Ben Whishaw Movies

007 (Daniel Craig) becomes M's only ally as MI6 comes under attack, and a mysterious new villain emerges with a diabolical plan. James Bond's latest mission has gone horribly awry, resulting in the exposure of several undercover agents, and an all-out attack on M16. Meanwhile, as M (Judi Dench) plans to relocate the agency, emerging Chairman of the Intelligence and Security Committee Mallory (Ralph Fiennes) raises concerns about her competence while attempting to usurp her position, and Q (Ben Whishaw) becomes a crucial ally. Now the only person who can restore M's reputation is 007. Operating in the dark with only field agent Eve (Naomie Harris) to guide him, the world's top secret agent works to root out an enigmatic criminal mastermind named Silva (Javier Bardem) as a major storm brews on the horizon. Albert Finney also stars in the 23rd installment of the long-running spy series. The film was directed by Sam Mendes (American Beauty, Revolutionary Road) and shot by acclaimed cinematographer Roger Deakins (True Grit, The Reader, The Assassination of Jesse James by the Coward Robert Ford). ~ Jason Buchanan, Rovi

Jane Campion's literary biopic tells the true story of Fanny Brawne (Abbie Cornish), a 23-year-old Londoner in 1818 whose independent streak manifests itself through an intense interest and love for fashion and dressmaking. Her neighbor, the struggling but gifted young poet John Keats (Ben Whishaw), underestimates her intelligence because he believes she's frivolous, and she, having no interest in literature, seems thoroughly disinterested in him. However, Fanny attempts to help the Keats family when John's brother becomes gravely ill, and in order to express his gratitude John agrees to teach her poetry -- leading Fanny and John to quickly fall deeply and profoundly in love with each other. Although they wish to wed, his lack of finances and his writing partner (Paul Schneider) -- who believes she is nothing more than an unwelcome distraction -- keep the two from marrying. ~ Perry Seibert, Rovi

Evelyn Waugh's classic novel of love and the British class system has been given a polished screen adaptation in this film version from director Julian Jarrold. The tale opens during WWII, when Charles Ryder (Matthew Goode), an English military officer, is stationed at a country estate that has been converted into a military base. Jarrold uses this time-frame and setting as a framing device, and then flashes back in time to Charles' days as a scholar in the 1920s. It becomes clear that he was raised in a middle-class household; though he was fortunate enough to have been accepted into Oxford, he doesn't belong to the British upper crust. At Oxford, Charles strikes up a friendship with twentysomething Lord Sebastian (Ben Whishaw). Charles is captivated by the splendor of Sebastian's life at his family's Brideshead Castle, and he finds himself drawn into a web of decadent comfort. For Sebastian, though, the familial estate represents a prison from which he longs to escape, and in desperation, he hits the bottle. Charles develops an infatuation with Sebastian's sister, Julia (Hayley Atwell), but also senses that his bond with Sebastian may be something far deeper than simple friendship. Also present at Brideshead is Sebastian and Julia's mother, Lady Marchmain (Emma Thompson), an ice water-veined woman still reeling from her abandonment some time prior at the hands of her husband. Though bitter, the matriarch perceives Charles as an emotional anchor for the increasingly unstable Sebastian, and therefore suggests that Charles join Sebastian and Julia on a trip to see their father (Michael Gambon) and his mistress (Greta Scacchi) in Venice. Unfortunately, the romantic bond between Charles and Julia deepens, which threatens to destroy Sebastian. This feature constitutes the second major version of Brideshead Revisited to reach viewers; an earlier, 11-hour miniseries adaptation ran on television in 1981. ~ Mark Deming, Rovi

An obsessive French perfumer with a highly developed olfactory sense and an all-consuming drive to capture the essence of love eventually resorts to murder in his unrepentant quest to find the key ingredient for his recipe in director Tom Tykwer's adaptation of author Patrick Suskind's best-selling 1985 novel. Born in a fetid fish market and raised in a dilapidated orphanage, Jean-Baptiste Grenouille (Ben Whishaw) toiled his childhood away in a rank tannery run by the thuggish Grimal (Sam Douglas). Subsequently obsessed by smell, Grenouille's keen olfactory sense becomes so finely tuned that it eventually overpowers such human qualities as love and compassion. Though he has indeed discovered the unmistakable scent of a woman, Grenouille finds it impossible to connect with the fairer sex on any sort of meaningful level. Roaming the streets of Paris late one night, Grenouille catches the scent of a young girl selling plums and impulsively strangles her, later sniffing her nude corpse in a twisted attempt to preserve the distinctive scent in his memory. After persuading legendary perfumer Giuseppe Baldini (Dustin Hoffman) to take him on as an apprentice, Grenouille travels to the town of Grasse in Southern France in order to learn the art of enfleurage at a firm run by the highly respected Mme. Arnulfi (Corinna Harfouch). It is there that Grenouille becomes dangerously drawn to the vestal aroma of the young and beautiful Laura (Rachel Hurd-Wood), the daughter of widower merchant Antione Richis (Alan Rickman). Soon driven to madness by such a pure scent, the spellbound Grenouille continues to claim the lives of the numerous young girls in a tragic attempt to bottle the impossibly elusive smell of virginal womanhood. ~ Jason Buchanan, Rovi

A mechanic in the British drug trade finds himself caught in the middle of some dangerous circumstances in this crime thriller. XXXX (Daniel Craig) is a nameless go-between in the British mob who buys drugs from underground wholesalers and them sells them to street dealers, keeping the system flowing and making a tidy profit in the process. XXXX is looking forward to getting out of the game, and has displayed both smarts and caution in how he's handled his business, but before his overseer Jimmy Price (Kenneth Cranham) will let him go, he has a couple of favors that need to be done. First, Eddie Temple (Michael Gambon) is a mob boss whose daughter has gotten hooked on hard drugs and run away from home; Jimmy needs XXXX to find them girl and bring her to him before Eddie's men can get hold of her. Second, Dragan (Dragan Micanovic) is a Ecstasy wholesaler who has had a large shipment stolen by Duke (Jamie Foreman); Jimmy wants XXXX to get the Ecstasy back to Dragan, but Duke isn't eager to sell and Dragan is becoming impatient. Between these two matters, XXXX isn't so sure he'll get out of the business alive, especially after he finds himself falling for Duke's nephew's girlfriend, Tammy (Sienna Miller). Layer Cake marked the directorial debut for Matthew Vaughn, best known as a producer for Guy Ritchie's lad-centric crime movies. ~ Mark Deming, Rovi

Writer-director Michel Blanc, whose previous works include the acclaimed Marche a l'ombre (1984) and Dead Tired (1994), creates this gritty drama about a middle-aged impoverished French writer in London who becomes a gigolo. The film opens with Pierre (Daniel Auteuil) getting worked over by an irate pimp because he didn't pay for a hooker's drink. Rakish Irishman Tom (Stuart Townsend) offers to drive bloodied Pierre back to his seedy hotel. The following day, he stumbles upon Tom's sandwich bar and begs for a job. Though he describes himself as a dead-broke author working on a novel, Pierre is concealing secrets from his dark past. Later, during a party populated with well-turned out lesbians, Tom reveals that he moonlights as a gigolo and suggests that Pierre might try the same. Soon Pierre is making easy money at the same agency where Tom works. Things get complicated for our Gallic protagonist when he falls for a golden-hearted streetwalker with a psychotic ex-boyfriend and one of his married regulars falls for him. Told with wry wit and gritty honesty, this film explores London's dark sexual netherworld. ~ Jonathan Crow, Rovi