Féodor Atkine

Abandoned by the world and left to fend for himself as the Nazis continue their march across Europe, one-time bohemian turned Catholic convert Max Jacob finds help coming from the most unlikely of places as he awaits the train that will take him to a Concentration camp. The year is 1944, and as the Gestapo storm the abbey of Saint-Benoit-sur-Loire to arrest the Max Jacob (Jean-Claude Brialy), it appears as if the homosexual Jew who had previously rubbed elbows with Pablo Picasso and Jean Cocteau during the Bateau-Lavoir years will now become just another victim of Hitler's murderous regime. Later, as Jacob sits in Drancy awaiting deportation, a young orphan whom he had once saved from the streets sets out to return the favor by any means necessary. ~ Jason Buchanan, All Movie Guide

The fourth film to chronicle the life of fourth-century B.C. ruler Alexander the Great, Oliver Stone's Alexander stars Colin Farrell as the titular Macedonian conqueror. The film follows the young king as he leads his forces on a bloody empirical conquest across the known world, taking large parts of Asia and the Middle East to amass a giant empire, all by the time he turned 25. Anthony Hopkins co-stars as Ptolemy I along with Rosario Dawson as Roxane, Angelina Jolie as Olympias, Jared Leto as Hephaistion, Val Kilmer as King Philip II, and Jonathan Rhys-Meyers as Cassander. ~ Matthew Tobey, All Movie Guide

Master filmmaker Raúl Ruiz adds a black comedy to his far-reaching body of work with That Day, a playful meditation on money, death, and false spirituality. Livia (Elsa Zylberstein) and Pointpoirot (Bernard Girardeau) are, respectively, a spoiled society woman who suffers from delusional visions of heavenly apparitions and a crazed serial killer on the loose after a successful prison break. It isn't long before fate brings the two together, and after thwarting Pointpoirot's initial attempts to murder her, Livia soon warms to the charming sociopath. The duo makes short work of Livia's greedy family -- who were planning on killing her and collecting her fortune, anyway -- and as the death count rises, a romance develops between the two. ~ Michael Hastings, All Movie Guide

Carnage, an example of what the French call un film chorale, tells several intertwining stories. In the central tale, a young second-generation bullfighter, Victor (Julien Lescarret), is gored, and is rushed to the hospital in critical condition. A little girl, Winnie (Raphaëlle Molinier), sits next to a massive Great Dane and watches the fateful bullfight on television, and becomes obsessed with the bull. A university researcher, Jacques (Jacques Gamblin of Safe Conduct), cheats on his massively pregnant wife, Betty (Lio), who hides a critical fact about her pregnancy from him. Jacques' brother, Luc (Bernard Sens), an amateur taxidermist, lives with their mother, Rosie (Esther Gorintin), who loves him, but withholds a family secret. Winnie's teacher, Jeanne (Lucia Sanchez), struggles to understand her neurotic mother, Alicia (Ángela Molina), when she visits. When her car is dented by a shopping cart, Carlotta (Chiara Mastroianni), a struggling actress, meets Alexis (Clovis Cornillac), a suicidal philosopher/skater who offers to lead her to the culprits. Carnage, the debut feature from writer/director Delphine Gleize, won the Sutherland Trophy at the 2002 London Film Festival and Best Screenplay at the 2002 Stockholm Film Festival. It was also shown at the 2002 Cannes Film Festival and at Lincoln Center in New York as part of their 2003 Rendez-Vouz with French Cinema. ~ Josh Ralske, All Movie Guide

Based on an original idea by celebrated French director Luc Besson, The Dancer follows the struggle of its eponymous heroine, a mute dancer by the name of India Rey (Mia Frye), to perform on the Broadway stage. Every Saturday night, India, who teaches movement to school children by day, wins the weekly dance contest at a local Brooklyn disco. Under the management of her brother, Jasper (Garland Whitt), a surly meat delivery boy, she makes the cut at an open audition for a Broadway show. Her dreams are aborted when she is dismissed by the director after giving her name in sign language, and she is told that her disability will hold back the rehearsal process. India despairs, but help is on its way in the unlikely form of Isaac (Rodney Eastman), a stuttering scientist infatuated with her. Isaac toils in his lab to invent something that will allow India to translate her movement into sound, effectively clearing her path to big-time success. ~ Rebecca Flint Marx, All Movie Guide

A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard (Guy-Philippe Bertin, who also wrote and directed), funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel (Fedor Atkine), legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash. ~ Rebecca Flint Marx, All Movie Guide

