Kathryn Givney Movies

For a school assignment, Cissy (Kathy Garver) decides to write a paper about Mr. French (Sebastian Cabot). Dogging the man's trail one Thursday afternoon, Cissy discovers a shocking secret about Mr. French: each week at the same time, he has a mysterious rendezvous with an English matron named Mrs. Allenby (Kathryn Givney). Upon learning the wistfully poignant reasons for French's covert behavior, Cissy lets slip that she knows all about his Thursday meetings--with near-disastrous results. ~ Hal Erickson, All Movie Guide

When people refer to Doris Day as "the world's oldest professional virgin," they generally have the 1962 comedy That Touch of Mink in mind. It isn't that Cathy Timberlake (Day) is above a bit of hanky-panky; it's just that she wants such tangibles as a marriage license and wedding ring first. Thus, when playboy businessman Philip Shayne (Cary Grant) begins actively pursuing Cathy (they "met cute" when Philip's limo splashed mud on the hapless Cathy), she won't say "I will" until he says "I do." She is of the idealistic opinion that she can bring out the best intentions in him, even when he repeatedly tips off his worst intentions by inviting her to accompany him to Philadelphia, Baltimore, and Bermuda. After not a few complications and misunderstands, Cathy finally finagles a proposal out of Philip. The film is essentially much ado about nothing, but it is so well-acted and attractively photographed that the audiences are willing to go along for the ride. The high-powered supporting cast includes Gig Young as Roger, Philip's moralistic financial advisor; Audrey Meadows as Connie, Cathy's wise-cracking roommate; Alan Hewitt as Dr. Gruber, a confused psychiatrist; John Astin as Beasley, Cathy's slimy would-be beau; Dick Sargent as a neurotic honeymooner; and an unbilled Richard Deacon as an all-around letch. Best scene: the baseball-dugout rhubarb involving New York Yankees Mickey Mantle, Roger Maris, and Yogi Berra. ~ Hal Erickson, All Movie Guide

There's a rumor that the MGM executive who thought that Glenn Ford could fill Rudolph Valentino's shoes in the 1962 remake of Valentino's Four Horsemen of the Apocalypse would have been arrested had it been sufficiently proven that he was competent to stand trial. The World War I setting of the original Blasco-Ibanez novel has been updated to World War II, but the basic plot remains the same. A well-to-do Argentinian family, rent asunder by the death of patriarch Lee J. Cobb, scatters to different European countries in the late 1930s. Before expiring, Cobb had warned his nephew Carl Boehm that the latter's allegiance to the Nazis would bring down the wrath of the titular Four Horsemen: War, Conquest, Famine and Death. Ford, Cobb's grandson, has promised to honor his grandfather's memory by thwarting the plans of Boehm. At the cost of his own life, Ford leads allied bombers to Boehm's Normandy headquarters. As unsuited as Glenn Ford was for his role, co-star Ingrid Thulin was even worse: her Swedish accent proved so impenetrable that MGM was obliged to have Angela Lansbury dub Ms. Thulin's voice. A major misfire for director Vincente Minnelli, The Four Horseman of the Apocalypse was an expensive flop, forcing MGM to hope and pray that their upcoming epic How the West Was Won would save the studio's hindquarters (it did). ~ Hal Erickson, All Movie Guide

A valuable Matisse is stolen from an art museum and replaced by a forgery. Museum curator June Sinclair (Mala Powers) and her boyfriend David Lambert (Joe Maross) are suspected of the crime--and then charged with the murder of the actual thief, David's wife Lisa (Carmen Philips). Thus it is that Perry Mason (Raymond Burr) has two clients to save from the gas chamber. The huge supporting cast includes veteran radio actresses Isabel Randolph and Elvia Allman, and former B-western hero Jack Perrin. ~ Hal Erickson, All Movie Guide

