Ned Glass Movies

In this gentle comedy drama, a singer and her aimless beau fight to save the home of a group of elderly people. ~ Sandra Brennan, Rovi

In this film, the whereabouts of a runaway teenage girl are sought by a Las Vegas detective (Robert Urich), whose investigation uncovers more than he bargained for. ~ Iotis Erlewine, Rovi

Crossfire stars James Franciscus as police officer Rossi, who is thrown off the force for possession of narcotics. Disgraced in the eyes of everyone, including his own partner, Rossi descends into a life of crime. But--and this will come as a shock to anyone who's never seen a Humphrey Bogart picture--the drug bust was fabricated to allow Rossi to function as an undercover operative. His job: Locate and arrest the syndicate Big Boy. Adding fuel to the fire is the fact that Rossi's late brother was a mob functionary. Crossfire was yet another TV pilot film for yet another unsold James Franciscus weekly. ~ Hal Erickson, Rovi

Filmed in the late 1960s, The All-American Boy was finally afforded a release in 1973, after its star Jon Voight had risen to worldwide prominence. Voight plays a young boxer who never has, and never will, achieve fame in the ring. Rather than find a new role in life, he prefers to hang around his old buddies, all losers like himself. Two hours too long, The All-American Boy carries "Age of Aquarius" disenfranchisement to the Nth degree. The film's main appeal lies in its cast: Jon Voight, Anne Archer, Rosalind Cash, Jeanne Cooper, Leigh French, Art Metrano and Jaye P. Morgan. ~ Hal Erickson, Rovi

Diana Ross plays the magnificent, tragic song stylist Billie Holiday, who while writhing in a strait jacket in a prison cell, awaiting sentencing on drug charges, reflects on her turbulent life. Raped in her youth by a drunk (Adolph Caesar), then compelled to work as a domestic in a Harlem whorehouse, Holliday is encouraged to try for a singing career by the bordello's pianist (Richard Pryor). She rises as high as it is possible to go in the white-dominated show business world of the 1930s, but can't handle the pressure and turns to narcotics. The film takes several liberties with the 44-year existence of "Lady Day." Among the Billie Holiday standards performed by Ross are "My Man," "I Cried for You," "Lover Man," "Them There Eyes," and the title song. ~ Hal Erickson, Rovi

Banyon is an A-number-one detective yarn set (very accurately) in the 1930s. Robert Forster, emulating John Garfield in virtually every scene, plays private eye Miles C. Banyon. Right now he's in dutch because a beautiful young woman has been found murdered--and Banyon's gun was the murder weapon. This state of affairs plunges the detective into a maelstrom of deceit and double-cross involving (among many elements) a Winchell-style radio commentator (Jose Ferrer), a paroled big-time gangster, a scar-faced assassin, and a Nazi Bund camp. Once he solves the main mystery, Banyon is faced with the unhappy Maltese Falcon task of exposing a close friend as a murderer. First telecast March 15, 1971, Banyon spawned a brief TV series one year later, with Robert Forster still in the lead. ~ Hal Erickson, Rovi

Joe Don Baker stars as Mongo Nash, a professional gunman and the brother of mob boss Mike Nash (Charles Cioffi). At the behest of his brother, Mongo packs up his heat and prepares to bump off a rival gangster. Meanwhile, relentless police lieutenant Pete Tolstad (Telly Savalas) dogs Mongo's trail, determined to bring to justice all the crooks involved in the plot line. Partly filmed along the waterfront of San Pedro, CA, this made-for-TV thriller was based on a novel by E. Richard Johnson, who was then doing time on a robbery-murder charge at Minnesota State Prison. Mongo's Back in Town made its first CBS network appearance on December 10, 1971. ~ Hal Erickson, Rovi

