Eileen Atkins Movies

The internationally popular British series Upstairs, Downstairs was created by actresses Jean Marsh and Eileen Atkins, and originally conceived as a contemporary half-hour situation comedy. By the time the series had been accepted by London Weekend Television, it had been revised as a hour-long period drama, covering the years 1903 through 1930. Most of the action was set at 165 Eaton Place, the fashionable London home of the prosperous Bellamy family. The series' title referred to the fact that the stories focused on both the "upstairs" members of the household--that is, the Bellamys--and the large retinue of servants, who lived "downstairs." David Langton was cast as paterfamilias Richard Bellamy, a Member of Parliament who during the series' first two seasons was married to the aristocratic Lady Marjorie Bellamy (Rachel Gurney). Seen as the Bellamys' troubled children were Simon Williams as James Bellamy, and (again during the first two seasons only) Nicola Pagett) as Elizabeth Bellamy. Ruling the roost "downstairs" was Gordon Jackson as loyal, resourceful and (generally) unflappable head butler Hudson, Angela Baddeley as irascible chief cook Mrs. Bridges, and series cocreator Jean Marsh as the prim maid Rose. After Lady Marjorie went down with the "Titanic" in 1912, Richard Bellamy's secretary Hazel Forrest (Meg Wynn Owen) became unofficial head of the household. Eventually, Hazel married Richard's son James, who went off to war and was seriously wounded. No sooner had James returned from the battlefield than Hazel succumbed to the worldwide influenza epidemic of 1918-19 (James' own death a decade later was brought about by the financial reverses of the Great Depression, which also wiped out the Bellamy fortune). Ultimately, James' father Richard remarried, taking Virginia Hamilton (Hannah Gordon), a war widow with two young children, as his bride. Elsewhere, Richard's rebellious daughter Elizabeth was briefly married to "radical" poet Lawrence Kirbridge (Ian Ogilvy)), but after bearing a child Elizabeth left Lawrence, briefly dallied with foreigner Julius Kareikin (Donald Burton), and relocated to America. During the war years, Richard Bellamy's ward Georgina Worsley (Leslie-Anne Down) joined the household; in the mid-1920s, Georgina became the wife of Lord Robert Stockbridge (Anthony Andrews). During the first few seasons, much of the intrigue amongst the Bellamy servants was precipitated by the reckless housemaid Sarah (Pauline Collins, in a role originally slated for series co-creator Eileen Atkins), who left the staff in disgrace after an unsavory episode with sinister manservant Alfred (George Innes). Allowed back into the fold a few years later, Sarah promptly entered into an illicit romance with James Bellamy, resulting in an illegitimate birth. Sarah was subsequently impregnated by the family's chauffeur Thomas Watkins (John Alderton). After they both departed the Bellamys, Sarah and Thomas moved in together, their subsequent adventures (and misadventures) chronicled in the 1979 spinoff series Thomas and Sarah. The war also took its toll on the servants, in particular Edward the footman (Christopher Beeny), who returned suffering from shellshock and depression. Even so, Edward's marriage to maid Daisy (Jacqueline Tong) proved to be a relatively happy one--more than can be said for the wartime romance between Rose and the ill-fated Australian sheepman Gregory Wilmott (Keith Barron). Despite the finality of the series' last episode, in which the Bellamy house was sold to pay off debts incurred by the irresponsible James, London Weekend Television had wanted the producers to continue turning out episodes of Upstairs, Downstairs. However, it had already been decided to conclude the saga in 1930, when the way of life represented by the Bellamys was beginning to fade in England. Originally telecast in the U.K. from October 10, 1971 through December 21, 1975, the 68-episode Upstairs, Downstairs was seen in America as part of PBS' Masterpiece Theatre beginning January 6, 1974. ~ Hal Erickson, All Movie Guide

