Paulette Goddard Movies
American actress Paulette Goddard, born Pauline Marion Levy, spent her teen years as a Broadway chorus girl, gaining attention when she was featured reclining on a prop crescent moon in the 1928 Ziegfeld musical Rio Rita. In Hollywood as early as 1929, Goddard reportedly appeared as an extra in several Hal Roach two-reel comedies, making confirmed bit appearances in a handful of these short subjects wearing a blonde wig over her naturally raven-black hair. Continuing as a blonde, she appeared as a "Goldwyn Girl" in the 1932 Eddie Cantor film Kid From Spain, where she was awarded several close-ups.Goddard's career went into full gear when she met Charlie Chaplin, who was looking for an unknown actress to play "The Gamin" in his 1936 film Modern Times. Struck by the actress's breathtaking beauty and natural comic sense, Chaplin not only cast her in the film, but fell in love with her. It is still a matter of contention in some circles as to whether or not Chaplin and Goddard were ever legally married (Chaplin claimed they were; it was his third marriage and her second), but whatever the case, the two lived together throughout the 1930s. Goddard's expert performances in such films as The Young in Heart (1938) and The Cat and the Canary (1939) enabled her to ascend to stardom without Chaplin's sponsorship, but the role she truly craved was that of Scarlett O'Hara in the 1939 epic Gone With the Wind. Unfortunately, that did not work out, and Vivien Leigh landed the part.
After working together in The Great Dictator (1940), Goddard and Chaplin's relationship crumbled; by the mid-1940s she was married to another extremely gifted performer, Burgess Meredith. The actress remained a box-office draw for her home studio Paramount until 1949, when (presumably as a result of a recent flop titled Bride of Vengeance) she received a phone call at home telling her bluntly that her contract was dissolved. Goddard's film appearances in the 1950s were in such demeaning "B" pictures as Vice Squad (1953) and Babes in Baghdad (1953). Still quite beautiful, and possessed of a keener intellect than most movie actors, she retreated to Europe with her fourth (or third?) husband, German novelist Erich Maria Remarque (All Quiet on the Western Front). This union was successful, lasting until Remarque's death. Coaxed out of retirement for one made-for-TV movie in 1972 (The Snoop Sisters), Goddard preferred to remain in her lavish Switzerland home for the last two decades of her life. ~ Hal Erickson, All Movie Guide
This made-for-cable documentary traces the filming of the imperishable classic Gone with the Wind, from its inception to its triumphant Atlanta premiere in December of 1939. Filmmaker David Hinton interviews as many survivors of the experience as he's able to round up, but the main attraction of this film is its precious "test" clips. We watch a montage of screen tests of the many actresses considered for the role of Scarlett O'Hara, ranging from such front-runners as Paulette Goddard to such not-a-chancers as Lana Turner. The Goddard footage is particularly enjoyable as we watch her eagerly reciting the lines of all the characters as she auditions for Scarlett. The documentary also turns up several tantalizing bits of trivia, notably the fact that the film was shown to a preview audience with an entirely different musical score (portions of which are played on the soundtrack). There is, of course, very little suspense involved in Making of a Legend, but even those who've heard all the Gone With the Wind factoids from other sources will watch in fascination as the saga unfolds. This documentary was produced by David Selznick's sons, and written by iconoclastic movie historian David Thomson. ~ Hal Erickson, All Movie Guide
- 1972
First telecast December 16, 1972, The Snoop Sisters was the pilot for a Richard Levinson/William Link detective series. Helen Hayes and Mildred Natwick play a couple of mystery writers who happen to be siblings. With the help of their pragmatic chauffeur (Art Carney), the Snoop Sisters take it upon themselves to solve real-life mysteries. In this instance, the ladies try to uncover the truth behind the murder of reclusive film star Paulette Goddard. The highlights of The Snoop Sisters include a slapstick car chase and an extended vignette from Ms. Goddard's 1940 feature film The Ghost Breakers. Also worth noting is the early supporting-cast appearance by Jill Clayburgh. When packaged for local syndication, The Snoop Sisters was retitled Female Instinct. ~ Hal Erickson, All Movie Guide
- 1964
