Brian Glover Movies

John Godber scripted and made his directorial debut with this adaptation of his 1984 play about an amateur rugby team. Decorator and ex-Rugby League player Arthur (Gary Olsen) accepts a high-stakes bet from Reg Welch (Tony Slattery), manager of the tough Cobbler Arms team. Arthur must train a team to beat the Cobbler Arms, and he chooses the weak Wheatsheaf Arms losers, a motley crew who would rather quaff at the local pub. They're uncooperative -- until Arthur introduces them to their new fitness instructor, attractive gym-owner Hazel (Samantha Janus of the Game On comedy series). The training sessions get underway, with Arthur keeping his big bet a secret from all concerned. Set in West Yorkshire, the film was actually shot in Cardiff, Wales. ~ Bhob Stewart, Rovi

Once upon a time, pursuing wolves frighten horses drawing a carriage, and it tumbles down a hill. Dying, the pregnant woman inside orders her grieving husband Frederick (Sam Neill) to cut the baby from her womb, so that at least it might live. Years later, the infant is now headstrong young Lilli (Taryn Davis), who is resentful of her father's upcoming marriage to Claudia (Sigourney Weaver). Claudia is devoted to the memory of her own mother and installs a magic mirror that belonged to her in a wardrobe in her private room. More time passes; Lilli is now an adult, but her relationship with the now-pregnant Claudia has never improved, though Claudia has never done her any ill. Claudia loses her baby, and on the same night, gazes into her mother's mirror, which shows her an image of herself young and beautiful. She determines to rid herself of Lilli. Lilli is walking near the forest when Claudia's mute brother Gustav (Miroslav Taborski) draws a knife and chases the frightened young woman into the forest. She evades him, so he kills a pig and takes the heart to a delighted Claudia, who believes it to be Lilli's heart. She has Gustav put the heart in a stew cooking in the kitchen, and that night as she dines with Frederick, Lilli eats the stew with great pleasure. Later, Frederick and some men search for Lilli in the rainy forest.

Lilli takes refuge from wolves in a ruined castle, where she's confronted by seven vagabonds who've banned together to seek a lost gold mind. Will (Gil Bellows), scarred during the Crusades, is around Lilli's own age and resents her presence, but the older Lars (Brian Glover) is friendlier to her. The mirror tells Claudia that Lilli is still alive, so in the forest where Claudia keeps a shrine to her dead baby, she casts a spell designed to kill her stepdaughter. Lilli, helping the men in their mine, is almost smothered in a cave-in; she's rescued, but one of the men dies. The mirror again tells Claudia that Lilli still lives. Whirling in a black gown, Claudia conjures a wind that strikes the forest; giant trees topple all around Lilli and the men, killing Lars, but Lilli still lives. So the mirror now transforms Claudia into a bald old hag, and she goes into the forest herself. She offers an apple to Lilli, who takes one bite and falls into a trance that no one can tell from death. She's placed in a stained-glass coffin and lowered into the ground, but the agonized Will, who's fallen in love with her, lifts her from the coffin and a piece of apple falls from her mouth. She returns to life, and they all head for the castle. She arrives in time to interrupt Claudia in the act of slashing Frederick's throat, then confronts Lilli in a room full of mirrors. (There's a hint that Claudia had a part in the death of Lilli's mother.) Lilli stabs not Claudia but her mirror image. It bursts apart, shredding and burning Claudia to death.

This bold movie out-grims the Brothers Grimm, telling their oft-told tale as a horror movie/adventure -- and it works. In fact, the weakness of the movie is precisely that the story is so familiar, but the changes wrought by the writers and director keep it fresh for most of its length. It's handsomely designed, using real locations and costumes that are never too grand for the setting. Weaver is clearly having a great time as the not-so-wicked stepmother who eventually becomes a vengeful witch. Especially for a fairy tale, the characters are complex and not necessarily always likable; even Lilli (who is never called "Snow White") has a hard edge, and her "Prince Charming" is a bitter, scarred commoner. It's a shame this attractive, imaginative film didn't have any theatrical release in the United States; originality, especially in a field as well-ploughed as fairy tales, should be encouraged. ~ Bill Warren, Rovi

