Peter Michael Goetz Movies

Director Edgar Reitz concludes his epic-length, tripartite chronicle of the Simon clan with the 11-hour (six episode) Heimat 3: A Chronicle of Endings and Beginnings. The omega and alpha of the title refer to the fall of the Iron Curtain in Eastern Europe, circa 1989 (an event that christens the opening of the film) and the outset of the new millennium (which marks the conclusion). In between, Reitz plunges into the world of the Simons - residents of the village of Schabbach in the Hunsrück region of Germany - and investigates the myriad of ways in which events from their lives intersect with broader German sociopolitical shifts over the course of the 1990s. This installment begins with the youngest Simon son, Hermann, and his lover, Clarissa, renovating a centuries-old house on a cliff above the Rhine, not far from Lorelei. As time unfurls, Reitz cross-cuts between the experiences of the couple, their parents, their children, and the workmen assisting with the home renovation, and gradually reveals how a sense of national pride and unity at the beginning of the 1990s (coincident with German reunification) ultimately yielded to disillusionment, disappointment, and crushing awareness of mortality from individual to individual as the decade ended. ~ Nathan Southern, Rovi

Ted Whittaker (Todd Andrew Bryand) is excited about the fact that he's about to be a father until the day that it hits him: he was a very difficult child. Wracked with panic that his own kid will be just as rambunctious as he was, he calls up his father (Tim Conway) to follow him around for the day and behave just the way he did when he was a boy. What results is a light-hearted role reversal and an eye opener for this father-to-be. ~ Cammila Collar, Rovi

Actor Matthew Broderick made his directorial debut with this romantic drama based on the life of Nobel Prize-winning scientist Richard Feynman. Feynman (Broderick) grew up in New York, where, early on, he began to display a remarkably keen intelligence and a fascination with science encouraged by his parents. While in high school, Richard meets a beautiful girl named Arline Greenbaum (Patricia Arquette), and they quickly fall in love. Richard and Arline intend to marry someday, but they decide it would be prudent to wait until after they finish college -- they have no money, and Richard intends to attend Princeton after finishing his undergraduate work at M.I.T. However, these plans are changed when Arline discovers that she has tuberculosis, which was a very severe illness in the '30s; treatments were not always effective and victims were generally sent to sanitariums, where they could be quarantined from the rest of the population. With Arline's health in question, Richard agrees to marry her immediately. He's also offered a position in Los Alamos, NM, working on a top-secret project for the government. Richard tries to help Arline through her illness as he begins to develop ethical qualms about his new assignment, which is to help design and construct an atomic bomb. Infinity also stars Peter Riegert and Dori Brenner as Feynman's parents. Broderick's mother, Patricia Broderick, wrote the screenplay. ~ Mark Deming, Rovi

Set within a world where Hitler and his closest cadre of followers survived, this speculative psychodrama attempts to explore the dark, twisted mind of the mad ruler as he converses with Eva Braun, Hermann Goering, Josef Goebbels, and Sigmund Freud. It is a decidedly minimalist film set in a secret subterranean bunker where Hitler spends endless hours watching films of his best years flicker over his blueprints for the new Berlin. Though he lost the war, Hitler still believes himself successful in becoming an immortal figure. His conversations add insight to his grand schemes, his obsession with blondes, and his moral justification for genocide. At Freud's prompting, Hitler also looks into his own neurosis and fears. ~ Sandra Brennan, Rovi

Just as the original 1950 version of Father of the Bride spawned a sequel, so did the 1991 remake; like its counterpart four decades earlier, this story concerns a father who learns that his anxieties are just beginning after his daughter takes the big walk down the aisle. George Banks (Steve Martin) has finally adjusted to the marriage of his daughter Annie (Kimberly Williams) when the fates drop a new bombshell on his head: Annie and her husband Bryan (George Newbern) announce that they're going to have a baby. While George's wife Nina (Diane Keaton) is happy enough about the news, George is thrown into an immediate mid-life crisis; while he and Nina were once discussing the possibility of selling the family home and moving to a place on the beach, George impulsively sells their home to Mr. Habib (Eugene Levy), a greedy land speculator. Now, with ten days to move, George gets even more unexpected news: Nina, who had earlier been fretting about the onset of menopause, has just learned that she's pregnant as well. George now has to deal with being a father again as well as becoming a grandparent, while he also figures out how to get the Banks family home back. Martin Short returns as Franck, the oddly accented wedding planner from Father of the Bride, who has moved into a new career organizing baby showers and redecorating homes. ~ Mark Deming, Rovi

A Depression-era inventor finds a way of revolutionizing manufacturing technology and then discovers that this invention has its dark side as well. ~ Tana Hobart, Rovi