Wealthy widow Matilda Benson (Kathryn Givney) rules over her children like a dowager empress, threatening to cut them out of her will for the slightest infraction. Even so, the children can't help but get involved with crooked gambler Danny Barker (Robert Strauss), who ends up murdered after threatening to bring scandal upon the Benson family. It is Sylvia Benson (Patricia Cutts) whom the police arrest for the crime, and it is Perry Mason (Raymond Burr) who rushes to Sylvia's defense. This episode is based on a 1937 novel by Perry Mason creator Erle Stanley Gardner, which was previously adapted as the 1940 theatrical film Granny Get Your Gun--with Perry Mason written out of the story! ~ Hal Erickson, All Movie Guide

Based on a novel by Francoise Sagan, A Certain Smile was a vehicle for Darryl F. Zanuck's latest protegee, Christine Carere. Parisian student Carere spats with her boyfriend Bradford Dillman, then impulsively agrees to accompany Dillman's worldly uncle Rossano Brazzi to the Riviera. At first thrilled at the prospect of an affair with the dashing Brazzi, Carere is disillusioned to discover that she is the latest in a long line of "diversions" for the old charmer. After a heart-to-heart with Brazzi's patient wife (Joan Fontaine), Christine returns to her boyfriend. The title song for A Certain Smile became a hit for Johnny Mathis, who sings the tune over the film's opening credits. ~ Hal Erickson, All Movie Guide

George Nader stars as David Carr, a construction engineer operating in the Belgian Congo. In true jingoistic fashion, Carr wants to introduce the local natives to civilzation by re-zoning the Congotanga Falls region. Because this region is currently exempt from extradition, a small colony of fugitive criminals has sprung up. Among these worthies is suspected murderess Louise Whitman (Virginia Mayo), who like her fellow exiles would prefer that Carr not bring the region under the control of the Congolese government. One of these exiles is so anxious to get rid of Carr that he hires Chicago gunman Bart O'Connell (Michael Pate) to do the job. The supporting cast of Congo Crossing is a feast for film buffs, ranging from Peter Lorre as a cynical police inspector to Rex Ingram as a dedicated doctor. ~ Hal Erickson, All Movie Guide

This laid-back western manages to deliver a full quota of action, an agreeable dash of sentiment, and quite a few three-dimensional characterizations. Van Heflin plays Luke Fargo, a Civil War veteran who returns to his Southern homeland to find his house destroyed, his crops burned out, and the local town under the thumb of "white trash" Vancey Huggins (Raymond Burr). In addition, Fargo is on the outs with the townsfolk because he fought for the Union instead of the Confederacy. Having grown weary of death and killing, Fargo hopes to start life anew as a minister, and to that end intends to rebuild the town's only church. Complicating matters is the presence of unkempt, hoydenish teenager Lissy (Joanne Woodward, in her film debut). Though Fargo's feelings for Lissy are basically paternal, the townsfolk, stirred up by Huggins, suspect the worst and prepare to drive the novice minister out of town. A happy--or at least satisfying--ending is reached through a series of logical events not often seen in "formula" westerns. ~ Hal Erickson, All Movie Guide

To say that Lady Godiva is historically inaccurate is a moot point, since most historians agree that the whole Lady Godiva story never happened. At any rate, Maureen O'Hara stars in the title role, as the rebellious Saxon wife of a Norman nobleman. To show her fidelity to her people, and to protest Norman taxation, Lady Godiva rides naked through the streets of Coventry. All the elements of the original middle-ages legend are in attendance, including the blinding of "Peeping Tom" (about the only effective moment in the whole film). Whatever audience titillation there might have been in the dreary climactic ride was dissipated by tons of studio publicity which insisted that Maureen O'Hara wasn't really naked under her long red tresses. Lady Godiva is interesting only for its supporting cast, including such veterans as Victor McLaglen and a few newcomers like Clint Eastwood. ~ Hal Erickson, All Movie Guide