French filmmaker Manuel Boursinhac directs this bleak, gritty film about addiction and redemption. Fledging writer Eric (Vincent Elbaz) and his girlfriend (Laurence Cote) consort with junkie thieves. After getting busted by the cops for drug possession, he chooses to enter rehab over going to prison. Helped by his sympathetic roommate and his writing muse, Eric finds temporary relief from the pain of withdrawal. Un pur moment de rock 'n' roll was screened at the 1999 San Sebastian Film Festival. ~ Jonathan Crow, All Movie Guide

John Frankenheimer directed this $20 million international action thriller from a screenplay by Richard Weisz (pseudonym for David Mamet) and J.D. Zeik. In Paris, Irish organizer Deidre (Natascha McElhone) assembles a team to grab a mysterious briefcase from criminals. They are never told who hired them or the true identity of their targets. The hired specialists: Former CIA officer Sam (Robert De Niro), former Euro intelligence agent Vincent (Jean Reno), German electronics expert Gregor (Stellan Skarsgard), driver Larry (Skip Sudduth), and British weapons wrangler Spence (Sean Bean). After a Seine shootout, the action moves to the South of France, with a recon mission in Cannes, and a chase that brings everyone to Nice. Inevitable betrayals ensue, along with more pursuits. ~ Bhob Stewart, All Movie Guide

Christophe Smith made his directorial debut with this media satire, set on December 14, 1999, about a TV news network in cahoots with Washington on Operation Crazy Guru -- a plan to get a U.S. president re-elected for a third term. Griffith (Mickey Rooney), head of the Miami-based international World News Company, decides inept Paris correspondent Michael Kael (Benoit Delapine) is gullible enough to report the staged events, so Kael is sent off to Africa to cover a two-day fest in Katango. International nets air nuke threats by a Japanese nutcase, made on tapes sent from Katango. Kael, of course, has been unwittingly set up as WNC's key reporter, but everything goes haywire once Kael deduces that it's all being faked. The screenplay, by Delapine, is an expansion of comedy sketches that originated on two popular French cable TV shows. ~ Bhob Stewart, All Movie Guide

Professor Larsen, the director of the International Center for Astro Monitoring is listening to radio transmissions from deep space when he receives a disturbing string of code, that to him heralds the coming of alien invaders. When thousands of people suddenly disappear from the red-light district known as Sepulveda, his worst fears are confirmed. To prove that aliens are behind the mayhem, he is sent there to investigate. Larsen is assisted by his lab helper Oscar, his bodyguard Stavro and by Eva, the beautiful daughter of a politically powerful hermaphrodite named Purpur. Their investigation leads them into a bizarre and seamy futuristic world of eroticism, political intrigue and danger. ~ Sandra Brennan, All Movie Guide

Marcello Mastroianni plays several different roles in this off-beat, witty exploration of a man with multiple personalities from world-class filmmaker Raúl Ruiz. Mastroianni first appears as Parisian traveling salesman Mateo Strano who suddenly shows up at the home of Maria, the wife he abandoned twenty years before. She eventually remarried Andre. Mateo begins telling the skeptical Andre that he never really left Marie. Instead he was bewitched by fairies and has been living in the apartment across the street the entire time. He seems so serious, that he is able to lure Andre to the alleged apartment. There Mateo murders him with a hammer and then calmly returns to Maria who seems nonplused by the sudden turn. With pride she shows Mateo their adopted daughter. Mastroianni next appears as Sorbonne professor of negative anthropology Georges Vickers, a grown man who still lives with his cranky mother until he inexplicably leaves to become a vagrant. Living on the streets, he encounters Tania, a streetwalker with a passion for the philosophies of author Carlos Castaneda's Don Juan. The hooker and the tramp stay together until the day that Vickers returns and he leaves. It is soon afterward that he discovers that Tania is really the president of a major corporation. When he learns that she has been jailed for attempting to murder her creepy ex-husband, Vickers uses his clout to save her. The story then jumps to a newlywed couple happily struggling in a humble garret. Their lives change dramatically when a benefactor suddenly appears and provides them with a marvelous country house. They are also given a mute butler (Mastroianni) who answers their every beck and call. It doesn't take the couple long to figure out that the sinister valet (who actually owns the chateau) is quietly poisoning them. In terror they leave, but later he finds them and demands that they give him their baby daughter. He gives the child to Maria, Mateo's wife. Mastroianni's fourth persona, that of industrial magnate Luc Alamand then appears. He is in trouble when he learns that the wife, daughter, and sister he manufactured to impress potential clients are actually coming. The stress causes the sudden emergence of his other disparate personalities. Interestingly, though each live wildly different lives, they are clearly the same mild-mannered, self-effacing character. The comedy in the story works on wildly different levels with sight gags and puns running simultaneously with literary and cultural satire. Beneath it all runs a serious message about the destructiveness and confusion caused by trying to create a single European culture. ~ Sandra Brennan, All Movie Guide