Robert Gleckler Movies

In this drama, an young, orphaned heir is dismayed to discover that his inheritance will no longer cover the tuition and expenses for military school and ends up sent to a state orphanage. He and his devoted police dog, end up running away from there. He then finds himself entangled in a dog show and a killing. Later the canine is tried for murder and is sentenced to die. Fortunately, the boy is able to find the real killer, save his dog, and win a scholarship to the military academy. ~ Sandra Brennan, All Movie Guide

They Made Me a Criminal opens in New York, depicting the latest victory in the ring for Johnny Bradfield (John Garfield), a young boxer who seems headed for a championship. When a reporter finds Bradfield drunk and carousing with women, and learns that the squeaky-clean image that he has cultivated is a complete lie, he threatens to blow the lid off the boxer's real life, and is beaten to death by Bradfield's manager. Bradfield, who was in a drunken stupor during the fight, is framed for the killing by his manager, who rolls him for his wallet, watch, and anything else of value, makes a run for it, and is killed in a fiery car accident. As far as the police are concerned, the case is closed, "Bradfield" having been identified in the wreck by the watch he was wearing. But Johnny Bradfield now has to disappear from New York and anyplace else he's ever been seen, in order to stay "dead." He is sent on his way by his crooked attorney with just a few dollars in his pocket, thumbing rides and walking west. Bradfield collapses one day from exhaustion and near starvation outside of a ranch in Arizona. The ranch is run by May Robson as part of a relief effort to help a group of boys from the New York slums -- Tommy (Billy Halop), Spit (Leo Gorcey), Dippy (Huntz Hall), T.B. (Gabriel Dell), Angel (Bobby Jordan), and Milty (Bernard Punsly) -- keep out of trouble. Identifying himself as "Jack Dorney," he first tries to see what he can get in the way of a free ride from the kids and Tommy's sister, Peggy (Gloria Dickson), who doesn't trust Dorney or his influence over the kids. Meanwhile, back in New York, one police detective, Phelan (Claude Rains), is convinced that the body found in the burned wreck of Johnny Bradfield's car wasn't Bradfield. Phelan is an outcast in his department for having once presented "conclusive" evidence in court against a man who was executed for murder, only to discover later that the man was innocent. He sees this as his chance to redeem himself and his career, and he is such a pariah that his chief gives him permission to follow up leads anywhere he needs to. At the ranch, Dorney takes a genuine liking to the kids, and sees Peggy as a kind of woman he's never known, who has no "angles" in her approach to life. The ranch may have to be sold, however, as there is no more money coming from the church in New York to keep it going. In order to save the ranch and set Peggy and the kids up in a roadside business pumping gas -- an idea of Tommy's -- Dorney decides to enter a prize fight for money against a barnstorming boxer. On the eve of the fight, however, Phelan shows up, drawn by a newspaper photo of Dorney, his face obscured but using the same unusual left-handed boxing stance he used as Johnny Bradfield. Dorney goes into the ring, and finds himself up against a brute who has already flattened two opponents in less than one round each, trying to hide his identity by fighting right-handed. He gets savaged, round after round, until Phelan tells him from ringside that he knows who he is. Free to use his left, Dorney saves himself. Phelan confronts him in the dressing room, and Johnny tells him he'll give him no trouble -- they're about to head back east, with Peggy and the kids trying to thank him, and it dawns on Phelan that possibly this is one case that might better be left "solved" officially the way it is already, even though it means the detective going back to his job as a laughing stock. ~ Bruce Eder, All Movie Guide

This RKO Radio "expose" film is loosely based on the career of evangelist Aimee Semple McPherson, who'd previously gotten the a clef treatment in Capra's The Miracle Woman (1931). Sally Eilers stars as ex-nightclub singer Connie Vinson, an enthusiastic but hypocritical Bible-thumper who turns her ministry into a profit-making business enterprise. Unlike McPherson, who ran her operation with a reasonable degree of honesty, Connie stages a series of phony miracles to separate her wealthier followers from their family jewels. The fact that she has retained a few gangster pals from the old days places Connie under the scrutiny of bunco-squad detective Cramer (Jonathan Hale). Our heroine ultimately mends her ways when she actually heals a crippled client, whereupon she works hand in glove with the cops to get the goods on her crooked cronies. ~ Hal Erickson, All Movie Guide