This European historical saga presents the true tale of intrigue, regicide, incest, and insanity on which Shakespeare based Hamlet. It begins in the ancient Danish kingdom of Jutland in the sixth century. There ambitious Prince Fenge (Gabriel Byrne) murders his brother the king and one of his sons, but masks it as the casualty of a highway robbery. The dark prince then claims both the throne and his former sister-in-law, queen Geruth (Helen Mirren). Her son Amled saw the killings, but feigns madness to spare his life. Amled then begins preparing his revenge. Fenge is not convinced of Amled's madness and arranges for a beautiful maid to seduce the truth out of him. That doesn't work so Fenge sends his nephew to visit the Scottish home of his friend Aethelwine (Brian Cox), who will receive orders to kill him. Amled learns of the plot and changes the orders, immediately winning Aethelwine's favor, winning a battle for the man, and marrying his daughter (Kate Beckinsale). Then the resourceful prince travels back to Jutland to deal with his uncle. ~ Sandra Brennan, Rovi

A Jewish Londoner embarks on a journey to find himself after learning some shocking news about his past in this eccentric British comedy. As the film begins, Leon (Mark Frankel) is already in a time of transition, having quit his job for moral reasons and assumed a position in his mother's catering firm. His life is thrown into even more disarray when a bizarre coincidence reveals the truth behind his birth: not only was his birth the result of artificial insemination, but a lab mix-up means that his real, biological father is a complete stranger. The confused Leon sets out to find his "real" dad, and unexpectedly discovers that he is descended from a family of Yorkshire pig farmers. Co-directors Vadim Jean and Gary Sinyor move their story in fits and starts, allowing room for countless digressions, from a torrid affair with a outrageous artist (Maryam d'Abo) to the accidental breeding of a rather unique pig. While the film proves uneven, fans of the quirkier varieties of British comedy should find Leon the Pig Farmer's off-beat tone and taste for surrealistic details suitably entertaining. ~ Judd Blaise, Rovi

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Mystery Mile. An American judge named Crowdy Lobbett (Brian Greene) has been targetted for extermination by a criminal organization known as "Simister" (clearly the villains are dangerous but illiterate). Heading from the US to England, Lobbett crosses the path of Campion, who offers his services. Before this case has reached its conclusion, our hero has been confronted with not one but two sudden and mysterious disappearances. In America, "ystery Mile" was telecast November 22 and 29, 1990, as part of the PBS anthology Mystery! ~ Hal Erickson, Rovi

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Dancers in Mourning (published in the US as Who Killed Chloe?. A new musical production starring 1930s song-and-dance favorite Jimmy Sutane (Ian Ogilvy) may never open, due to a particularly vicious practical joker who has been staging several "accidents." Campion and his assistant Lugg (Brian Glover) repair to White Walls, Sutane's country estate, to get to the bottom of the sabotage. What begins as a series of nasty pranks evolves into something far more sinister with the mysterious death of bitchy Chloe Pye (Patricia Brake). Along the way, Campion falls for one of Sutane's coworkers--who promptly vanishes. In America, "ancers in Mourning" was telecast December 13 and 20, 1990, as part of the PBS anthology Mystery! ~ Hal Erickson, Rovi

One of the first films by Polish director Agnieszka Holland to gain international acclaim, this drama is a joint French-American production based loosely on the real-life story of the dissident Polish priest Jerzy Popieluszko. In the early 1980s, as the democracy and labor movement known as Solidarity was challenging Soviet authority in Poland, an outspoken priest, Father Alek (Christopher Lambert), defies martial law and continues to rally followers around the cause of Solidarity. The Soviet-controlled Polish government enlists a police official, Stefan (Ed Harris), to stop the priest. Stefan, a devoted party follower, finds that the only way he can silence Father Alek is to have him killed. Along the way, however, the priest has a profound influence on Stefan. Among those in minor roles are Joanne Whalley-Kilmer, Pete Postlethwaite, and Tim Roth. Holland would go on to direct The Secret Garden and Washington Square. ~ Michael Betzold, Rovi

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Look to the Lady. Set in Suffolk, England during the 1930s, the story concerns the Gyrth Chalice, a 1000-year-old artifact stolen from a once-prominent family now on its uppers. In his efforts to recover the chalice and restore the Gyrth family's prestige, Campion and his assistant Lugg (Brian Glover) enlist the aid of a shabby drifter named Val (Robin Lermette). The key to the story is "the Daisy"--which also happens to be the name of one of the principal characters. In America, "ook to the Lady" was telecast November 23 and 30, 1989, as part of the PBS anthology Mystery! ~ Hal Erickson, Rovi

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel The Case of the Late Pig. The title character is Roland Isidore "Pig" Peters (Mike Charles), a lifelong bully who had been Campion's principal tormentor during his school days in the early 1900s. Although Campion would just as soon never see Peters again, he accepts a curiously poetic invitation to "Pig"'s funeral. Three months later, a former girlfriend of Campion asks him to solve a recent murder -- and the victim is none other than "Pig" Peters, who apparently has died twice! Ingredients essential to the story include the wrong body (and wrong species) in Peters' coffin, a shady information peddler (played by Michael Gough, better known as Alfred the butler in the Batman theatrical films), and a handful of ice cubes. In America, "The Case of the Late Pig" was telecast October 12 and 19, 1989, as the first "Campion" story to appear on the PBS anthology Mystery! ~ Hal Erickson, Rovi

