Roscoe Ates Movies

After a lengthy absence from the screen, Judy Canova returned in the raucous musical Honeychile. The plot had been utilized in several previous Republic films, but was good for yet another go-round here. Canova plays Judy, a would-be songwriter who sends one of her tunes to a big-city composer. When the song, published under another author's name, becomes a hit, music agent Eddie Price (Eddie Foy Jr.) heads to the sticks to negotiate a contract with Judy. By now, however, she doesn't want to sell her song: instead, she wants all the royalties for herself. Eddie's efforts to get her to change her mind are stymied by the presence of Judy's muscle-bound boyfriend Joe Boyd (Alan Hale Jr.) Somehow, everything is resolved during a climactic chuck-wagon race. ~ Hal Erickson, All Movie Guide

In this entry in the "Henry Latham" comedy series, the parsimonious Henry protests the rising cost of meat and decides to take up hunting for wild game. ~ Sandra Brennan, All Movie Guide

Tornado Range is one of five Eddie Dean westerns originally produced by PRC in 1947 but released the following year by Eagle-Lion. Cast as a troubleshooter for the U.S. Land Office, Dean is assigned to settle a deadly range war. Sure enough, the warring homesteaders and cattlemen are being whipped into a frenzy by a third party, who hopes to "divide and conquer," claiming the land for himself. Surprisingly, all-purpose PRC villain George Cheseboro isn't the culprit in this one; instead, he's cast as the father of heroine Jennifer Holt. Roscoe Ates is once more on hand for some questionable comedy relief. ~ Hal Erickson, All Movie Guide

Arguably Eddie Dean's best Western -- and certainly the balladeer's most unusual -- The Hawk of Powder River features busy B-Western heroine Jennifer Holt as Vivian, the "Hawk" of the title and the murderous leader of a gang of outlaws. When a local newspaper editor begins a crusade against the Hawk's reign of terror, Vivian has her henchmen murder him. Her uncle (Budd Buster), the owner of the Chambers Ranch, accidentally discovers the gang's hideout, and he, too, is killed. Next in line is Vivian's pretty cousin, Carole (June Carlson), but she is saved in the nick of time by cowboys Eddie Dean and Soapy (Roscoe Ates), who decide to get to the bottom of the fearful goings-on. Eddie sets a trap for Vivian's fiancé, Cochrane (Eddie Parker), and The Hawk of Powder River ends in a shootout during which Vivian is killed. In between the carnage, Dean sings four ballads accompanied by Andy Parker and the Plainsmen. ~ Hans J. Wollstein, All Movie Guide

Singing cowboy Eddie Dean and sidekick Soapy (Roscoe Ates) come to the aid of novice cattle rancher Ann Howard (Phyllis Planchard) and her juvenile delinquent brother Tom (Steve Drake). Unhappy about the move West from Chicago, the latter forges Ann's signature on the deed to their ranch, which he then plans to sell to Larson (Bob Duncan), the local saloon proprietor turned crooked sheriff. But unbeknownst to Ann and Tom, the ranch is located right on a silver deposit that will make its owner rich. An undercover government agent, Eddie not only makes sure that Larson is punished but also teaches young Tom the honest Western way of life. When not fighting and shooting, Dean, accompanied by Andy Parker & the Plainsmen, performs "Cathy," "It's Courtin' Time," and "When Shorty Plays the Schottische," the latter a rather festive polka. ~ Hans J. Wollstein, All Movie Guide

Eddie Dean and sidekick Roscoe Ates come to the aid of a young rancher in this low-budget singing Western from PRC. Discovering that Hadley (Steve Clark) hides a gold-encrusted cave on his property, villainous saloon owner Kirby (Terry Frost) kills the elderly rancher and seals the cave. But when he tries to force the Hadley heirs, Larry (Steve Drake) and Janet (Shirley Patterson), off their property, Kirby comes up against the forceful new Hadley foreman, Eddie Dean. The latter takes time out to warble his own and Dean Hal Blair's "Black Hills" and "Let's Go Sparkin'," while the Plainsmen and Ates take care of Pete Gates' comical "Punchinello." ~ Hans J. Wollstein, All Movie Guide

The country in this low-budget Eddie Dean Western from PRC isn't so much wild as it is familiar. Dean is assigned to bring in escaped convict Rif Caxton (I. Stanford Jolley), whose trademark is a polka dot hatband. The bandit is holed up in Silver Springs, where he frames Sheriff Bill Devery (Steve Clark) in a stage robbery and murder -- basically to teach the aged lawman a lesson -- and then shoots him down in cold blood. Eddie, meanwhile, passes off sidekick Soapy Jones (Roscoe Ates) as Caxton -- with the expected results. The real Caxton aligns himself with a nasty gambling establishment owner (Douglas Fowley) and his lackey, the new sheriff (Lee Robert). None of these gentlemen, however, is any match for Eddie, who can count to six and knows when the opposition's gun is empty. In between making Silver Springs a safer place for heroine Martha Devery (Peggy Wynne), Dean performs his own and Hal Blair's "Wild Country" as well as Peter Gates' "Saddle With a Golden Horn" and "Ain't No Gal Got a Brand on Me," the latter with the Sunshine Boys. ~ Hans J. Wollstein, All Movie Guide

Its title notwithstanding, the PRC western Range Beyond the Blue was lensed in glorious black-and-white. Singing cowboy Eddie Dean and his sidekick Soapy (Roscoe Ates) enter into the thick of things when they thwart a stagecoach holdup. Our heroes take it upon themselves to champion the cause of stage-line owner Margie Rodgers (Helen Mowery), who's being victimized by an unknown villain. Dean suspects that there's more to the case than mere robbery, and he's right: someone wants to gain control of Margie's business, and that someone is?.. Well, that should be obvious the moment the "mystery" villain saunters into view. Range Beyond the Blue was the next-to-last entry in PRC's Eddie Dean series. ~ Hal Erickson, All Movie Guide