Adapted by playwright John Patrick from a novel by famed globetrotter/filmmaker John H. Secondari, Three Coins in the Fountain offers the splendors of Rome in Technicolor, CinemaScope and Stereophonic Sounds. For all its lovely picture-postcard images, the film is at base a reworking of 20th Century-Fox' favorite plotline: three pretty girls on the prowl for husbands. The three lovelies, who toss their coins in the Trevi fountain and wish for romance, include Dorothy McGuire, Jean Peters and Maggie McNamara. Before the film is over, secretary McGuire has wooed her boss, Clifton Webb, Peters has won the heart of a co-worker Italian translator Rossano Brazzi (despite being fired, in the process, for having an office romance); and McNamara finds happiness with prince Louis Jourdan. Three Coins in the Fountain won two Academy Awards: "Best Color Cinematography" (Milton Krasner), and "Best Song" (written by Sammy Cahn and Jimmy Van Heusen, and sung in the pre-credits sequence by an uncredited Frank Sinatra). The film was remade in 1965 as The Pleasure Seekers, and also served as the basis for a never-sold TV pilot starring Yvonne Craig, Cynthia Pepper and Joanna Moore. ~ Hal Erickson, All Movie Guide

Despite the lighthearted promotional campaign mounted by 20th Century-Fox when the film was first released, The Kid from Left Field is not a comedy. The title character is young Christy Mathewson Cooper (Billy Chapin), the son of former big-league ballplayer Larry Cooper (Dan Dailey), who is now reduced to hawking peanuts at the ballpark. Securing a job as a batboy with a team called the Bisons, Christy amazes the players and management by giving them tips on how to win games. What no one knows is that Christy is passing along information provided by his father. Impressed by Christy's apparent expertise, third baseman Pete Haines (Lloyd Bridges) tells team secretary Marion Foley (Anne Bancroft) about the boy. She, in turn, tells Bisons owner Whacker (Ray Collins), a "Bill Veeck" type ever on the alert for a new publicity gimmick. Whacker promptly appoints the pint-sized Christy as manager of the team, replacing the ill-tempered Billy Lorant (a truly venomous performance by Richard Egan). Larry is about to spill the beans concerning Christy's baseball knowledgeability, but he decides not to, considering himself a burnt-out has-been. And that's all that can be revealed without giving away the ending. Its whimsical premise notwithstanding, Kid from Left Field is treated as a straight drama, with several near-noir long shots of the shadow-drenched ballpark. The film was remade for television in 1978 as a vehicle for Gary Coleman. ~ Hal Erickson, All Movie Guide

Previously filmed in 1931 under its original title, Theodore Dreiser's bulky but brilliant novel An American Tragedy was remade in 1951 by George Stevens as A Place in the Sun. Montgomery Clift stars as George Eastman, a handsome and charming but basically aimless young man who goes to work in a factory run by a distant, wealthy relative. Feeling lonely one evening, he has a brief rendezvous with assembly-line worker Alice Tripp (Shelley Winters), but he forgets all about her when he falls for dazzling socialite Angela Vickers (Elizabeth Taylor). Alice can't forget about him, though: she is pregnant with his child. Just when George's personal and professional futures seem assured, Alice demands that he marry her or she'll expose him to his society friends. This predicament sets in motion a chain of events that will ultimately include George's arrest and numerous other tragedies, including a vicious cross-examination by a D.A. played by future Perry Mason Raymond Burr. A huge improvement over the 1931 An American Tragedy, directed by Josef von Sternberg, A Place in the Sun softens some of the rough edges of Dreiser's naturalism, most notably in the passages pertaining to George's and Angela's romance. Even those 1951 bobbysoxers who wouldn't have been caught dead poring through the Dreiser original were mesmerized by the loving, near-erotic full facial closeups of Clift and Taylor as they pledge eternal devotion. A Place in the Sun won six Oscars, including Best Director, Best Adapted Screenplay, and Best Cinematography, although it lost Best Picture to An American in Paris. ~ Hal Erickson, All Movie Guide