In the conclusion of the two-part story "Attack of the Cybermen" (originally telecast on January 12, 1985), the title characters have captured the TARDIS, making it difficult for the Doctor (Colin Baker) to prevent the Cybermen from destroying the Earth with Halley's Comet. The crisis intensifies with the presence of Gustave Litton (Maurice Colbourne), a double agent in the employ of the friendly Cryons, whose own agenda is dangerously altered when he is partially converted into a Cyberman. Sarah Greene, host of the popular British TV series Saturday Superstore, makes a guest appearance as one of the Cryon women. Written by Paula Woolsey, "Attack of the Cybermen" was originally telecast in two 45-minute installments; for American consumption, the adventure was re-edited as a four-part cliffhanger. ~ Hal Erickson, Rovi

Company of Wolves is Little Red Riding Hood for the Alien generation. Sheltered 13-year-old Sarah Patterson, living on the edge of a foreboding woods, is visited by her grandmother Angela Lansbury. The old lady delights in telling Sarah the most horrific stories, usually involving what happens to little girls if they trust wolves--the actual, rather than symbolic kind. Later on, Sarah sets out through the woods to visit her grandmother. She makes the acquaintance of a seductive young huntsman (Micha Bergese), who turns out to be.....well, what big teeth he's got. The ads for Company of Wolves, showing a wolf springing from the open mouth of poor little Sarah Patterson, were warning enough for the faint of heart. Actually, the horror is secondary to the remarkable Grimms-Fairy-Tale ambience which the film successfully sustains from beginning to end. And, in keeping with the original unexpurgated versions of most fairy tales, the sexual subtext is never far from the surface. Director Neil Jordan would further develop some of the subliminal themes in Company of Wolves in his 1994 production Interview with the Vampire. ~ Hal Erickson, Rovi

Based on the novel by Agatha Christie and set in the late 1950s, this unevenly told film starts when Dr. Arthur Calgary (Donald Sutherland) comes back to England after two years on an Antarctic expedition and discovers that the man he is searching for has been executed for murder. At the beginning of his expedition he had given a ride one night to a hitchhiker and accidentally ended up with his address book. To his horror, the hitchhiker's mother was killed on that night, and he had been the alibi that would have saved him from execution. Spurred on by his sense of shock and guilt, Calgary makes contact with the family and is put off by their disinterest in finding the real killer. It seems that the mother had many enemies among her close family members: her husband was having an affair, there was a blackmail scheme in the works, and many felt that she had already excluded them from any inheritance. Although the acting is uneven and the plot may seem predictable or contrived to non-Christie readers, the story retains interest, and Dave Brubeck's jazz score adds a special dimension to the proceedings. ~ Eleanor Mannikka, Rovi

This play gets its title from the name of a British holiday called Midsummer Day, the feast of John the Baptist, celebrated on June 24 with merrymaking. On Midsummer Night, witches, goblins, and fairies materialized to hold a festival of their own. Shakespeare's play capitalizes on the magic of the occasion. Set in Athens, it begins when Duke Theseus orders gala ceremonies for his coming marriage to Hippolyta, Queen of the Amazons. But domestic strife intrudes upon the gay atmosphere when one of the duke's subjects, Hermia, chooses Lysander as her future husband over her father Egeus' choice, Demetrius. Theseus reminds Hermia of a law requiring her to obey her father or face death or banishment. Hermia and Lysander then escape to the woods. There, tradesmen are rehearsing a play for the duke's wedding. Demetrius, the rejected suitor, searches the woods for Hermia, while another young lady, Helena, follows him, praying that he will bestow his love on her instead of Hermia. Also in the woods are fairies gathered to bless the duke's wedding. Oberon, the fairy king, argues violently with his queen, Titania, after she refuses to give him a boy he wants as a servant. In retaliation, Oberon orders a fairy named Puck to concoct a potion of flower juice, which, when squeezed on Titania's eyelids, will enamor her of the first creature she sees -- whether animal or man. Witnessing the love problems of Helena and Demetrius, Oberon decides a dose of flower juice will do them good. But because of mischief and mixups, Puck's potion anoints indiscriminately, and everyone temporarily falls in love with the wrong person. Titania ends up with bumpkin Bottom, a tradesman wearing the head of an ass. Eventually, remedial magic rights the wrongs and a triple wedding takes place. ~ Mike Cummings, Rovi