Scott Glenn Movies

In this thriller, an aging cat burglar becomes a crusader embroiled in a deadly cat-and-mouse game involving murder and a government cover-up. Adapted by distinguished scenarist William Goldman from a novel by David Baldacci and featuring a powerful all-star cast, the story works at different levels, not only as a straight-forward thriller but also as an insightful look at the love between the old thief and his estranged daughter, a highly successful prosecuting attorney. The trouble begins when ex-con Luther Whitney (Clint Eastwood, who also directed) decides to pull off one last heist before retiring. Just as he finishes looting the vault of a well-fortified mansion, a drunken couple enters the adjoining bedroom apparently eager to start making love. But something goes awry and a violent tussle ensues that abruptly ends when gun-wielding men bust in and shoot down the woman. During the ensuing chaos, Luther slips out. Only later does the audience learn that the would-be lovers were U.S.-President Alan Richmond (Gene Hackman) and Christy Sullivan (Melora Hardin), the young wife of the President's biggest supporter Walter Sullivan (E.G. Marshall). As the investigation and cover-up begins, Luther, who has already been contacted by hard-boiled and suspicious detective Seth Frank (Ed Harris) begins to fear that he will be blamed for the killing and prepares to leave the country. He tries to see his daughter Kate (Laura Linney) to make peace with her for having been absent in prison during most of her life, but she rejects him. Luther goes to the airport, but just before he flies, he sees a press conference in which President Richmond, without so much as a twitch, goes on a tirade concerning his stand against violence. Something inside him snaps and he abruptly decides to stay and fight for justice. ~ Sandra Brennan, All Movie Guide

Acknowledged as one of the greatest thoroughbred racehorses of the 1930s, Seabiscuit is the archetypal example of the extreme long shot who made good. Too squat, knobby-kneed, disheveled, and off-colored, the horse would have been written off as a total loss by anyone except the triumvirate of dedicated men who transformed this unpromising property into a winner: wealthy, stubborn owner Charles Howard, indefatigable trainer Tom Smith, and washed-up jockey Red Pollard, to whom Seabiscut represented the proverbial "last clear chance." So famous and popular that even President Franklin D. Roosevelt worked the horse's name into his public appearances, Seabiscuit also underlined the schism between the freewheeling, take-a-risk West Coast racing establishment and the snobbish, conservative East Coasters. Among the interviewees in this one-hour TV documentary is author Laura Hillenbrand, whose best-selling book Seabiscuit: An American Legend sparked a widespread revival of interest in the champion horse. Seabiscuit was originally a presentation of the PBS anthology American Experience. ~ Hal Erickson, All Movie Guide

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era. ~ Lucia Bozzola, All Movie Guide

As Summers Die was produced as an "HBO Premiere" attraction. Set in the segregationist South of the 1950s, the film pits the wealthy but decadent members of a landed-gentry white family against a feisty old black woman, on whose property oil has been discovered. Idealistic attorney Scott Glenn bucks the family--and the inbred prejudices of the community--to protect the woman's interests. He finds himself with two unsuspected allies in the forms of young Jamie Lee Curtis and ancient Bette Davis, two "renegade" members of the very family that wants to grab the oil-rich land. As Summers Die had its cable-TV debut on May 17, 1986. ~ Hal Erickson, All Movie Guide

Karen Valentine guest stars as Holly Dean, the fiancée of a former mobster. When her boyfriend dies, he entrusts his "little black book" to Holly's care. Since the book contains the itemized accounts of several local mobsters, both the good guys and the bad guys would like to get their hands on the valuable legacy. But when Tony Baretta (Robert Blake) approaches Holly and asks for the book, she lies about having it -- a misguided act of loyalty to her late sweetheart that may cost the lives of both herself and Baretta. ~ Hal Erickson, All Movie Guide

Sienna Miller and James Franco star in first-time producer/director Gregory Mackenzie's twisted romance about a honeymooning couple who discovers that sometimes love is stronger than death. Recent parolee Silas (Franco) has just been blackmailed into marrying the beautiful Camille (Miller), and he's none to happy about the arrangement; despite the fact that he can't stand her, she still worships the ground he walks on. But now the law is family, and should the union fail, Silas' new uncle-in-law, Sheriff Foster (Scott Glen), will ensure that the disgruntled groom is sent back to the slammer in a flash. Immediately after the wedding, however, things get complicated when Silas and Camille are run off the road by a reckless truck driver. When Silas regains conscious and stumbles over to Camille's contorted body, it's obvious that she's suffered a fatal injury in the accident. After fleeing the scene and attempting to summon help, Silas returns to the sight of the crash and finds Camille nursing a serious neck injury down by the river while frantically trying to get the grass stains out of her wedding dress. Desperate, the couple hitches a ride with the nomadic Cowboy Bob (David Carradine), eventually realizing that Camille didn't survive the accident despite the fact that she's somehow able to walk and talk with the living. As Camille's body begins to decay, the situation grows complicated when the couple learns that the police are on their trail for an imagined robbery and murder. ~ Jason Buchanan, All Movie Guide

