Roscoe Ates Movies
Mississippi-born Roscoe Ates spent a good portion of his childhood overcoming a severe stammer. Entering show business as a concert violinist, the shriveled, pop-eyed Ates found the money was better as a vaudeville comedian, reviving his long-gone stutter for humorous effect. In films from 1929, Ates appeared in sizeable roles in such films as The Champ (1931), Freaks (1932) and Alice in Wonderland (1933), and also starred in his own short subject series with RKO and Vitaphone. Though his trademarked stammer is something of an endurance test when seen today, it paid off in big laughs in the 1930s, when speech impediments were considered the ne plus ultra of hilarity. By the late 1930s Ates's popularity waned, and he was reduced to unbilled bits in such films as Gone with the Wind (1939) and Dixie (1942). His best showing during the 1940s was as comic sidekick to singing cowboy Eddie Dean in a series of 15 low-budget westerns. Remaining busy in films and on TV into the 1960s, Roscoe Ates made his last appearance in the 1961 Jerry Lewis comedy The Errand Boy. ~ Hal Erickson, All Movie Guide- 1929
In this comedy drama, a very early talkie, set in the splendiferous South Seas, a French lassie charms a sea captain who takes her for his wife and sets sail for his conservative New England home. There the staid locals are shocked by the captain's free-spirited bride. More trouble ensues when the bride becomes disenchanted with her new husband because she believes that he loves his ship more than he does her. In the end the sea captain sails to France. There he discovers that his bride has inherited a fortune. Songs include: "Raymond," "Bric-a-Brac," "Sidewalks of New York," "An Idyll of the South Seas," "If You Believed in Me," and the title song. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lenore Ulric, Charles Bickford, (more)
- 1930
Not the first of the prison pictures, but the one that truly put the genre on the map. Playboy Kent (Robert Montgomery), driving drunk, kills a couple of pedestrians and is sentenced to a 10-year manslaughter term. His cellmate is forger Morgan (Chester Morris), a tough but essentially decent con; the cell-block leader is Butch (Wallace Beery), whose outer oafishness hides a cruel, calculating mind. Butch lives for the day that he can bust out and doesn't care who gets hurt along the way. Panicking, Kent "rats" on Butch and is murdered during the climactic breakout as a consequence. Morgan behaves courageously, saving the warden (Lewis Stone) and the guards from Butch's wrath; as a reward, Morgan earns a reduced sentence and the love of Kent's sister Anne (Leila Hyams). Remarkably brutal for an MGM film, The Big House (a double Oscar winner, for best screenplay and sound recording) established not only the grimy mise-en-scene of prison life, but also a whole new glossary of slang terms and a veritable menagerie of movie "types," from the firm but kindly prison chaplain to the embittered lifer. The film was gloriously lampooned by Laurel & Hardy's Pardon Us, in which Walter Long played the Beery counterpart. ~ Hal Erickson, All Movie Guide
- Starring:
- Chester Morris, Wallace Beery, (more)
- 1930
Sparring landladies provide the focus of this comedy. The two women are constantly competing to take in the most boarders at their respective homes. Though outwardly jealous rivals, the women are actually best friends. The competition gets more intense when one woman's daughter falls for the other's son. Now the women, who have secretly made a killing playing the stock market, try to see which one can put on the fanciest wedding. In the end, the couple weds and the women renew their friendship. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marie Dressler, Polly Moran, (more)
- 1930