Leo (Rod Steiger) is an aristocrat whose family fortunes have plummeted in this downbeat melodrama. He seeks to reverse his money problems by courting the wealthy Mariagrazia (Paulette Goddard), throwing over his former lover Lisa (Shelley Winters) in his quest to continue his posh lifestyle. Mariagrazia is too caught up in the attention of the charming, conniving Leo to notice that he also makes a play for her daughter Carla (Claudia Cardinale). Mariagarzia continues to want Leo even after he gains control of family fortune and property. Meanwhile, Carla's brother Michele (Tomas Milian) takes up with the jilted Lisa. Finally, in a most poignant scene, the ailing matron finally realizes she has been used by Leo. Excellent performances all around. ~ Dan Pavlides, All Movie Guide
- Starring:
- Claudia Cardinale, Shelley Winters, (more)
- 1955
Irregularly scheduled on NBC from 1954-1957, Producers' Showcase was a series of lavish, full-color, 90-minute specials, bringing the best of Broadway to the 21-inch screen. One of the more memorable presentations in this anthology was director Vincent Donahue's live staging of Clare Boothe Luce's brilliantly vitriolic 1936 stage comedy, The Women, which had previously been filmed by MGM in 1939. Boasting a stellar all-female cast, The Women centers around the tactics used by the supposedly demure Mary Haines (here played by Ruth Hussey) to win back her husband from predatory shopgirl Crystal Allen (Shelley Winters). Meanwhile, Mary's so-called friends gossip, bicker, and "diss" with bitchy abandon, both in New York and on a Reno "divorce ranch." Mary Boland, who played the much-married Countess DeLage in the 1939 movie, repeats her role in the TV version, while Paulette Goddard, who portrayed mercenary chorus dancer Miriam in the film, is here ironically cast as the malicious Sylvia Fowler, whose husband is stolen away by Miriam (played on this occasion by Valerie Bettis). The Women was adapted for television by Sumner Locke Elliot. ~ Hal Erickson, All Movie Guide
- Starring:
- Shelley Winters, Paulette Goddard, (more)
- 1954
Her days of cinematic glory behind her, Paulette Goddard was compelled to take whatever came along in the mid-1950s. Playing the title role in Sins of Jezebel, Goddard survives the ordeal armed with little more than grim determination. The wicked princess of Phoenicia, Jezebel hopes to expand her power by marrying Ahab (Eduard Franz), the King of Israel. Jezebel brings destruction upon the Israelites through her many sexual peccadilloes and orgiastic bacchanals. The film's nominal leading man is George Nader, cast as a charioteer who succumbs to Jezebel's wiles. Surprisingly, the film manages to be quite entertaining within its tiny budget. The "redeeming moral value" of Sins of Jezebel is achieved by having the film presented in flashback, during a sermon delivered by pious preacher Elijah (John Hoyt). ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, George Nader, (more)
- 1954
Four friends go on a friendly fishing trip but only three return. This suspenseful drama chronicles the fate of the fourth who returns home an amnesiac after a three year absence to get revenge upon the "buddy" who knocked him out and left him to die. Any one of the remaining three could be a suspect as all of them are interested in pursuing his lovely widow. Unfortunately, the man's return coincides with a murder and he ends up blamed. Fortunately, his wife helps him solve the mystery and clear his name. The British title was A Stranger Came Home. ~ Sandra Brennan, All Movie Guide
- Starring:
- Paulette Goddard, William Sylvester, (more)
- 1953
Though both Edward G. Robinson and Paulette Goddard were at career low points when they filmed Vice Squad, both actors were too professional to give anything less than their very best. Robinson plays Captain Barnaby of the titular squad, who during a routine day at the station takes charge of a case involving the killing of a patrolman. Barnaby holds Jack Hartrampf (Porter Hall), a witness to the murder, in protective custody. Hartrampf had been making a clandestine meeting with a pretty young lady, and is afraid to tell the police what he knows for fear of losing his reputation and getting the girl involved in the mess. With the help of Mona (Goddard), head of the so-called escort bureau who arranged the tryst, Barnaby is able to follow the trail of clues to bank robbers Barkis (Edward Binns) and Pete (Lee van Cleef). There's many an additional complication -- including a kidnapping and a false arrest -- before Barnaby is able to call it a day. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Paulette Goddard, (more)
- 1953
Paris Model is quickie producer Albert Zugsmith's answer to such multistoried films as Tales of Manhattan. Linking the four stories presented herein is a Paris-original gown, "Nude at Midnight." The gown is first purchased by "good bad girl" Gogo Montaine (Eva Gabor), who hopes to impress her date for the evening, the Maharajah of Kim-Kepore (Tom Conway, who happened to be Gabor's brother-in-law at the time, a fact that wasn't ignored in the film's publicity). Next, the gown is illegally copied in the U.S., leading to a major social gaffe involving secretary Betty Barnes (Paulette Goddard), her boss Edgar Blevins (Leif Erickson) and Blevins' wife Cora (Gloria Christian). Next, Marion Parmelee (Marilyn Maxwell) wears the gown to coerce her husband's boss (Cecil Kellaway) into giving hubby a promotion. And finally, Marta Jensen (Barbara Lawrence) dons the gown in hopes that her erstwhile beau Charlie Johnson (Robert Hutton) will pop the question. Tom Conway makes a return appearance in this final sequence, as does 1930s comedy favorite El Brendel and Hollywood restaurateur Prince Michael Romanoff. ~ Hal Erickson, All Movie Guide
