Eileen Atkins Movies

One of England's most renowned stage actresses, Eileen Atkins has been a staple of both the Royal Shakespeare Company and London's West End since the 1960s. She has also popped up occasionally on film and television, and she has made numerous contributions to both mediums as a scriptwriter, most notably for the acclaimed series Upstairs Downstairs and House of Eliott and the well-received screen adaptation of Virginia Woolf's Mrs. Dalloway.

A product of London's East End, where she was born in the Clapton Salvation Army Home on June 16, 1934, Atkins grew up in a council home as the third child of a homemaker and a gas meter reader. She began performing as a tap dancer in working men's clubs at the age of seven, and she had done professional pantomime by the time she was 13. Under the encouragement of a school instructor -- who gave Atkins voice lessons to remove her Cockney accent and introduced her to Shakespeare -- she went on to attend the Guildhall School of Drama, where she did a teaching course and took drama classes.

Atkins struggled to begin her professional career, finding it difficult to get stage roles of any substance, to say nothing of stage roles, period. She got her first break when she moved to Stratford with her then-husband, Julian Glover, who had found work with the RSC. Atkins got her start in Stratford as an usherette, and she gradually moved her way up until she was allowed into the company. She first performed on the Stratford stage as Audrey in As You Like It, chosen to fill in for the understudy of Dame Peggy Ashcroft after both had taken ill. Atkins spent several years with the RSC, performing in both classical and contemporary plays alongside the likes of Lawrence Olivier and Alec Guinness. On the London stage, she portrayed numerous characters, earning a Best Supporting Actress Olivier Award for her performance in Peter Hall's production of The Winter's Tale. Her one-woman show, A Room of One's Own, was an international success, earning Atkins a Drama Desk Award for Best Solo Performance and a special Citation from the New York Drama Critics Circle for her portrayal of Virginia Woolf.

Although the international stage has been the centerpoint of Atkins' career, she has made many contributions to film and television. Aside from her work on the aforementioned Upstairs, Downstairs, The House of Elliot, and Mrs. Dalloway (the last of which earned her the Evening Standard British Film Best Screenplay award), she has appeared in such films as Let Him Have It (1991), Jack and Sarah (1995), and John Schlesinger's Cold Comfort Farm (1995). Among the endless honors Atkins holds is a Commander of the British Empire. ~ Rebecca Flint Marx, All Movie Guide
1971  
 
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The first season of the British drama series Upstairs, Downstairs takes place from November 1903 through June 1909, an era popularly known as "Edwardian" in honor of King Edward VII. Fans of the series will notice that the familiar characters are still in the developmental process during the first 13 episodes--especially the Bellamy's cook Mrs. Bridges (Angela Baddeley), who comes off as a nasty virago and a closet boozer! Penned by novelist Fay Weldon, who won a Writers' Guild Award for her efforts, the opening episode "On Trial" (originally filmed in black and white due to budgetary limitations, but reshot in color for syndication) introduces Pauline Collins as the Bellamy household's troublesome new under-housemaid, who after trying to pass herself off as a Frenchwoman named Clemence is revealed to be a cockney named Sarah (or at least she settles on Sarah!). Forced to leave the house in disgrace after an unpleasant incident involving duplicitous manservant Alfred (George Innes), Sarah ends up living in squalor, a plight that touches her former employers Richard and Marjorie Bellamy (David Langton ,Rachel Gurney) to the extent that she is rehired--which proves in later episodes to be major mistake! In other developments, the Bellamys' rebellious daughter Elizabeth (Nicola Pagett) shocks her family by choosing "progressive" poet Lawrence Kirbridge (Ian Ogilvy) as her fiancée, a decision culminating in marriage at season's end. Meanwhile, Elizabeth's irresponsible brother James plunges into the first of several misbegotten liasons, this one with a flashy actress. The season's best and most famous episode is "I Dies from Love", the story of a tragic "downstairs" romance. When the first season of Upstairs, Downstairs was picked up for American play in January of 1974, it was combined with the series' second season, which takes place in the years 1908-1909. Of the 26 combined episodes, only 13 initially aired in the US, allowing PBS to bill the remaining 13 as "the lost episodes" a few decades later! ~ Hal Erickson, All Movie Guide

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Starring:
Gordon JacksonJean Marsh, (more)
1968  
 
Based on a play by John Osborne, this is one of those movies where the audience pulls for the protagonist but has a hard time actually saying that he IS a protagonist. A highly unlikeable fellow, this protagonist is an attorney in all the ways that make this more an epithet than a profession. He's hated by his office personnel as much as his associates. He's unfaithful to his wife, lousy to his clients, and miserable with his children. Surprisingly, though, Nicol Williamson has taken this nasty person and made us still somewhat care what happens to him. Quite an accomplishment considering the lack of anything at all to love about this misanthrope, but somehow we see just a glimmer of humanity. ~ Tana Hobart, All Movie Guide

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Starring:
Nicol WilliamsonEleanor Fazan, (more)

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