Lone Star Ranger was a superior entry in western star George O'Brien's Zane Grey series for Fox Studios. Lensed on location in Utah's Monument Valley (long before it was "adopted" by John Ford), the film was adapted for the screen by Zane Grey from a novel by Max Brand, which had previously done service as a Tom Mix vehicle (and would later be remade by Fox with John Kimbrough in the lead). At the outset of the film, Buck Duane (O'Brien) is an outlaw, but upon rescuing Mary Aldridge (Sue Carol) from a runaway stagecoach, he vows to turn over a new leaf. He takes to ranching, whereupon the governor offers him a pardon -- if he will agree to lasso a gang of cattle rustlers. What no one knows is that the leader of the outlaws is Mary's father Colonel Aldridge (Russell Simpson). There are plenty of well-rehearsed thrills in Lone Star Ranger, but the film's most charming moment is purely spontaneous: upon meeting Sue Carol for the first time, a shirtless George O'Brien instinctively sucks in his stomach! ~ Hal Erickson, All Movie Guide
- Starring:
- George O'Brien, Sue Carol, (more)
- 1930
The tall and virile Johnny Mack Brown portrays the short and dyspeptic outlaw William Bonney, a.k.a. Billy the Kid. Wallace Beery is more effectively cast as Pat Garrett, the sheriff who's sworn to bring in Billy dead or alive despite his grudging friendship for the young killer. Hardly the "homicidal moron" described by western historians, the movie's Billy has a certain amount of charm, though he's shown to be a cold-blooded killer when the opportunity arises. The film's ending was shot twice: One ending retained fidelity to the facts by having Garrett kill Billy, while the other denouement allowed Billy to ride into the sunset, as Garrett beatifically looked on. Over the protests of western purists, the second ending was used in the American release version, though the more tragic climax was seen by European audiences. Billy the Kid was originally released in a 70mm widescreen process called Realife; to avoid confusion with MGM's 1941 Billy the Kid, the earlier film has been retitled The Highwayman Rides for television. ~ Hal Erickson, All Movie Guide
- Starring:
- Johnny Mack Brown, Wallace Beery, (more)
- 1930
Director F.W. Murnau began City Girl as a silent film, hoping to match the artistic triumph of his earlier Sunrise. Murnau was frustrated by two elements: Fox's decision to hastily convert the film into a talkie, and his inability to secure the services of Sunrise star Janet Gaynor. The director was forced by the studio to substitute the pretty but untalented Mary Duncan, reportedly because she was the girlfriend of one of the Fox executives. The resulting film is a plodding drama about farmer's son Charles Farrell coming to the Big City, where he falls in love with Duncan, bringing her home to meet the folks. Farrell's dad David Torrence predicts that Duncan will be unfaithful, a prophecy which apparently comes true on a dark and stormy night. Based on Elliot Lester's play The Mud Turtle, City Girl has a fascinating image or two to its credit, but the film is a distressingly ordinary effort for the otherwise imaginative F.W. Murnau. The 1938 20th Century-Fox film City Girl is not a remake. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Farrell, David Torrence, (more)
Cimarron was the first Western to win the Oscar for Best Picture--and, until Dances with Wolves in 1990, the only one. The film begins on April 22, 1889, the opening day of the great Oklahoma Land Rush on the Cherokee Strip. Boisterous Yancey Cravat (Richard Dix) is cheated out of his land claim by the devious Dixie Lee (Estelle Taylor). Instead of becoming a homesteader, Cravat establishes a muckraking newspaper, and with pistols in hand he becomes a widely respected (and widely feared) peacekeeper. He also displays a compassionate streak by coming to the defense of Dixie Lee, who is about to be arrested for prostitution. Cravat's insistence on sticking his nose into everyone's affairs drives a wedge between him and his young wife Sabra (Irene Dunne), but she stands by him--until he deserts her and her children, ever in pursuit of new adventures. Sabra takes over the newspaper herself, and with the moral support of her best friend, Mrs. Wyatt (Edna May Oliver), she creates a powerful publishing empire. Cimarron makes the mistake of placing most of the action early in the film, so that everything that follows the spectacular opening land-rush sequence may feel anti-climactic. While it's always enjoyable to watch Irene Dunne persevering through the years, it's rather wearing to sit through the overblown performance of Richard Dix, who seems to think that he can't make a point unless it's at the top of his lungs. Cimarron creaks badly when seen today, but it still outclasses the plodding 1960 remake. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dix, Irene Dunne, (more)