- Starring:
- Eva Gabor, Tom Conway, (more)
- 1953
Charge of the Lancers is an all too typical Columbia "B" adventure film of the 1950s, with inexpensive sets, fading stars, and miles of stock footage. Paulette Goddard, pushing 50, plays a lively gypsy girl who romance an British military officer (the robustly non-British Jean-Pierre Aumont) during the Crimean War of the 1850s. Goddard and Aumont are captured by the Russians, but escape to do some spying for the Allied cause. All of this leads up to the British victory at Sebastopol, staged with both eyes on the budget sheet by resourceful director William Castle. Charge of the Lancers was filmed in Technicolor, evidently the only real expenditure made by "quickie" producer Sam Katzman. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Jean-Pierre Aumont, (more)
- 1952
Though she was pushing 50 at the time, Paulette Goddard still looked quite fetching in harem duds in the independently produced comedy Babes in Bagdad. On the other hand, Goddard's leading man, 57-year-old John Boles, not only looked his age but acted it. Even the youngest of the three leads, Gypsy Rose Lee, was far too mature for the childish proceedings at hand. The plot finds Arabian Nights princess Kyra (Goddard) demanding equal rights for women, much to the dismay of caliph Hassan (Boles). She is supported in her views by the caliph's godson, Ezar (Richard Ney), who nonetheless exhibits a chauvinistic streak by kidnapping Kyra at mid-film and spiriting her away to his tent. Meanwhile, the caliph sees the error of his polygamous ways and settles down with his favorite wife, Zohara (Gypsy Rose Lee). Even the staunchest auteurist defenders of director Edgar G. Ulmer are hard-pressed to justify his participation in this relentlessly silly effort. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Gypsy Rose Lee, (more)
The Torch was originally released in Mexico as La Malquerida. It also bore several other titles, including Duelo en las Montanas, Del Odio Nacio el Amor and The Beloved. By any name, this is the story of a fear-inspiring revolutionary general (Pedro Armendariz) who develops a passion for the daughter (Paulette Goddard) of a wealthy villager. It's hate at first sight so far as the girl is concerned, but this will soon change. Designed as a dual-market production, The Torch was produced by star Paulette Goddard and RKO's Bert Granet, and directed by volatile Mexican filmmaker Emilio Fernandez. The international supporting cast includes Gilbert Roland as a kindly priest and Walter Reed as an American doctor who also yearns for Goddard. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Pedro Armendáriz, (more)
- 1949
After Ray Milland turned down the leading role in Bride of Vengeance, Paramount contractee John Lund stepped into the role of Alfonso D'Este, second husband of the notorious Lucrezia Borgia. The ruthlessly ambitious Lucrezia is played by Paulette Goddard, who seems ill at ease in the role. MacDonald Carey is better suited to his assignment as Cesar Borgia, the real villain of the piece. The plot proper gets under way when Lucrezia seeks revenge for her first husband's murder. The supporting cast is an odd lot, especially Billy Gilbert as Beppo, a wandering minstrel. A far better recreation of the Borgia "regime" was offered in the like-vintage Prince of Foxes. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, John Lund, (more)
- 1949
Philip Yordan's stage hit Anna Lucasta posed two problems to Hollywood in 1949. For one thing, the story concerned a prostitute who is exploited by her greedy family. For another, the characters were black, thereby cutting the box-office potential in half in those racially divisive times. In adapting Anna Lucasta to the screen, Yordan and co-scripter Arthur Laurents "laundered" the property for popular consumption. Anna's sexual hijinks are only hinted at, and in fact an impressionable viewer might even get the idea that she's still a virgin when the film comes to an end. And the racial angle was tackled by transforming the characters into Polish-Americans, which enabled Paulette Goddard to assume the leading role. Otherwise, the film differs but little from the play: Thrown out of her house by her drunken father (Oscar Homolka), Anna is welcomed back into the fold only as bait to trap an unmarried, wealthy farmer. Anna squelches her family's avaricious plans by genuinely falling in love with the poor sucker who's been targeted as her husband. Broderick Crawford fares best as Anna's doltish brother-in-law, a characterization deftly combining boorish selfishness and lovable humor. Anna Lucasta was remade with most of its Broadway bite intact in 1958 -- this time with an all-black cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, William Bishop, (more)
