December 1979; and in 1991, selected episodes of All in the Family were run in tandem with a newer but much (much) less successful Norman Lear production, Sunday Dinner, which debuted and wrapped within a month. ~ Hal Erickson, All Movie Guide

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1969  
 
In the first episode of a two-part story, Dr. Bellows (Larry Hagman) sends Tony (Larry Hagman) to a secret location in order to work on some hush-hush Apollo 12 flight plans. To avoid arousing suspicion, Bellows plants a lookalike (also played by Larry Hagman) in Tony's house. The trouble begins when the phony Tony meets Jeannie (Barbara Eden)--and almost instantly proposes marriage! ~ Hal Erickson, All Movie Guide

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1969  
 
In the conclusion of a two-part story, Roger (Bill Daily) has tipped Jeannie (Barbara Eden) to the fact that man whom she thinks is Tony (Larry Hagman)--and who has proposed marriage to her--is actually a lookalike of the real Tony, who has been sequestered in a secret place by Dr. Bellows (Hayden Rorke). Thus it is that when the authentic Tony shows up, Jeannie refuses to believe his protestations of authenticity and subjects him to all manner of torture. The plot thickens when the Phony Tony turns out to be an enemy spy, much to Dr. Bellows' embarrassment! ~ Hal Erickson, All Movie Guide

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1969  
 
In the opening episode of I Dream of Jeannie's fifth and final season, Jeannie (Barbara Eden) casts a spell on the piano in the Cocoa Beach officer's club, making Tony (Larry Hagman) appear to be a musical virtuoso when he sits down to play. Amazed by Tony's "gift", General Schaeffer (Vinton Hayworth) books the astronaut on a nationwide concert tour. Trouble is, it's the piano and not Tony that is issuing forth the beautiful music--and when Tony shows up at Carnegie Hall, an entirely different piano is awaiting him...and Jeannie is nowhere to be found to bail him out! ~ Hal Erickson, All Movie Guide

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1969  
 
In the conclusion of a two-part story, Tony (Larry Hagman) has banished Jeannie (Barbara Eden), only to find out that he can't live without her. Worse still, Tony has been bumped from the space program and transferred to Alaska, thanks to the previous week's brouhaha involving Jeannie's uncle Suleiman (Jackie Coogan) and the ambassador of Kasha. Putting his own career on the line, Roger (Bill Daily) sets out to reinstate Tony and to reunite him with Jeannie. Ultimately, Tony finally proposes to Jeannie--only to find that he must now pass a rather rigorous test imposed by Suleiman. ~ Hal Erickson, All Movie Guide

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1969  
 
In the first episode of a pivotal two-part story, Jeannie (Barbara Eden) has found the perfect fifth-anniversary present for her master Tony (Larry Hagman). The gift turns out to be the entire country of Basenji, which is ruled by Jeannie's uncle Suleiman (Jackie Coogan). Unfortunately, Tony has been assigned to escort Hamid (Frank DeVol), the ambassador of Kasha--Basenji's longtime enemy. As a result of the chaos that follows, the infuriated Tony all but orders Jeannie to get out of his life forever! ~ Hal Erickson, All Movie Guide

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1969  
 
Involved in a very minor traffic accident, Tony ends up in court, facing a lawsuit from the other driver (Kay E. Kuter), who is faking a variety of serious injuries in hopes of winning an enormous settlement. Despite a hostile judge (J. Pat O'Malley) and an incompetent defense attorney (a pre-Bewitched Dick Sargent), Tony insists that he does not need Jeannie's help in winning the case. This, of course, doesn't stop Jeannie (Barbara Eden) from pulling a spell or two from her voluminous bag of tricks. ~ Hal Erickson, All Movie Guide

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1969  
 
Believing she would be closer to Tony (Larry Hagman) if their house wasn't so large, Jeannie (Barbara Eden) decides to "downsize" by selling the house and moving into a small apartment. Tony informs Jeannie that he doesn't want to move, but by this time the house has been sold to a military bigwig. In desperation, Jeannie takes the house off the market by rendering it invisible! ~ Hal Erickson, All Movie Guide

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1969  
 
At the urging of Jeannie (Barbara Eden), Tony (Larry Hagman) is entered in the Florida gubernatorial election, with Roger (Bill Daily) as his campaign manager. Unfortunately, Tony is a military officer, and thus ineligible to hold political office unless he resigns his commission. But there's an even more pressing need to end Tony's political career before it begins when Jeannie discovers that someone else will become her master's wife if he wins the election! ~ Hal Erickson, All Movie Guide