- 1930
A remake of the 1927 William Haines comedy Spring Fever, Love in the Rough was designed as a musical, though virtually all the songs were cut from the final release print (we see a chorus of secretaries typing rhythmically in the opening scene, yet this obvious song cue is cut short with nary a note). Robert Montgomery steps into the Haines role as Kelly, a shipping clerk who poses as an executive to gain access to a ritzy country club. Here he boasts of his prowess as a golfer, hoping to win the heart of heiress Marilyn (Dorothy Jordan). Amazingly, our hero bluffs his way into a golf tournament -- and wins, with the help of Jewish caddie Benny (Benny Rubin). If second lead Dorothy McNulty looks familiar, she should: eight years later, under her new nom de film of Penny Singleton, she starred in Columbia's Blondie series. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Dorothy Jordan, (more)
- 1931
No relation to the 1949 Bob Hope comedy of the same name, The Great Lover stars that master of sartorial splendor, Adolphe Menjou. Menjou plays a famed opera singer, better known for his sexual proclivities than his theatrical performances. He sets his sights on the opera company's ingenue, novice singer Irene Dunne. Menjou's love for Dunne is genuine--the first time he's ever permitted himself such an emotion--but his past misdeeds catch up with him. Dunne ultimately finds happiness in the arms of arrow-collar leading man Neil Hamilton. The Great Lover was directed by Harry Beaumont, the man responsible for so many of MGM's early talkie musicals. ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, Irene Dunne, (more)
- 1931
In this Academy Award-winning film, Stephen Ashe (Lionel Barrymore) is a hotshot Californian lawyer from a well-to-do family, whose main failing is his indulgence in alcohol. After winning a case for mobster Ace Wilfong (Clark Gable), Stephen brings his client along to a party at his parents' house for a little celebrating. However, when they arrive at their destination, Ace manages to steal the heart of Stephen's wild daughter, Jan (Norma Shearer), and the two run off together, much to the family's dismay. Stephen struggles to win his foolhardy daughter back from the clutches of her lowlife boyfriend, as she defies her father at every turn. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Norma Shearer, Leslie Howard, (more)
- 1931
When RKO Radio decided to split up the studio's moneymaking comedy team of Bert Wheeler and Robert Woolsey, in hopes of earning twice as much at the box-office, the results were sad indeed. Bert Wheeler's solo venture, Too Many Cooks, is marginally better than Bob Woolsey's Everything's Rosie but was still nothing to write home about. Based on a play by Frank Craven (previously filmed with Douglas McLean in 1920), the story details the trials and tribulations faced by newlywed couple Wheeler and Dorothy Lee when they decide to build a house in the wilds of Long Island. Before long, Lee's obnoxious relatives have descended on the couple en masse, making life miserable for poor, bumbling Bert. Coming to the rescue is Wheeler's wealthy, irascible uncle Edward McWade, who plays Santa Claus for the couple and puts the other relatives in their place. Bert Wheeler and Dorothy Lee play together beautifully as always, but their characters aren't terribly compelling nor is their dialogue terribly funny. The film's rare good moments belong to Sharon Lynn, as Dorothy's man-hating best friend. As a result of the poor showing of Too Many Cooks and Everything's Rosie, Wheeler and Woolsey were permanently reunited in 1931's Caught Plastered. ~ Hal Erickson, All Movie Guide
- Starring:
- Bert Wheeler, Dorothy Lee, (more)