Inasmuch as Season One of the British drama series Upstairs, Downstairs covered the years 1903 to 1909, logic dictates that the second season should have moved on to the second decade of the 20th century. However, the produced decided for the time being to keep the action concentrated in the Edwardian era, thus Season Two was set between 1908 to 1909, necessitating a backward leap within the months occurring between episodes 12 and 13 of Season One. This resulted in a bit of confusion, especially when the focus was on Elizabeth Bellamy (Nicola Pagget) and her troubled relationship with new husband Lawrence Kirbridge (Ian Ogilvy). Proper continuity was restored when the first two seasons of Upstairs, Downstairs were merged into one for American TV play in 1974; unfortunately, in the process 13 of the combined 26 episodes were shelved, not to be seen in the U.S. for several years. Because of a prior theatrical commitment, Simon Williams makes only two appearances this season in the role of the irresponsible James Bellamy--but those appearances prove highly significant to the overall scheme of things, as James is faced with the prospect of illegitimate fatherhood as the result of his backstairs liason with reckless housemaid Sarah (Pauline Collins), and later throws the Bellamy household into turmoil when he returns from India with a new fiancée, Phyllis Kingman (Delia Lindsay), in tow. New to the cast this season are Jenny Tomasin in the comic role of dull-witted scullery maid Ruby; and John Alderton as the Bellamy's chauffeur Thomas Watkins, who after being offered up as a possible romantic interest for head maid Rose (Jean Marsh), ends up leaving 165 Eaton Place to take up housekeeping with the redoubtable Sarah, who is once again "with child" (namely, Thomas'). The futher adventures of this couple will be chronicled in the 1979 spinoff series Thomas and Sarah. ~ Hal Erickson, All Movie Guide

The fourth season of the British drama series Upstairs, Downstairs takes place during the war years of 1914 through 1918, a time of great anxiety and upheaval for England in general and the Bellamy household at 165 Eaton Place in particular. The season begins as Hazel Bellamy (Meg Wynn Owen), wife of James Bellamy (Simon Williams), agrees to take in a family of Belgian refugees. Not so politely inclined towards foreigners is the surprisingly emotional head butler Hudson (Gordon Jackson), whose anti-German hysteria all but tears the Bellamy's servant staff apart in the episode "The Beastly Hun" (for which actor Jackson won an Emmy). Maid Daisy (Jacqueline Tong) weds footman Edward (Christopher Beeny) just before he marches off to war; he will return a shellshocked shadow of his former self. Georgina (Leslie Anne-Down), the ward of James Bellamy's father Richard (David Langton), takes nursing training, while scullery maid Ruby (Jenny Tomasin), heretofore dismissed as a dimwit, demonstrates her patriotism and resilience by going to work at a munitions factory. Also, head maid Rose (Jean Marsh) is unexpectedly reunited with her erstwhile Australian sweetheart Gregory (Keith Barron), who is ultimately killed in battle. While James is serving his country in France, Hazel begins a platonic friendship with young airman Jack Dyson (Andrew Ray), and later agonizes when James is reported missing in action. The war comes home in spectacular fashion when 165 Eaton is damaged by a German bomb. And in the episode "Another Year", Hannah Gordon is introduced in the role of Virginia Hamilton, the widow of a Naval officer. The season finale is a riveting combination of happiness and heartbreak: Though seriously injured in the war, James manages to return to the arms of his wife Hazel--who, unfortunately, has become one of the victims of the deadly international influenza epidemic. ~ Hal Erickson, All Movie Guide

This weird British hybrid of The Exorcist, Rosemary's Baby and It's Alive! stars Joan Collins as a stripper who spurns the advances of a lecherous dwarf and is subsequently cursed by a monstrous baby -- which emits horrifying demonic howls and attacks everyone within reach, including his parents, his nanny and the family doctor (Donald Pleasence). A final exorcism is attempted by a nun (Eileen Atkins), for what it's worth. No clear explanation is given for the link between the spurned dwarf and the demonic influence placed upon the homicidal tyke (even the countless Italian Exorcist knock-offs usually maintained some sort of twisted logic), and the considerable potential for horror in the killer-baby concept is not explored thoroughly enough to keep viewers involved. Also released as I Don't Want To Be Born. ~ Cavett Binion, All Movie Guide