A Hollywood movie company descends on the Ozarks in this pleasant, if low-budget, musical from PRC undoubtedly inspired by the concurrent success of Broadway's Oklahoma! Despairing of the ill-tempered behavior of Shirley, a scientifically raised mule, Dr. Jane Colwell (Martha O'Driscoll) returns to the farm in Missouri's Ozark Mountains. Shirley's indubitable talents, however, are discovered by a movie company, whose producer, Mike Burton (William Wright), sets out to win the affection of both Dr. Colwell and her obstinate animal, a feat accomplished much to the consternation of the company's star, Gloria Baxter (Renee Godfrey). The expected romantic confusion ensues and three professors from the Midland College Deptartment of Agriculture (Will Wright, Chester Clute, and Paul Scardon) descend on the movie location to put a halt to Shirley's promising screen career. But Mike and his flamboyant director (John Carradine) do their best to placate both the prominent faculty and their beast, and soon everyone is enjoying a typical Missouri hayride. Second leads Eddie Dean and Mabel Todd perform "There's a Rose That Grows in the Ozarks" and "Monkey Business"; Renee Godfrey and the Tailor-Maids take care of "Big Town Gal"; leading lady Martha O'Driscoll warbles "Never Knew That I Could Sing" and "I'm So In Love With You"; and the entire company, including John Carradine, performs "There's Nothing Like an Old Missouri Hayride." ~ Hans J. Wollstein, All Movie Guide

Inexpensive Cinecolor adds little to this standard Eddie Dean music western from bottom-of-the-barrel company PRC. Dean, as always, plays himself, a rancher taking up the fight against power hungry saloon operator Duke Dillon (Dennis Moore) and his secret boss and foster-father Dad Dillon (Warner P. Richmond). The situation gets complicated with the arrival of Roy Hilton (Forrest Taylor), a circuit judge assigned to look into the lawlessness of Rawhide City, and Nevada (David Sharpe), a young drifter who at first appears to be taken in by the gang but who in reality as a secret agent working for the judge. The latter, as it turns out, is Duke Dillon's real father and a final confrontation between the forces of good and evil leaves bodies littering the streets of Rawhide. When not engaged in fisticuffs, Eddie Dean performs his own "Western Lullaby", "Ridin' Down to Rawhide" and Ridin' to the Top of the Mountain", as well as the traditional "Home on the Range". Colorado Serenade's working title was Gentlemen with Guns, a cognomen resurrected later that year for a Larry "Buster" Crabbe western. ~ Hans J. Wollstein, All Movie Guide

A virtual remake of the 1943 "Trail Blazers" western Wild Horse Stampede, this unspectacular but pleasant Eddie Dean oater once again featured a lawless town worrying about the coming of the railroad. Assigned by Army Major Hammond (Forrest Stanley) to inspect 500 heads of horses for sale by J. C. Morgan, Eddie and his sidekick Soapy (Roscoe Ates) learn that the seller is actually a pretty girl, Jenny Morgan (Shirley Patterson). Fearing that the coming of the railroad may bring law enforcement to the area, local saloon owner Merino (Dennis Moore) conspires with Morgan ranch hand Tucson Brown (Lee Bennett) to rustle J. C.'s herd and steal the payment from a nearby army detachment. Things get a bit confused when Eddie is mistaken for Whistling Sam, a notorious outlaw, but J. C. and foreman turned sheriff Tennessee (William Fawcett) believe in his innocence and when the dust has settled, the villains, including the real Whistling Sam (Lee Roberts), are safely behind bars. J. C.'s ranch is saved and the building of the railroad can continue without attacks from the area's lawless elements. Adding about 20 minutes of new footage, the always frugal PRC re-edited this film and re-released the entire two years later as The Tioga Kid. Leading lady Shirley Patterson's scenes were cut and the "new" film featured Jennifer Holt as pretty ranch owner Jenny Morgan. ~ Hans J. Wollstein, All Movie Guide

As for the opening reels, the principal motivating factor is money. After a deliberately confusing pre-credit sequence (not explained until the film's punch line), Tom Jeffers (Joel McCrea) and Gerry Jeffers (Claudette Colbert) are married. "And so they lived happily ever after," exults a title card, "...or did they?" Well, they didn't. After five years of marriage, Tom hasn't raised a dime with his pie-in-the-sky inventions. Using the sort of logic common to Sturges heroines, Gerry decides that the only way to help her husband is to divorce him, marry a wealthy man, and use the second husband's money to finance Tom's schemes. Borrowing money from a generous self-made business mogul known only as the Wienie King (Robert Dudley), Gerry boards a train to Palm Beach, FL, where all the rich folk go. En route, she is "adopted" by the Ale & Quail Club, a group of perpetually drunken millionaires whose idea of a good time is to shoot their rifles at everything that moves (among the club members are such Sturges regulars as William Demarest, Robert Warwick, Jimmy Conlin, Robert Greig, Jack Norton, and Dewey Robinson). Taking refuge from this rowdy crew, Gerry makes the acquaintance of likeable stuffed shirt John D. Hackensacker III (Rudy Vallee), who happens to be one of the wealthiest men in the Western Hemisphere. While Gerry spoons with Hackensacker in Palm Beach, the confused Tom (remember him?) dallies with Hackensacker's man-crazy sister, Princess Centimillia (Mary Astor). How all this straightens itself out is better seen than described, which is pretty much the case whenever one discusses Sturges' singular work, and The Palm Beach Story is vintage Sturges with one side-splitting sequence after another. ~ Hal Erickson, All Movie Guide