Wallace Beery won an Academy Award for his tour de force performance as a washed-up boxer. The bibulous Beery travels from one tank-town bout to another in the company of his faithful son Jackie Cooper and his stuttering manager Roscoe Ates. Hoping for a comeback in Tijuana, Beery is approached by his ex-wife Irene Rich, now married to wealthy Hale Hamilton. Rich convinces Beery that Cooper would be better off with her. Feigning brusqueness, Beery orders his son to get lost, hoping that the kid will be disillusioned enough to remain with his mother. But Cooper runs away from his new home and shows up back in Tijuana, just as Beery is in the middle of his comeback bout. Cheered on by his son, Beery knocks his opponent cold--and then collapses himself. Dying, Beery tells the tearful Cooper that everything will be all right if the boy returns to his mom. While Wallace Beery was capable of laying on pathos with a trowel, his final scene in The Champ can still move an audience to tears--far more so than the similar scene between Jon Voight and Rick Schroeder in the wearisome 1979 remake. In 1953, writer Frances Marion updated and revised her Champ script, changed the washed-up pug to a washed-up comedian, and came up with The Clown, one of Red Skelton's few dramatic vehicles. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Beery, Jackie Cooper, (more)
- 1931
The Big Shot is Ray (Eddie Quillan), a go-getting but incredibly naïve real estate speculator. Duped into purchasing some worthless swamp land, Ray is kept in the dark by the villains when the land turns out to be harboring a profitable sulphur spring. On the verge of selling back the property at a ridiculously low sum, our hero is saved from making a sap of himself again by true-blue heroine Doris (Maureen O'Sullivan). The film is at its best when former Mack Sennett star Eddie Quillan converses with an octogenarian Civil War veteran, played by another alumni of silent two-reelers, Arthur Stone. The Big Shot was released in Great Britain as The Optimist, lest English audiences mistake it for a war picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Quillan, Maureen O'Sullivan, (more)
- 1931
Ostensibly a "team" vehicle for Bert Wheeler and Robert Woolsey, Cracked Nuts is half over before Bert and Bob even get together! The first scenes belong to Wheeler, cast as spendthrift millionaire Wendell Graham, who is in love with Betty Harrington (Dorothy Lee). Betty's aunt Minnie (Edna May Oliver) considers Wendell to be an irresponsible jerk, so our hero decides to prove his worth by financing a revolution in the mythical country of El Dorania, thereby becoming ruler of the postage-stamp kingdom. Meanwhile, Zander U. Parkhurst (Woolsey), aka Zup, has won the crown of El Dorania in a crap game with King Oscar (Harvey Clark) -- who is glad to be rid of the country, inasmuch as he's been targeted for assassination. Unaware that he's been set up as a dead duck, Zup quickly assumes command of El Dorania, wearing a variety of outlandish "official" costumes. When Wendell shows up to stake his claim to the country, he is greeted effusively by his old pal Zup, but the reunion turns sour when scheming General Bogardus (Stanley Fields) orders Wendell to kill Zup. The day of the assassination is a gala event for the El Doranians, who set up concession stands and provide a team of cheerleaders for the occasion. Not wishing to do his pal harm, Wendell arranges for "cockeyed Ben" (Ben Turpin) to fly the plane that is to drop the fatal bombs on Zup and further sees to it that the bombs are disarmed. Alas, the explosions surrounding Zup are all too real, and soon both he and Wendell are fleeing for their lives. Fortunately, one of the bombs brings forth an oil gusher, which has the salutary effect of bringing the revolution to an end -- and also makes Wendell a worthy bridegroom for Betty (remember her?) In recent years, Cracked Nuts has taken on near-legendary status because of its pre-Duck Soup political satire, its Abbott-and-Costello style comedy patter, and the presence of Boris Karloff as one of the revolutionaries. But in the cold light of day, the film doesn't live up to its reputation; though laughs are plentiful, Cracked Nuts must be ranked as a disappointment for all but Wheeler and Woolsey's most fervent fans. ~ Hal Erickson, All Movie Guide
- Starring:
- Edna May Oliver, Dorothy Lee, (more)
- 1931