In this crime drama, an undercover cop infiltrates a crime syndicate being run by an incarcerated mob boss who conducts his business via a short-wave radio concealed in his cell. The boss is caught and placed in solitary confinement. The cop, the boss's physical double, takes his place. Soon changes in the gang's activities are subtly made. The "boss" orders his mob to keep careful records of their activities. Ostensibly, this is to make the organization more businesslike, but of course, it is really to gather enough evidence to convict them all. Trouble ensues when the real boss escapes from jail. A shoot-out ensues. ~ Sandra Brennan, All Movie Guide

His Aunt Sophie (Helen Westley) and his teacher Professor Heinrich (Jean Hersholt) are sure that Roger Grant (Tyrone Power) will be a famous classical violinist, but Roger's more interested in popular music. He and his friend, pianist Charlie (Don Ameche), audition at a saloon in San Francisco's Barbary Coast, using sheet music left by singer Stella Kirby (Alice Faye), which had been sent to her by a friend in New York, Irving Berlin. The number, "Alexander's Ragtime Band," proves to be a sensation, and Stella goes along with Charlie's plea to sing with the band, which soon becomes famous for its ragtime numbers. Charlie has fallen in love with Stella by the time they open at the Cliff House, but he soon realizes that she and Roger are in love. Stella is invited to New York by a famous producer, but Roger's against this, and angrily fires her, so Charlie quits, too. When Roger returns from World War I, he meets Stella, only to learn she and Charlie have been married for a year. Another year passes, and Charlie and Davey have formed a new band with Jerry Allen (Ethel Merman) as their lead singer. Charlie knows Stella still loves Roger, so he divorces her, but Roger sails for Europe with the new band. Back in New York, Roger is set for a major concert in swing at Carnegie Hall. Charlie tells Roger about the divorce, and that Stella still loves him. Unable to get a ticket, Stella listens to the concert in a cab. Explaining that he is playing it for one particular person, Roger and his band perform "Alexander's Ragtime Band" as their encore, bringing Stella into the theater, where she's reconciled with Roger. He brings her onstage to perform the number with his band. ~ Bill Warren, All Movie Guide

An actor creates a devious murder plot in this suspenseful, ironic drama. For many years, the aging thespian has been confessing to homicides he never committed. Naturally the cops think he is bonkers so that when he really does kill his victim, no one believes he did it. Unfortunately, his lies work against him when something goes horribly wrong. ~ Sandra Brennan, All Movie Guide

In this entry in the Jones family series, the father decides to run for mayor. Unfortunately, his own son gets his campaign off to a bad start when he prints a newspaper article quoting his father's nasty comments about the opponent word for word. This naturally causes political chaos on the home front and helps the rival candidate immensely. Eventually the mess is straightened out and the Jones family wins in the end. ~ Sandra Brennan, All Movie Guide

In the fourth of Paramount's "Bulldog Drummond" action-thrillers, the intrepid adventurer (John Howard) makes the grizzly discovery of a severed hand. Even more startling, attached to the wayward limb is a case filled with hextonite, a new and highly explosive substance desired by the enemy in general and one Draven Nogais (Frank Puglia) in particular. With his faithful servant, Tenny (E.E. Clive), fiancée Phyllis Clavering (Louise Campbell), and friend Algy Longworth (Reginald Denny) along for the ride, Captain Drummond trails the villain on board a train leaving Victoria Station for Paris. At first, the wily Nogais manages to elude his pursuers by disguising himself as a woman, but his plans to escape with the explosives are halted on the ferryboat to France. Despite the relative brevity of his role as Scotland Yard inspector Neilson, John Barrymore earned star billing in this series entry, which was based on H.C. "Sapper" McNeile's 1932 novel The Return of Bulldog Drummond. ~ Hans J. Wollstein, All Movie Guide