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1969  
 
As the date of their wedding approaches, Tony (Larry Hagman) and Jeannie (Barbara Eden) must endure the rather hideous gifts bestowed upon them by the well-meaning Dr. and Mrs. Bellows (Hayden Rorke, Emmaline Henry). These gifts include a complete home-redecoration job, masterminded by an egotistical interior decorator (Michael Lipton) whose taste is apparently all in his mouth. Surveying the damage done by this so-called artist, Jeannie concludes that some drastic measures are way overdue. ~ Hal Erickson, All Movie Guide

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1969  
 
While Tony (Larry Hagman) and Roger (Bill Daily) are on an experimental flight to Puerto Rico, Jeannie briefly blinks Tony back to Florida to solidify some wedding plans. Alas, when she returns Tony to the plane, her magic throws the flight pattern way off course. As a result, Tony lands in Havana, where he is immediately jailed as a spy! Future "Charlie's Angel" Farrah Fawcett) makes her first appearance as Roger's occasional girlfriend Tina. ~ Hal Erickson, All Movie Guide

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1969  
 
Now that she is engaged to Tony (Larry Hagman), Jeannie (Barbara Eden) is determined to befriend the neurotic Amanda Bellows (Emmaline Henry),the wife of Tony's perennial nemesis Dr. Bellows (Hayden Rorke). Jeannie's first step is to present Amanda with a magical beauty cream which transforms the middle-aged psychiatrist's wife into a gorgeous young woman (played by Laraine Stephens). The plan backfires when Roger (Bill Daily) falls madly in love with the "new" Amanda, blissfully unaware of her husband's identity. ~ Hal Erickson, All Movie Guide

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1969  
 
Tony (Larry Hagman) insists that he doesn't want a bachelor party, but Roger (Bill Daily) and Dr. Bellows (Hayden Rorke) have other ideas. Convincing Tony that he is attending a NASA convention, Roger and Bellows gleefully plan to surprise Tony with the traditionally wild bachelor bash. But the surprise is on the two conspirators when Jeannie (Barbara Eden) figures out what's going on. ~ Hal Erickson, All Movie Guide

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1968  
 
It has been three years since Tony (Larry Hagman) and Jeannie (Barbara Eden) first met. The couple plans to go out and celebrate, but Tony is called back to the base and assigned to deliver a top-secret film to NASA headquarters. Unfortunately, Tony is not allowed to tell Jeannie anything about his mission, leading her to conclude that he's stepping out with another woman--a misunderstanding that nearly results in a court-martial for our hero. Vinton Hayworth, later as semi-regular in the role of General Schaeffer, is here cast as General Watson. ~ Hal Erickson, All Movie Guide

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1968  
 
Gullible Jeannie (Barbara Eden) is delighted when her duplicitous lookalike sister Jeannie II (also Barbara Eden) offers to help Jeannie land Tony (Larry Hagman) as a husband. Of course, Jeannie II really wants Tony all to herself, and she'll stop at nothing to achieve this goal. And as usual, feckless Roger (Bill Daily) is trapped in the middle of all this intrigue. ~ Hal Erickson, All Movie Guide

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1968  
 
When Tony (Larry Hagman) complains that his Sunday newspaper hasn't been delivered, Jeannie (Barbara Eden) helpfully creates a replacement--which turns out to be tomorrow's paper. Upon discovering this, Roger hopes to utilize the foreknowledge gleaned from the paper to strike it rich at the local racetrack...little realizing that the paper's lead story is "Astronaut Breaks Leg in Accident". Though this episode is a remake of a similar installment on I Dream of Jeannie's rival series Bewitched, the basic plotline can be traced even further back to the 1944 fantasy film It Happened Tomorrow. ~ Hal Erickson, All Movie Guide

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1968  
 
Accidentally smashing up Tony's car, Jeannie (Barbara Eden) takes the vehicle to a repair shop. Only it isn't really a repair shop, but instead a used-car dealership run by the duplicitous Carl Tucker (Carl Ballantine). As Jeannie scrambles around to retrieve the car, she must also fend off the advances of Homer (Bob Hastings), the flirtatious cousin of Mrs. Bellows (Emmaline Henry). ~ Hal Erickson, All Movie Guide

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