In this comedy, a female mayoral candidate promises to rid the town of gangsters. She joined the race in the first place when her daughter got involved with a young mobster who has been framed for a murder. With her manager's assistance, the candidate rallies all the women in town and gets them to stop taking care of their husbands unless the men vote for her. It works like a charm and the woman is elected. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marie Dressler, Polly Moran, (more)
- 1932
An eager cub reporter visits a roadhouse, stumbles across a corpse and decides to drum up a little notoriety for himself by pretending to make it look as if he were the killer. He then plans to write a series of articles chronicling his experiences with the courts. Well, it seemed like a good idea at the time. Unfortunately, he made the evidence look too real and he is sent to prison until the real crook is apprehended. ~ Sandra Brennan, All Movie Guide
- Starring:
- Eric Linden, Bruce Cabot, (more)
- 1932
In this western, a Texas Ranger is assigned to bring in a woman who is causing trouble in a nearby town. He soon comes to suspect, however, that she is being set up to deflect attention away from a gang of cattle thieves and bandits led by a man whom the Ranger believes killed his brother. ~ Brian Gusse, All Movie Guide
- 1932
Edna May Oliver portrays a society dowager called for jury duty on a murder trial wherein a pretty young woman is accused of killing her older husband. She takes her job quite seriously, and soon is playing both "prosecutor" and "DA" with judge and witnesses alike. In this unorthodox but highly entertaining fashion, Ms. Oliver gets to the truth and exposes the genuine murderer before the final fade-out. Incidentally, despite the title, there are gentlemen on the jury, but all eyes are on the formidable Ms. Oliver. Ladies of the Jury was remade in 1937 as We're on the Jury, with Helen Broderick in the Edna May Oliver role. ~ Hal Erickson, All Movie Guide
- Starring:
- Edna May Oliver, Ken Murray, (more)
- 1932
Based on Veneer, a 1929 Broadway flop by Hugh Stange, this sentimental domestic drama came to the screens in early 1932, first as Love Starved, then under the less inflammatory title of Young Bride. The love-starved young bride is Allie Smith (Helen Twelvetrees), who, after a whirlwind romance, marries handsome but weak-willed Charlie Riggs (Eric Linden). Presenting himself as a wheeler-dealer, Charlie is in reality a mere runner in a Wall Street brokerage firm and, if that isn't bad enough, is cheating on his new wife with Maizie (Arline Judge), a brassy taxi dancer. When a pregnant Allie threatens to leave him, Charlie attempts to win her back with money earned in a dance contest with Maizie, but the taxi dancer absconds with the winnings and a distraught Allie contemplates suicide. After a final confrontation with Maizie, a chagrined Charlie returns to home and hearth begging forgiveness. Convinced of her husband's reformation, Allie accepts the apology and the couple embrace. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Helen Twelvetrees, Eric Linden, (more)
- 1932
The most intriguing aspect of the 1932 Bert Wheeler-Robert Woolsey romp Hold 'Em Jail was that it was co-scripted by legendary humorist and frequent Marx Bros. contributor S. J. Perelman. The film bears a slight resemblance to the like-vintage Marx/Perelman collaboration Horse Feathers, in that both pictures are climaxed by a zany football game sequence. But while Horse Feathers is set at a college, Hold 'Em Jail takes place behind the cold gray walls of Bidemore Prison. Edgar Kennedy, Bidemore's warden, is all geared up for an impending all-prisoner football game; alas, his team is woefully short of talent. Kennedy puts out a call to Bidemore's "alumni," one of whom is nightclub-owner John Sheehan. When novelty salesmen Wheeler and Woolsey show up at Sheehan's club, the owner frames the two goofs on a robbery charge so that they'll be carted off to Bidemore and recruited for the football team. W&W make themselves at home in jail, securing jobs as trustees so that Wheeler can romance Kennedy's pretty daughter Betty Grable (who was 16 at the time, and looks it), while Woolsey pitches woo at Kennedy's homely sister Edna May Oliver (explaining that she's spent four years studying music in Paris, Edna confesses "I'm not a virtuoso." "Not after four years in Paris" is Woolsey's response). During the climactic gridiron activity, Wheeler and Woolsey spot the duplicitous John Sheehan on the other team, and struggle manfully to get him to sign a confession that will exonerate them. When originally previewed, Hold 'Em Jail was a musical comedy running 74 minutes; audiences laughed at the comedy scenes but groaned at the songs, whereupon the film was pared down to a 66-minute non-musical. ~ Hal Erickson, All Movie Guide
