Ned Glass Movies

In this offbeat mixture of espionage and slapstick comedy, Arthur Vincenti (Alejandro Rey) is a scientist working on secret military projects for the United States government. Vincenti is becoming increasingly unstable as he works in solitude in a backwater swamp; his superiors fear that he might be going mad, so they arrange for a respected psychiatrist from New York, Dr. Bartholomew Snow (Rock Hudson), to meet with him on a regular basis. However, in order to keep Vincenti's whereabouts a secret, Snow is blindfolded before he's driven to his meetings with the scientist. When a group of enemy agents kidnaps Vincenti, Snow could be the only one who can help him; however, he can't track down his patient without wearing the blindfold. Prominent in the supporting cast are Claudia Cardinale, Jack Warden, and Guy Stockwell. ~ Mark Deming, All Movie Guide

The action in A Big Hand for the Little Lady centers around a high-stake poker game. The participants include some of the wealthiest men in the West (among them Jason Robards Jr., Kevin McCarthy, Charles Bickford and Paul Ford). Into this rarefied atmosphere trudges impoverished farmer Henry Fonda, who despite the protests of his wife Joanne Woodward plunks down his last dollars to join the game. Halfway through the proceedings, Fonda falls ill. With quiet desperation, Woodward sits down daintily at the table and says in a firm voice, "Gentlemen, how do you play this game?" End of story? Not by a long shot! This O. Henry-style shaggy dog story is based on a Dupont Show of the Week TV presentation Big Deal at Laredo. Keep an eye out for two movie veterans in bit parts: silent screen comic Chester Conklin and 1930's leading lady Mae Clarke. ~ Hal Erickson, All Movie Guide

In this classic episode, Rob (Richard Deacon) becomes obsessed with the notion that he's going bald. A trip to the barber (Ned Glass) doesn't provide much comfort, though Rob does come home with a hair-restoring formula that rather resembles a salad (and smells like one too). The situation is brilliantly played to the hilt with an unforgettable "double nightmare" climax, which not only sends the audience up the garden path twice, but also manages to throw in a quickie spoof of The Amazing Colossal Man! ~ Hal Erickson, All Movie Guide

Lawyer Dean Martin's gambling habit is beginning to get on the nerves of his wife Lana Turner. To keep the money in the family, Lana talks Dino's law partner Eddie Albert into acting as Martin's bookie. Not only does this plan not work, but it also rouses the ire of Runyonesque gangster Walter Matthau. In the cutest of the film's cute twist, Lana saves herself and her husband by solving Matthau's financial and domestic problems. A minor but efficiently assembled star comedy, Who's Got the Action benefits from tasty production values and a knockout supporting cast, including Paul Ford, John McGiver, Nita Talbot, Ned Glass, and fabled pin-up girl June Wilkinson. ~ Hal Erickson, All Movie Guide

Elliot Ness (Robert Stack) heads to Boston to locate the source for the bootleg champagne that is flooding into Chicago's speakeasies. Ness is convinced that Ira Bauer (Richard Conte), a blind fishing magnate who enjoys such "exercises of the mind" as reading, playing chess, and outwitting the Feds, is the mastermind behind the illegal booze. But how does Bauer manage to ship out his product without arousing suspicion? The answer turns out to be a chilling one--in every sense of the word. This Season Four episode was originally filmed for Untouchables' third season. ~ Hal Erickson, All Movie Guide

This musical boxing drama finds Walter (Elvis Presley) as a recently discharged soldier looking forwork in New York's Catskill Mountains. He happens across Grogan's Gym, a boxing emporium that helps perfect the "gentle art." Proprioter Willie Grogan (Gig Young) and trainer Lew (Charles Bronson) run the camp for aspiring pugilists. Walter saves Grogan's long suffering girlfriend Rose (Joan Blackman) from an assault by a gangster when he knocks out the goon. He earns the nickname "Kid Galahad" and a chance to show off his talents in the boxing ring. While Walter trains for the big fight, Lew is approached by unsavory gamblers, who want Lew to be lax in repairing any cuts Walter sustains in the ring for a slice of the economic pie. Lew refuses and has his hands broken by the gambling goons. Although Walter knows the fix is on, he battles his way to victory against overwhelming odds and an intimidating opponent. Walter exacts revenge on the men who broke Lew's hands, which may be the first and only time in cinematic history that Charles Bronson needs any outside help. Presley delivers seven songs, the most memorable being "I Got Lucky." United Artists got lucky with the release of Kid Galahad, which drew legions of loyal Presley fans at the box office. ~ Dan Pavlides, All Movie Guide