This offbeat and atmospheric western is set in 1893, as a gang led by longtime outlaws Bill Doolin (Burt Lancaster) and Bill Dalton (Scott Glenn) is on the verge of falling apart due to time and fatigue. A pair of teenage girls who long to be part of the outlaw mythos of the west meet up with Dalton and Doolin: Jenny (Diane Lane) and Annie (Amanda Plummer). The girls brings an unexpected second wind to the gang, as they help them plot a new series of robberies and escapes, but this burst of new activity also attracts the attention of law officer Tilghman (Rod Steiger), who is determined to put them behind bars. While Cattle Annie and Little Britches was a box office flop thanks to poor handling by the distribution company that released it, it's developed a strong reputation among film buffs and western fans; it also featured Plummer's first screen appearance. ~ Mark Deming, All Movie Guide

Countdown to Looking Glass was a Canadian-produced, 90 minute dramatic special, first telecast in the States over the HBO pay cable service on October 14, 1984. In the tradition of the earlier Special Bulletin, the story frames a nuclear-holocaust threat in the form of an ongoing news broadcast. The setup: A group of South American nations have defaulted on a loan, forcing every bank in America to collapse. The US is thus unable to help Oman when the middle-Eastern nation is invaded by Soviet operatives. This culminates in a Persian-gulf showdown, while all the major cities in the US are evacuated. Scott Glenn plays an anchorman for the fictional CVN news service, while Helen Shaver costars as the CVN Washington correspondent, who is prevented from getting on the air with a potentially world-saving bulletin. Written by MIT professor Lincoln Bloomfeld, Countdown to Looking Glass features real-life newscasters Eric Sevareid, Nancy Dickerson, Patrick Watson and Don Tobin. Note to political-trivia buffs: Appearing briefly as themselves are former Presidential candidate Eugene McCarthy, and a pre-"Contract With America" Newt Gingrich. ~ Hal Erickson, All Movie Guide

In this comedy, two women head for Reno to get simultaneous quicky divorces and end up becoming friends. Edie was married years ago, but her husband abandoned her two weeks after the wedding. Pen spent nine years married to an ice-cold businessman who neglected her. Edie and Pen meet while leaving the courtroom. They immediately head for a bar where they encounter Harry, who is despondent that his wife took his beloved dog when she left him. As the three grow increasingly inebriated, they begin having long conversations about their pasts, presents and futures. Now that ditzy Edie is divorced, she plans to marry her new love in Acapulco. Meanwhile, womanizing Harry attempts to bed the vulnerable Pen. Dramatic tension rises when Pen discovers that Edie's fiancé is her ex-husband. ~ Sandra Brennan, All Movie Guide

Failure is Not an Option is a two-hour documentary based on the memoirs of former NASA flight director Gene Kranz. Culled from miles and miles of archival government and TV-network footage, the film covers the history of manned space flight from the early missions of Alan Shepherd and John Glenn to the Apollo 13 crisis of 1970 (Kranz was played by Ed Harris in the filmed re-creation of that incident). As in the book, the special's focus is on Mission Control's emotional responses to momentous historical events, never more movingly than during the fatal capsule fire that claimed the lives of three astronauts in 1967. Among those interviewed in Failure is Not an Option are ex-astronaut Jim Lovell and Kranz's fellow flight director Chris Kraft. ~ Hal Erickson, All Movie Guide

Peter Fonda here gives a studied performance of a man alone against the odds. When he discovers that members of his family are going to be killed because they are standing in the way of a corporate master plan which involves their land, and the local sheriff seems unconcerned about the threat, he must take care of the matter himself. ~ Tana Hobart, All Movie Guide

Assigned the thankless task of teaching freshman English at a gang-infested Long Beach, CA high school, a 23-year-old teacher resorts to unconventional means of breaking through to her hardened students in director Richard LaGravenese's adaptation of Erin Gruwell's best-seller The Freedom Writer's Diaries: How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them. Her students had been written off, and her chances of succeeding scoffed at, but Erin Gruwell (Hilary Swank) wasn't about to go down without a fight. Long Beach is a place where a new war is waged with each passing day, and when the hardened students who walk those dangerous hallways sense an outsider attempting to understand their plight, their cynical resentment threatens to keep a deadly cycle in motion. Despite the initially hostile reaction she receives in the classroom, Gruwell uses the writings of Anne Frank and Zlata's Diary: A Child's Life in Sarajevo to teach her students not only the basis of the English language, but compassion and tolerance as well. Later, when the time comes to tell their own tales in a project specially designed to explore the daily violence that the majority of students have grown numb to, the barriers that had once stood so strong gradually begin to crumble. When the only chance for survival is to befriend the person who was once your mortal enemy, the world is opened to a whole new realm of possibilities. ~ Jason Buchanan, All Movie Guide