Nostalgia is selling angle of this made-for-TV suspenser. Someone is going around breaking into movie vaults and setting precious tins of rare film ablaze. An insurance investigator and a detective investigate this seemingly pointless crime. As it turns out, the "movie murderer" is an extortionist who was inadvertently filmed while committing a crime, thus he's anxiously burning every possible shred of evidence. It happens that the criminal is also an old-movie buff, which permits Universal Studios, producers of The Movie Murderer, to show off film clips from its MCA backlog--including snippets of W.C. Fields from International House, Gary Cooper from The Virginian, and Warner Oland from The Mysterious Dr. Fu Manchu. ~ Hal Erickson, Rovi

Former cop turned assistant DA Mel Grayson (Simon Oakland) uses his experitise in the realm of "circumstantial evidence" to sinister advantage. Murdering his wife, Grayson arranges the evidence to make it seem as though the woman has been killed by a burglar. By the time Ironside (Raymond Burr) figures out that something is amiss, a new wrinkle has been added: the fabricated "murder clues" could very well put the noose around the neck of Grayson's own nephew Paul Deke (Dennis Cooley) ~ Hal Erickson, Rovi

Jack Albany (Dick Van Dyke) is an actor in a television series who is mistaken for a real-life murderer Ace Williams (Jack Elam). Comedy ensues when gangster Leo Smooth (Edward G. Robinson) goes after Jack. Robinson reprises the role of the gangster tough guy he made famous in the 1930s. He leads a comical crew of criminals which include Ned Glass, Mickey Shaughnessy, Slim Pickens, Henry Silva and Tony Bill. Sally (Dorothy Provine) is the love interest who comes to the aid of the unhappy Jack. Jerry Paris, who starred as Van Dyke's neighbor in his highly successful television show of the 1960s, directs this Walt Disney-produced comedy. Disney had given the nod to the script and the production blueprints shortly before his death in 1966. ~ Dan Pavlides, Rovi

Blackbeard's Ghost was one of the first Disney productions released after Walt's death. Peter Ustinov stars as the eponymous wraith, who returns to Earth to come to aid of his descendant, elderly Elsa Lanchester. The villains want to kick Lanchester and her friends out of their group home so that they can build a crooked casino. Good guy Dean Jones evokes the spirit of Blackbeard to thwart the bad guys. The supporting cast ranges from Richard Deacon to Gil Lamb, while Peter Ellenshaw performs the visual effects with mattes, miniatures, and process screens. ~ Hal Erickson, Rovi

The British title of Billy Wilder's classic comedy was Meet Whiplash Willie -- for, despite Jack Lemmon's star billing, the movie's driving force is Oscar-winning Walter Matthau as gloriously underhanded lawyer "Whiplash" Willie Gingrich. CBS cameraman Harry Hinkle (Lemmon) is injured when he is accidentally bulldozed by football player Luther "Boom Boom" Jackson (Ron Rich) during a Cleveland Browns game. Willie, Harry's brother-in-law, foresees an insurance-settlement bonanza, and he convinces Harry to pretend to be incapacitated by the accident. To insure his client's cooperation, Willie arranges for Harry's covetous ex-wife Sandy (Judi West) to feign a rekindling of their romance. Harry's conscience is plagued by the solicitous behavior of Boom Boom, who is so devastated at causing Harry's injury that he insists on waiting on the "cripple" hand and foot. Meanwhile, dishevelled private eye Purkey (Cliff Osmond) keeps Harry under constant surveillance, hoping to catch him moving around so the insurance company can avoid shelling out a fortune. Wilder and usual co-writer I.A.L. Diamond were at their most jaundiced and cynical here, even if, after a sardonic semiclimax, the last ten minutes succumb to the sentimentality that often marred Wilder's later movies. ~ Hal Erickson, Rovi

When Samantha expresses the wish that Darrin would forget about business and relax once in a while, Endora decides to help out by placing a bowl of magic popcorn in the Stephenses' house. The popcorn has the curious power to induce laziness in anyone who eats it. On cue, Darrin ingests the popcorn just before he is to embark upon an extremely important ad account. Watch for character comedian Paul Dooley as a TV repairman. Written by David V. Robison and John L. Greene, "Oedipus Hex" first aired on November 24, 1966. ~ Hal Erickson, Rovi