After his legitimate business goes bust, former drug king Phil Melnick (Lou Polan) returns to his old opium-dealing racket. This time, however, Melnick has taken a partner: 19-year-old Johnny Lubin (James MacArthur), who hopes to be a millionaire before his 20th birthday--and who is willing to kill anyone who impedes his progress. Even the Mob finds the baby-faced Johnny too hard too handle. . .but Elliot Ness (Robert Stack) is not so easily daunted. Appearing as a debutante who becomes Johnny's unwitting drug courier is actress Carol Eastman, who under the nom de plume of Adrien Joyce would write the screenplay for the 1971 film Five Easy Pieces. ~ Hal Erickson, All Movie Guide

Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, All Movie Guide

Written by Rod Serling, this episode represented the joint Twilight Zone debut of actor Jack Klugman (who went on to star in three additional episodes) and director Don Medford. Klugman stars as trumpet player Joey Crown, who, regarding his life as empty and futile, tries to kill himself. Instead, he is briefly hurtled into Limbo, where he learns a number of valuable lessons from a mysterious musician named Gabe (played by Twilight Zone "regular" John Anderson). Originally telecast May 20, 1960, "A Passage for Trumpet" was the first of four Twilight Zone episodes introduced by the "big-eye" opening logo. Also: watch for a brief "inside joke" when Joey Crown passes by a construction company named for series producer Buck Houghton. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

The 14-season run of Bonanza began with this introductory episode, originally aired on September 12, 1959, entitled "A Rose for Lotta." Guest star Yvonne DeCarlo) plays renowned entertainer Lotta Crabtree, who finds herself duped into a plot against the Cartwright family and their ranch, the Ponderosa, located outside of Virginia City, Nevada. A cartel of businessmen led by Alpheus Troy (George Macready), Aaron Hopper (Barry Kelley) and George Garvey (Willis Bouchey), have been pressuring patriarch Ben Cartwright (Lorne Green) to sign over all the timber on the Ponderosa, to provide lumber that is essential for the continued operation of their mines; but Ben is equally adamant in his opposition, as the trees are essential to the future of the ranch and the land. Troy decides to use Lotta Crabtree as bait, to entice one of the Cartwright sons into Virginia City, where he plans to take them hostage and force Ben Cartwright to deal. Hot-headed youngest son Joe Cartwright (Michael Landon) falls the hardest for Lotta, goes to call on her, and finds himself trapped. But Troy hasn't reckoned with how the Cartwrights stick together, how far Ben and older sons Adam (Pernell Roberts) and Hoss (Dan Blocker) will go to protect one of their own -- even facing down a hired killer -- or just how resourceful Joe can be, even on the run, unarmed, from a pair of thugs who don't seem bright enough to know that they need him alive, or to avoid wrecking half the town. ~ Bruce Eder, All Movie Guide

The Five Pennies is the life story of influential jazz cornetist Red Nichols, played here by a remarkably straight-faced Danny Kaye. The somewhat romanticized screenplay chronicles Nichols' rise from obscurity, annotates the many future bandleaders who would play with Nichols' "Five Pennies," and details his self-destructive streak and (seeming) inability to conform to changing musical tastes. Weaving in and out of the main story is a sentimental subplot concerning Nichols' physically impaired daughter Dorothy, played by Susan Gordon as a child and by Tuesday Weld (in her movie debut) as a young woman. Nichols's long-suffering wife is portrayed by Barbara Bel Geddes. The storyline occasionally lapses into sappiness and the ending is almost impossibly lachrymose, but the musical highlights save the day. Especially memorable is Danny Kaye's duet with Louis Armstrong. Among the real-life musicians who grace the supporting cast of The Five Pennies are Bob Crosby, Ray Anthony, Shelly Manne, and, as Jimmy Dorsey, Bobby Troup. ~ Hal Erickson, All Movie Guide

Travelling photographer Professor Jacoby (Sebastian Cabot) is treated like a celebrity during his visit to Dodge City, with the locals showing up in droves to have their pictures taken. What Marshal Matt Dillon (James Arness) doesn't realize (at least not at first) is that Jacoby is a ruthless self-promoter, determined to make himself nationally famous with his "wild west" pictures--even if it means provoking a gunfight in which an innocent man is killed. But the Professor gets his just desserts at the hands of some Indians who take violent offense at his photographic intrusions. This episode is based on the Gunsmoke radio broadcast of May 6, 1956. ~ Hal Erickson, All Movie Guide