- 1948
Chronic gambler Ellen Crane (Paulette Goddard) indulges in games of chance to compensate for the loss of her boyfriend during WW2. Heavily in debt to gambling czar Lonnie Burns (Fred Clark), Ellen promises to marry him to clear her financial slate, but in the cold light of day she rethinks her decision and takes it on the lam. The irascible Burns hires detective J. D. Storm (Macdonald Carey) to track Ellen down and bring her back. After a hectic cross-country pursuit, Ellen and Storm come to realize what the audience has predicted all along: they've fallen in love with each other. This very standard assembly-line comedy is redeemed by its character actors, notably squeaky-voiced Percy Helton as a "three time loser" jailbird. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, MacDonald Carey, (more)
Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It is Meredith's job to interview several people, asking them what effect children have had on their lives. First he checks with two itinerant musicians (James Stewart and Henry Fonda), who earn extra under-the-counter money by fixing a music contest so the mayor's son will win. Next he meets Hollywood extras Dorothy Lamour and Victor Moore, who are hired to work with a precocious child star. Finally, the old "Ransom of Red Chief" twist is given to the tale of hoboes Fred MacMurray and William Demarest, who find themselves at the mercy of a preteen prankster, whose wealthy uncle (Hugh Herbert) won't take the kid back unless the hoboes pay him. Meredith returns to the newspaper office with a black eye, which earns him the sympathy and affection of coworker Paulette Goddard. Though the direction is credited to Leslie Fenton, portions of On Our Merry Way were actually directed (sans credit) by George Stevens and King Vidor. ~ Hal Erickson, All Movie Guide
- Starring:
- Burgess Meredith, Paulette Goddard, (more)
Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Paulette Goddard, (more)
- 1947
A post-WWII romantic comedy that explores the effects of the war on American marriage, this film stars Fred MacMurray and Paulette Goddard as Peter and Mary Morley, a pair of constantly fighting attorneys. They are on the verge of breaking up their marriage when the war breaks out. Mary goes into the Women's Army Corps, and when she returns after the war, she's no longer sure if she wants a divorce. In her absence, however, Peter has hooked up with Gloria Fay (Arleen Whelan), who demands that he sign the divorce papers. In turn, Jack Lindsay (MacDonald Carey, one of Peter's clients, has fallen for Mary, but he doesn't want to move in with her until the divorce is official. ~ Michael Betzold, All Movie Guide
- Starring:
- Paulette Goddard, Fred MacMurray, (more)
- 1947
A man's youthful indiscretions come back to haunt him in this droll drawing room comedy. Sir Robert Chiltern (Hugh Williams) is a fine and upstanding British gentleman who has distinguished himself in the political arena and is selflessly devoted to his wife (Diana Wynyard). However, it turns out that he wasn't always a paragon of virtue; early in his career working with the British cabinet, Chiltern sold some confidential information regarding the Suez Canal, and Mrs. Cheveley (Paulette Goddard) has made it clear to Chiltern that she knows what he did and is willing to tell others about it. She agrees to keep silent if he's willing to support a proposal currently being debated in Parliament that would put a phony canal through Argentina. A fearful Chiltern agrees, but his best friend Viscount Goring (Michael Wilding) objects, and he tries to persuade Mrs. Cheveley to rescind her blackmail threat, while explaining to Lady Chiltern how a good man could do something so wrong at some point in his life. This was the third screen adaptation of the sophisticated satire by Oscar Wilde. ~ Mark Deming, All Movie Guide
- Starring:
- Paulette Goddard, Michael Wilding, Sr., (more)
- 1947
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, All Movie Guide
- Starring:
- Eric Alden, Mary Hatcher, (more)
- 1946
Based on the novel by Octave Mirbeau, Diary of a Chambermaid is a noble experiment: a "Continental" sex drama with a virtually all-Anglo cast. Paulette Goddard plays the title character, a saucy servant named Celestine whose forthrightness has a curious effect on a wealthy Parisian household. Determined to elevate her lot in life, Celestine uses her unsubtle charms to beguile her wishy-washy master, Monsieur Lanlaire (Reginald Owen), and Lanlaire's wastrelly son, Georges (Hurd Hatfield). She also inadvertently inspires the lovesick valet Joseph (Francis Lederer) to steal from the family and kill Georges. Burgess Meredith, Goddard's then-husband, delivers an astonishing performance as Mauger, the Lanlaires' bizarre, shell-shocked neighbor (he also wrote the screenplay and co-produced). Diary of a Chambermaid was remade by Luis Buñuel in 1964, with Jeanne Moreau in the lead. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Burgess Meredith, (more)
