Sharon Gless Movies



Blonde leading-lady Sharon Gless owns the distinction of being the last-ever "contract player" at Universal Studios. Signed by Universal in 1969, Gless did yeoman work as a supporting player on such series as the ABC medical drama Marcus Welby, M.D. (1969-76) and films including Airport 1975 (1974). She was a regular on the short-lived detective drama series Faraday and Company (1973-74) before achieving a degree of stardom as Maggie, "girl Friday" to Robert Wagner and Eddie Albert, on the popular crime-caper series Switch (1975-78). Her next series was the weekly House Calls (1979-82), in which she replaced departing regular Lynn Redgrave amid Redgrave's contractual dispute with series producers. It was another replacement assignment that solidified Gless as a bankable (and versatile) name: in 1982, she replaced Meg Foster as NYPD officer Chris Cagney on the detective series Cagney and Lacey, which for many years provided her with the greatest amount of viewer identification in her career.

She remained in this role until the series' cancellation in 1988, winning two Emmy awards along the way, then reprised the part (with her co-star Tyne Daly) in a series of well-received TV movies from 1994 to 1996. Then, beginning around 1997, a second wave of popularity arrived for Gless, and she retained her footing as a small-screen mainstay over the following decade or so, with contributions to immensely popular series programs including Promised Land, Queer as Folk, Touched by an Angel, Burn Notice, and Nip/Tuck. In 2001, the Lifetime women's network opted to do one of its Intimate Portrait biographical documentaries on Gless. ~ Hal Erickson, All Movie Guide
1972  
 
Sharon Gless makes one of her first TV appearances as Sheila Thomas, an undercover police deputy investigating a series of thefts at Ramparts. Assisting Sheila in her inquiries is paramedic John Gage (Randolph Mantooth, who is quite smitten by the lady. Elsewhere, an old man (Paul Fix) suffering from dementia is trapped in a burning house; a grandfather (J. Pat O'Malley) is injured while showing his grandson how to operate a model rocket; and a boat thief is trapped on a drilling-platform mechanism. Finally, the station mascot "Boots" reappears just as mysteriously as he'd disappeared a few episodes back--and the dog apparently has a new agenda. ~ Hal Erickson, All Movie Guide

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1972  
 
Robert Young stars as Judge Charles Raleigh in the made-for-television All My Darling Daughters. The Judge happens to have four daughters, played by Darleen Carr, Judy Strangis, Sharon Gless, and Fawne Harriman (what did all the detective shows and sitcoms do for ingenues while these four ladies were tied up in this film?) And, as the fates would have it, all four daughters plan to get married on the same day! Screenwriter John Gay and David Lowell Rich, two of the most prolific TV-movie artisans in Hollywood, managed to maintain audience interest despite the story's inbuilt cliches. Originally telecast November 22, 1972, All My Darling Daughters was followed by a TV-pilot sequel, All My Darling Daughters' Anniversary. ~ Hal Erickson, All Movie Guide

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1970  
 
James Franciscus and his wife Lee Grant take a vacation in a faraway, fogbound village. Before we get a chance to ask "Why not go to the beach?" Franciscus awakens suddenly in the middle of the night to see several of the villagers compliantly boarding trucks; among these glassy-eyed passengers is his own wife. The trucks drive off into the mists. The next day, Franciscus is the only person who remembers this strange occurrence. The title of this TV movie should give you a good idea of what's afoot. Night Slaves is a 1970s spin on the old Shock Theatre favorite It Came From Outer Space. ~ Hal Erickson, All Movie Guide

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