An old-fashioned thriller starring Malcolm McDowell and Eileen Atkins, this British period drama traces the battle of wills between a vacationing English gentleman and a villainous mistress. The year is 1922. Richard Chandos (McDowell) is on a Pyrenees vacation when he crosses paths with the malevolent Vanity Fair (Atkins) and her motley band of crooks. From high atop the turreted Chateau Jezreel, Fair plots to inherit millions by forcing her stepdaughter to marry. Little does Fair realize that the uptight Chandos is equally determined to thwart her plans by rescuing the young girl before the wedding vows are exchanged. ~ Jason Buchanan, All Movie Guide

Clive Donner directs Oliver Twist, the 1982 made-for-TV version of the classic Dickens novel. Richard Charles plays Oliver Twist, an orphan boy who gets kicked out of his juvenile workhouse when he asks for some more food. He is sent to work as an apprentice, but he quickly escapes and joins a group of other orphaned boys. They spend the day pickpocketing and commiting petty street crime in order to survive and bring home earnings to their leader, Fagin (George C. Scott). Eventually, Oliver picks the pocket of the wealthy Mr. Brownlow (Michael Hordern), who takes him in as his ward. However, the evil Bill Sikes (Tim Curry) kidnaps him back to continue working with the other pickpockets. The barmaid Nancy (herie Lunghi) helps Oliver escape, but she ultimately suffers the concequences of her actions. ~ Andrea LeVasseur, All Movie Guide

The complicated relationship of two men who have given their lives to the theater forms the basis for this acclaimed drama. During World War II, an aging but once famous Shakespearean actor, addressed by his cast and crew only as "Sir" (Albert Finney), continues to tour the British theater circuit with a rag tag group of elderly and handicapped actors who are exempt from military service. Sir has grown frustrated, senile, and is on the verge of a nervous breakdown; he's come to rely upon his dresser Norman (Tom Courtenay), an endlessly loyal homosexual who would do anything for the man he's come to love. Norman tries to guide Sir through yet another tour of the hinterlands in The Tempest. This expanded film adaptation of Ronald Harwood's award-winning stage drama also stars Edward Fox as Oxenby, an unhappy member of Sir's company; Sir was said to be based on real-life actor Donald Wolfit. ~ Mark Deming, All Movie Guide

As Children's Rebellion demonstrates, the Americans have no monopoly on fact-based TV movies. Eileen Atkins stars in this British tale of populism triumphant. Atkins plays one of two teachers, fired for a variety of contradictory reasons by their local school board. Incensed, the young students-some of them very young-stage a protest march, demanding that their favorite teachers be reinstated. First telecast in 1985, Children's Rebellion made its American TV bow the following year, courtesy of the A&E cable network. ~ Hal Erickson, All Movie Guide

All the charm and joie de vivre of the 1953 Gregory Peck/Audrey Hepburn Roman Holiday is purged from this hollow TV remake. The stunning but lifeless Catherine Oxenberg assumes the Hepburn role of a young princess who escapes the protocol of court life for a romantic fling in Rome. Tom Conti stands in for Gregory Peck as the American journalist who falls in love with the Princess. Ed Begley Jr. takes over Eddie Albert's part of the eccentric photojournalist who acts as comic relief to the leads. Heading the list of mistakes committed in this remake is the fact that Oxenberg behaves more like a bored Danielle Steele character than the impressionable, virginal heroine of the original. Rome may be eternal, but the 1987 Roman Holiday is terminal. ~ Hal Erickson, All Movie Guide

Grace Gardner (Lee Remick) is a money-minded television manager who hires out-of-work air personality James Marriner (Dirk Bogarde) to broadcast a religious program. When the show is broadcast in England, the country feels the Armageddon paranoia that paralyzes the religious right and their conservative followers of fickle faith. James tries to distance himself from the show when the ultra-right wing theme becomes too much for his insensitive stomach to handle. The film touches upon British concerns that programs from the United States are undermining British television shows. ~ Dan Pavlides, All Movie Guide