Cody Glenn Movies

Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The omniprescene of the "Mexican Mafia" in the southwest is sufficient to make this film a daunting, demoralizing experience. Upon its release, American Me received a lot of press play due to the fact that Olmos shot his Folsom sequences on location, using actual prisoners as extras and bit players. ~ Hal Erickson, All Movie Guide

Mickey Rourke and Don Johnson star in this buddy-buddy futuristic action movie. Rourke is Harley Davidson, a biker with the Halloween-costume garb of a leather jacket, short haircut, earring, and a scar. Johnson joins Rourke in the trick-or-treating as Marlboro, an ex-rodeo rider wearing a cowboy hat, vest, and dilapidated boots. They hang out at a neighborhood bar. When they find that a collection of greedy bankers want to increase the bar's payments so it will be forced to close, the two decide to help the bar out of its financial straits by robbing the bank of $2.5 million in order to pay the inflated tab and keep the bar in business. Unfortunately for the boys, the bank deals in an illicit drug called "the dream," and when they rob the armored car, they steal the drugs and not the cash. Of course, the boys become the targets for the bank's sadistic squad of hit men, led by a pleasant chap by the name of Alexander (Daniel Baldwin). ~ Paul Brenner, All Movie Guide

Here's a fictionalized account of Jack Ruby's perspective of the events leading up to his assassination of Lee Harvey Oswald. Danny Aiello appears convincingly as the nightclub-owner Ruby who (according to this telling) points the finger at an FBI conspiracy as the force behind the Kennedy assassination. The film includes some actual footage from Ruby's Oswald shooting. ~ All Movie Guide

This 1993 box-office smash partly adheres to the 1960s TV series on which it is based and partly goes off on several tangents of its own. Harrison Ford stars as Dr. Richard Kimble, convicted of murdering his wife. While being transferred to prison by bus, Kimble is involved in a spectacular bus-train collision (one of the best of its kind ever filmed). Surviving the disaster, Kimble escapes, vowing to track down the elusive professional criminal whom he holds responsible for the murder. Dogging the fugitive every foot of the way is U.S. marshal Sam Gerard (an Oscar-winning turn by Tommy Lee Jones), who announces his intention to search "every whorehouse, doghouse, and outhouse" to bring Kimble to justice. Unlike his dour TV-series counterpart Barry Morse, Jones plays the role with a sardonic sense of humor: when a cornered Kimble screams, "I didn't kill my wife," Gerard shrugs and famously replies, "I don't care." Once the premise has been established, scripters Jeb Stuart and David Twohy and director Andrew Davis pull off several audacious plot twists, ranging from Kimble's rendezvous with a sympathetic lab technician to a jaw-dropping dive into a huge waterfall. The second half of the film offers one surprise after another (including the true identity of the murderer), brilliantly avoiding the letdown that plagues many movie adaptations of old TV series. ~ Hal Erickson, All Movie Guide