- Starring:
- Bert Wheeler, Robert Woolsey, (more)
The genesis of MGM's Freaks was a magazine piece by Ted Robbins titled Spurs. The story involved a terrible revenge enacted by a mean-spirited circus midget upon his normal-sized wife. In adapting Spurs for the screen, writers Willis Goldbeck, Leon Gordon, Edgar Allan Wolf, and Al Boasberg retained the circus setting and the little man-big woman wedding, all the while de-vilifying the midget and transforming the woman into the true "heavy" of the piece. German "little person" Harry Earles plays Hans, who falls in love with long-legged trapeze artist Cleopatra (Olga Baclanova). Discovering that Hans is heir to a fortune, Cleopatra inveigles him into a marriage, all the while planning to bump off her new husband and run away with brutish strongman Hercules (Henry Victor). What she doesn't reckon with is the code of honor among circus freaks: "offend one, offend them all." What set this film apart from director Tod Browning's earlier efforts was the fact that genuine circus and carnival sideshow performers were cast as the freaks: Harry Earles and his equally diminutive sister Daisy, Siamese twins Violet and Daisy Hilton, legless Johnny Eck, armless-legless Randian (who rolls cigarettes with his teeth), androgynous Josephine-Joseph, "pinheads" Schlitzie, Elvira, Jennie Lee Snow, and so on. Upon its initial release, Freaks was greeted with such revulsion from movie-house audiences that MGM spent the next 30 years distancing themselves as far from the project as possible. For many years available only in a truncated reissue version titled Nature's Mistakes, Freaks was eventually restored to its original release print. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Ford, Leila Hyams, (more)
- 1932
A vengeful cowpoke rides out for revenge against the cattle rustlers who killed his pa in this western. Along the way, he finds and adopts a cuddly little baby. ~ Sandra Brennan, All Movie Guide
- 1932
A sequel to the 1931 George O'Brien western Riders of the Purple Sage, The Rainbow Trail picks up where the earlier film left off -- sort of. In Riders, fugitive from justice Jim Lassiter (O'Brien) and his sweetheart Jane Withersteen (Marguerite Churchill) escaped to the "lost valley," sealing themselves off from civilization with the aid of a huge boulder. In the sequel, O'Brien assumes the role of Lassiter's nephew Shefford, who has been assigned to search for his missing uncle; thus, in effect, the actor spends the early portions of the film chasing himself. Shefford's search is interrupted by a confrontation with his uncle's old nemesis Dyer (W. L. Thorne), now a masked bandit. On a more pleasant note, our hero inaugurates a romance with the lovely Fay Larkin (Cecilia Parker, in her film debut). Unfortunately, it is necessary to be familiar with Riders of the Purple Sage to be able to follow the convoluted plotline of The Rainbow Trail (both properties, of course, were based on the works of Zane Grey). ~ Hal Erickson, All Movie Guide
- Starring:
- George O'Brien, Cecilia Parker, (more)
- 1933
Though the story isn't much, this actioner does offer a neat behind-the-scenes look at the travails of Hollywood stuntmen as it chronicles the romance between a stunt man and an extra. ~ Sandra Brennan, All Movie Guide
- Starring:
- William "Hopalong" Boyd, William Gargan, (more)
- 1933
In this comedy, Jimmy Potts (Jimmy Durante) and Elmer J. Butts (Buster Keaton, Jr.) come up with a scheme to start up a beer brewery with the hope that Prohibition will soon be over. However, things don't work out exactly as they planned, and they end up in a mess of trouble. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Buster Keaton, Jimmy Durante, (more)
