Dorothy Adams Movies

The body of a young woman is found in a San Francisco park, and the evidence points to a notorious but unidentified criminal abortionist (this episode was of course filmed long before Roe-v-Wade). In order to flush out the criminal, Eve (Barbara Anderson) dons an elaborate disguise--including a brunette wig--and poses as an unwed pregnant girl. Will Ironside (Raymond Burr) and his team be able to trap the villain before Eve becomes the next victim? ~ Hal Erickson, Rovi

Wandering into the small Mexican town where Luis Gallegos (John Alonso) is about to be hanged, mercenary peddler Sykes (Thomas Gomez) sells the rope to the hangman, then turns around and sells a handful of "magic dust" to the condemned man's father (Vladimir Sokoloff). Lying through his teeth, Sykes insists that the dust will spread goodwill throughout the community -- and, it is hoped, will spare Gallegos' life. One doesn't have to be a diehard Twilight Zone fan to guess what will happen next. Douglas Heyes, Jr., son of the episode's director, plays a small role. Written by Rod Serling, "Dust" was first telecast January 6, 1961. ~ Hal Erickson, Rovi

This adaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife, Joanne Woodward, portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, Rovi

Assigned to enact the role of a canary in the upcoming school play (complete with yellow, feathered costume), Beaver (Jerry Mathers) may not quite be up to the part, what with his bumping into furniture, props, and other actors. Worse still, well-meaning Ward (Hugh Beaumont) advises Beav to learn his role carefully -- thereby infesting our hero with a bad case of stage fright! Even so, the play goes on as scheduled, but there are a few surprises in store for the Cleaver family. ~ Hal Erickson, Rovi

The plot and title of Unwed Mother are virtually one and the same. Betty (Norma Moore), the heroine, falls for the smooth line of patter delivered by no-good heel Dona (Robert Vaughan). Pretending to be a man of wealth, Dona convinces country gal Betty to give him her paychecks, promising to pay her back as soon as his inheritance comes through. He also assures her that he'll marry her when the time is right. When Betty becomes pregnant, she learns what the audience has known all along about the prevaricating Dona. After putting her child up for adoption, Betty has second thoughts, and thus spends the final reel chasing after the foster parents who've taken charge of her baby. Unwed Mother was originally released on a double bill with the equally unsubtle Joy Ride. ~ Hal Erickson, Rovi

An Affair to Remember, director Leo McCarey's scene-for-scene remake of his own 1939 film Love Affair, isn't really an improvement on the original, but it's equally as enjoyable. Cary Grant and Deborah Kerr, high-profile types both engaged to be married to other people, meet and fall in love during an ocean voyage. To test the depth of their commitment to each other, Grant and Kerr promise that, if they're still in love at the end of six months, they will meet again at the top of the Empire State Building. Clips from An Affair to Remember were used as "reference points" throughout the 1993 romantic comedy Sleepless in Seattle, which likewise concluded atop the Empire State Building. Disproving the theory that "Third Time's the Charm," Warren Beatty attempted to remake Affair to Remember, again titled Love Affair, in 1994. ~ Hal Erickson, Rovi

The MGM melodrama These Wilder Years marked the first onscreen pairing of Hollywood stars James Cagney and Barbara Stanwyck. Lonely middle-aged businessman Steve Bradford (Cagney) returns to his old town in hopes of finding the son he fathered 20 years earlier. Choosing his career over marriage and family, he got a girl pregnant and she gave the baby up for adoption. He goes to an orphanage ran by Ann Dempster (Barbara Stanwyck) to find out information about his son. They are attracted to each other, but she refuses to release the confidential files that could help him. He hires a lawyer, James Rayburn (Walter Pigeon), and proceeds to sue the adoption agency. Though he loses the case in the climactic courtroom scene, Steve ends up finding his son on his own, but he decides it's too late to forge a relationship. Instead, Ann introduces him to pregnant teenager Suzie (Betty Lou Keim), who needs his help. ~ Andrea LeVasseur, Rovi

US Marshal Matt Dillon (James Arness) of Dodge City begins another year on the job as Gunsmoke launches its second TV season. On this occasion, the focus is on Doc Adams (Milburn Stone), who is summoned to the farm of Ben Pitcher (Robert H. Harris) for a "medical emergency." This confuses Adams for two reasons: the oafish Pitcher doesn't believe in medicine, and he despises Doc. Upon arrival, Adams discovers that his "patient" is a sick cow--and when he returns to Dodge, he is told that a human patient has died during his absence. This episode is adapted from the Gunsmoke radio broadcast of May 28, 1955. ~ Hal Erickson, Rovi

Director Lesley Selander, a western specialist with humble ambitions whose work has fostered a minor cult, was the man behind the megaphone in Broken Star. Bill Williams stars as a deputy sheriff who encounters stiff resistance when he investigates the murder of a Mexican. Only dance hall girl Lita Baron and marshal Addison Richards seem interested in bringing the culprit to justice. When Williams locates the guilty man, he wishes he hadn't; it turns out to be his best friend and fellow deputy Howard Duff. Striking a blow for tolerance (in standard western terms, of course), Broken Star is a solid medium-budget job from a modest but talented craftsman. ~ Hal Erickson, Rovi

Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, Rovi

One critic has noted that The Prodigal was aptly titled, inasmuch as it was all too prodigal with the funds of the then-flagging MGM studios. In its retelling of the 22-verse Biblical story of the Prodigal Son, the film helpfully fills in the story details inconsiderately left out of the Old Testament. Edmond Purdon plays Micah, the wastrel son of Eli (Walter Hampden) who takes his share of his father's fortune and blows it all in wicked old Damascus. Micah's one redeeming feature is his unserving faithful in the Lord God Jehovah. Pagan princess Samarra (Lana Turner at her most giddily exotic) intends to seduce Micah into renouncing his faith, only to get stoned to death for her troubles. Nearly two hours pass before Micah returns home and the fatted calf is killed in his honor. If for nothing else, The Prodigal would be memorable for Lana Turner's pagan-ritual costume, which is little more than a glorified bikini. ~ Hal Erickson, Rovi

A elderly woman is robbed and beaten in a bank parking lot. Investigating, Friday (Jack Webb) and Smith (Ben Alexander) are tipped off that two men were spotted a few days earlier, taking photographs near the scene of the crime. A subsequent photo "blowup" leads the detectives to surmise that one of the perpetrators is a professional boxer. Future TV producer Aaron Spelling) is cast as a boxing manager in this episode, which was based on the Dragnet radio broadcast of May 18,1950. ~ Hal Erickson, Rovi