Film collectors take note: Hal Roach's Pick a Star is not a Laurel and Hardy picture, though the popular comic duo does make a brace of amusing cameo appearances halfway through the film. A remake of Buster Keaton's Free and Easy, this is the story of how small-town gas-station owner Joe Jenkins (Jack Haley) tries to help his sweetheart Cecilia Moore (Rosina Lawrence) realize her ambition to become a movie star. At the behest of travelling entrepreneur Stone (Russell Hicks), Jenkins organizes a talent contest, the first prize being a trip to Hollywood and a screen test. When Stone turns out to be a crook and skips town with the proceeds of the contest, Cecilia is heartbroken, but Joe promises to go to Hollywood himself and make the right connections to assure her rise to stardom. Alas, the best Joe can manage in Tinseltown is a busboy job at the Colonial Club, a fact he tries to conceal from Cecilia and her wisecracking sister Nellie (Patsy Kelly) when they unexpectedly arrive in California as guests of movie-matinee idol Rinaldo Lopez (Mischa Auer). In desperation, Joe pretends to be a nightclub entertainer, but when this ruse is revealed, Cecilia angrily walks out on him, accompanying Rinaldo first to his movie studio and then to his apartment. Naturally Rinaldo has seduction on his mind, but innocent Cecilia doesn't realize this until Joe storms into the apartment with blood in his eye. Ashamed for his lascivious behavior, Rinaldo arranges for Cecilia to have a screen test for producer Klawheimer (Charles Halton). At the last moment, Cecilia suffers an attack of "camera fright," but Joe gently coaches her through her test, and there's a happy ending for all concerned -- even for sister Nellie, who's been relentlessly cynical about the storyline from first scene to last. Cast as "movie stars," Laurel and Hardy show up briefly in the movie-studio scenes to participate in a reciprocal-destruction sequence with their old screen nemesis Walter Long, and to perform an amusing musical routine with "dueling" harmonicas. Pick a Star has been reissued as Movie Struck, while the Laurel & Hardy scenes were released separately to TV as the ersatz two-reeler A Day at the Studio. ~ Hal Erickson, All Movie Guide

Forgotten Faces is the third of four versions of the old chestnut Heliotrope Harry. Herbert Marshall stars as Harry Ashton, a gambler-turned-jailbird saddled with a vindictive ex-wife named Cleo (Gertrude Michael). Seventeen years after the break-up, an impoverished Cleo, now a cheap burlesque performer, searches for her daughter Sally (Jane Rhodes), whom she gave up for adoption. She blackmails Sally's foster parents, threatening to tell the girl that her real mother is a tramp and her real father has just served a long prison term. But Harry, recently paroled, stops Cleo in her tracks by killing her. This grand gesture also costs him his own life, but at least he can shuffle off his mortal coil secure in the knowledge that his daughter will be spared the truth. Director E. A. Dupont is at his Germanic best in Forgotten Faces, which is altogether suitable to the melodramatic nature of the storyline. ~ Hal Erickson, All Movie Guide

Previously filmed in 1928, the old Willard Mack stage melodrama The Noose was updated and streamlined in 1936 as I'd Give My Life. Hoping that his son Nick (Tom Brown) will follow in his footsteps, jaded gangster-gambler Buck Gordon (Robert Gleckler) arranges to have the boy thrown into reform school. The kid is saved from a life of crime when Buck's ex-wife (Janet Beecher) marries Governor Bancroft (Sir Guy Standing). Enraged that his plans have been thwarted, Buck blackmails his former wife, threatening to reveal her shady past to her present husband. Rushing to his mother's defense, Nick shoots and kills Buck then refuses to explain his motives -- even as he is sentenced to hang for his crime. Frances Drake co-stars as Nick's sweetheart Mary, the role played on Broadway by Barbara Stanwyck. ~ Hal Erickson, All Movie Guide

Directed by Edwin L. Marin, Sworn Enemy stars Robert Young as "Hank" Sherman, a law student who earns extra cash by working as a chauffeur. His job becomes significantly harder, however, when he finds himself entangled in the effort to catch the mobster who murdered his boss and harmed his brother. In order to get closer to the killer, Sherman Young masquerates as a fight promoter, and in the process falls in love with his beautiful assistant Maragaret (Florence Rice). Eventually, the young man gains the trust of the mobsters, and is allowed to join in their gang. Once inside, Sherman rushes to avenge the deaths of those near and dear to him. ~ Tracie Cooper, All Movie Guide

Myrna Loy plays the glamorous member of a trio of jewel thieves. G-Man Spencer Tracy goes undercover to join the gang when it transports its stolen jewels from Paris to New York. Loy falls in love with Tracy, has a change of heart, and quits the gang. But Tracy arrests her all the same when he recovers the jewels. The girl forgives Tracy when the latter is wounded in a climactic gun battle with the rest of the thieves. Why, oh why, is this thing called Whipsaw? ~ Hal Erickson, All Movie Guide