- 1945
Kitty is the "Pygmalion" legend, 18th century style. London aristocrat Ray Milland takes it upon himself to make a lady of a guttersnipe (Paulette Goddard, complete with a cockney accent not to be believed). Milland and fellow conspirator Constance Collier aren't bothering with the girl out of the goodness of their hearts. They want their protegee to marry a wealthy nobleman (Reginald Owen), then divide the wealth between them. Based on the novel by Rosamund Marshall, Kitty ends with the heroine in the arms of the penitent Milland. The opulent sets and costumes assembled for this film were too good for Paramount to waste; most of them popped up one year later in the Bob Hope vehicle Monsieur Beaucaire. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Ray Milland, (more)
- 1945
Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows. The trouble begins when the neighborhood bar is in danger of closing. The trouble begins when the proprietor, Archie, discovers that one of his regulars, Michael O'Malley, owner of a record company is going broke. This means that many veterans will soon be unemployed and therefore, unable to pay their tab at the tavern. Archie immediately begins recruiting famous stars to donate their services and help. They do, the record company is saved and so is the tavern. ~ Sandra Brennan, All Movie Guide
- Starring:
- Bing Crosby, Betty Hutton, (more)
- 1944
Paulette Goddard and Sonny Tufts, two of the stars of director Mark Sandrich's wartime morale-booster So Proudly We Hail, were reunited in Sandrich's I Love a Soldiers. Looking gorgeous in bib overalls, Goddard plays defense-plant welder Eva Morgan, who avoids romance but gives generously of her time at the local GI canteen. One evening, soldier Dan Kilgore (Sonny Tufts) saunters into the canteen; Eva takes one look at the handsome hunk, and it's love at first sight, despite her vow to steer clear of romantic entanglements. Upon learning that Dan is already married, however, Eva bitterly breaks off the relationship. She is drawn back to him when he insists he's about to get a divorce, but renounces him again-not because she doesn't believe his divorce story, but because she feels that he'd be more valuable on the battlefield if he could only get his mind off women. Boy, is this a period piece! Outside of its stars, I Love a Soldier affords excellent acting opportunities for a number of character actresses, especially Mary Treen in a role specifically written for her. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Sonny Tufts, (more)
- 1944
The overcrowding in WWII-era Washington, D.C., provided the concept for this comedy, as well as another film from the previous year, The More the Merrier (1943). Lee Stevens (Fred MacMurray) is an executive from a toy company owned by T.J. Todd (Edward Arnold). In hopes of landing a lucrative wartime production contract, Todd has dispatched Stevens and Jane Rogers (Paulette Goddard), a secretary, to Washington, D.C., for a meeting with a political fat cat. Once there, Jane foolishly cancels their hotel reservations, unaware that the capitol is so jammed that there is nowhere else to stay. She devises a plan -- she and Lee will pose as servants in the home of wealthy Ira Cromwell (Roland Young), where their lodging will be part of their salary. Lee is a disaster as a domestic, and when the very same politician they've come to meet arrives for a formal dinner, disaster looms. Standing Room Only (1944) was the third of five films in which MacMurray and Goddard would appear together. ~ Karl Williams, All Movie Guide
- Starring:
- Fred MacMurray, Paulette Goddard, (more)
- 1943
Overloaded with unreleased films in 1942 and 1943, Paramount Pictures cleaned house by diverting several pictures to United Artists. One such effort was The Crystal Ball, wherein beauty contest loser Toni Gerard (Paulette Goddard) takes a job as a sideshow fortune teller. Subbing for the ailing head (Gladys George) of a fake medium racket, Toni whimsically advises attorney Brad Cavanaugh (Ray Milland) to purchase some property that is coveted by the government. Cavanaugh follows her advice, nearly ruining himself in the process. All turns out okay in the end, but there's a last-minute entanglement when several of Toni's disgruntled clients converge upon her all at once. Strictly second-rate, The Crystal Ball is salvaged by the work of such surehanded supporting players as William Bendix, Cecil Kellaway, Mary Field, Ernest Truex, Iris Adrian, Nestor Paiva and Mabel Paige (in her film debut). ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Ray Milland, (more)