Howard Zieff directed this comedy-drama about the emotional awakening of a young girl in a small Pennsylvania town during the summer of 1972. Anna Chlumsky plays eleven-year-old Vada, a quiet child living with her widowed father Harry Dultenfuss (Dan Aykroyd), a local mortician who prepares bodies in his basement. Vada feels responsible for the death of her mother, who died giving birth to her, and lives in an emotional cocoon, her only friend being a personable local boy, Thomas J. Sennett (Macauly Culkin), who suffers from allergies. Like Vada, Harry keeps to himself, until a freelance make-up artist, Shelly DeVoto (Jamie Lee Curtis), comes to town and gets a job working with Harry. Shelly and Harry fall in love and Vada feels threatened by her presence. But then a personal tragedy forces Vada to come out of her emotional shell. ~ Paul Brenner, Rovi

A disabled ex-Green Beret who served in Vietnam begins getting clues of his forgotten past via flashbacks and attempts to make sense of it. Apparently, he makes somebody uncomfortable in doing so, and soon is a target for a more complete cover-up. This story of intrigue and dangerous political games was made for cable TV. ~ Kristie Hassen, Rovi

Glory is a celebration of a little-known act of mass courage during the Civil War. Simply put, the heroes involved have been ignored by history due to racism. Those heroes were the all-black members of the 54th Regiment of the Massachusetts Volunteer Infantry, headed by Col. Robert Gould Shaw (Matthew Broderick), the son of an influential abolitionist (played by an uncredited Jane Alexander). Despite the fact that the Civil War is ostensibly being fought on their behalf, the black soldiers are denied virtually every privilege and amenity that is matter of course for their white counterparts; as in armies past and future, they are given the most menial and demeaning of tasks. Still, none of the soldiers quit the regiment when given the chance. The unofficial leaders of the group are gravedigger John Rawlins (Morgan Freeman) and fugitive slave Trip (Denzel Washington), respectively representing the brains and heart of the organization. The 54th acquit themselves valiantly at Fort Wagner, SC, charging a fortification manned by some 1,000 Confederates. Glory was based on Lincoln Kirstein's Lay This Laurel and Peter Burchard's One Gallant Rush; the latter book was founded on the letters of Col. Robert Gould Shaw, the real-life character played by Matthew Broderick. The film won a Best Supporting Actor Oscar for co-star Denzel Washington, and additional statuettes for Best Cinematography (Freddie Francis) and Sound Recording. ~ Hal Erickson, Rovi

Looking like death warmed over, Jack Lemmon plays the aging father of Ted Danson. Always proud of being able to fend for himself, Lemmon despises being reliant upon others, but his enfeebled state does not allow him his old independence. For his part, Danson resents having to care for his dad as he would for an infant. Things take an upward turn when a "Doctor Feelgood" (Zakes Mokae) enters the scene, pumping Lemmon full of self-confidence. But then Lemmon is stricken with cancer, an affliction that he can't jolly himself out of. As the reality of his imminent death strikes everyone around him, Lemmon retreats into fantasy, recalling the past happy events of his life as though they're happening here and now. The rest of the family humors their dying dad, and in so doing draws closer together than they've been in years. TV sitcom maestro Gary David Goldberg co-produced and directed Dad, and also adapted the screenplay from the novel by William Wharton. ~ Hal Erickson, Rovi

Based on a true story, the two-part TV movie I Know My First Name Is Steven tells the tragic story of Steven Stayner. At age seven, Steven was kidnapped by two men who held him captive in a tiny shed for seven years. One of the men, a habitual child abuser named Kenneth Parnell, sexually assaulted Steven on an almost daily basis during the boy's ordeal. At age 14, Steven finally was able to escape and return to his family. But we are shown that Steven's safe return was far from the happy ending it appeared to be. He's forced to adjust to a family he'd never really known, to convince himself that his parents had never forgotten him, and to put his seven-year hell behind him. While I Know My First Name Is Steven ends on an upbeat note, the real Stayner died in a motorcycle accident only a few months after this film was first telecast in May 1989. ~ Hal Erickson, Rovi

A Stoning in Fulham County spends much of its screen time in a rural North Carolina Amish community. The tendency of the Amish to shun all modern convenience and to keep to themselves has fomented hostility from their neighbors. When the baby daughter of Amish couple Ron Perlman and Maureen Mueller is killed by a gang of rock-throwing teenagers, their anguish is virtually laughed off by the rest of the locals. Young county prosecutor Ken Olin tries to build a case against the assailant even though the grieving parents refuse to bring the case to court. He is also determined to press for conviction without calling to the stand the sole eyewitness--his own daughter (Olivia Burnette). A Stoning in Fulham County is distinguished by several top-rank acting performances, not the least of which is Ron Perlman's portrayal of a compassionate yet taciturn man who is spiritually incapable of adjusting his lifestyle for the convenience of others. ~ Hal Erickson, Rovi