Aldo Giuffré Movies

Playwright Eduardo de Fillipo not only adapted his theatrical piece Filumena Marturano to the screen, but also starred in it and directed as well. de Fillipo's sister Titina plays the title character, a Neapolitan mother who is determined to "legitimize" her three out-of-wedlock children. She targets her ex-lover Domenico Soriano (de Fillipo), a disillusioned rouge, as her future husband. The latter prefers much younger bedmates, but Filumena isn't about to give up without a fight -- albeit a gentle and loving one. Like many of Eduardo de Fillipo's films, Filumena Marturano took some time before achieving an American release. ~ Hal Erickson, All Movie Guide

In this military comedy, Maj. Richardson (David Niven) and Lt. Burke (Michael Wilding) are two British soldiers on a recognizance mission over Ethiopia in 1941 when their plane crashes in the desert. Capt. Blasi (Alberto Sordi), an Italian officer, finds the Englishmen and offers to help them: he'll let them go if they allow him and his men to take over an old fort nearby and stay there without being bothered. Richardson and Burke agree, and they return to their base of operations, only to discover that they've been ordered to attack the fort and capture Blasi and his men. Richardson considers himself a man of his word and doesn't care for this duty; in time, the two men become friends and exchange banter as they take turns capturing one another. Remarkably enough, Italian actor Alberto Sordi didn't speak English when he made this film, and he learned all his dialogue phonetically. ~ Mark Deming, All Movie Guide

Each of the episodes in the three-part Yesterday, Today and Tomorrow (Ieri, Oggi E Domani) stars Sophia Loren and Marcello Mastroianni. In "Adelina-Naples," Loren and Mastroianni are married, and Loren is in trouble with the law. Each time the authorities close in, Loren eludes capture by revealing a swollen belly; back in 1964, Italian law forbade the arrest of a pregnant woman until six months after the child's birth. In "Anna," Loren is married to a wealthy industrialist and has an affair with Mastroianni. So obsessed is she with material possessions that she's willing to walk out on Mastroianni when he smashes her sports car. And in "Mara," high-priced prostitute Loren attracts the attention of a young seminary student, but refuses to seduce him -- then takes a vow of chastity, aggravating her regular customer (Mastroianni). While the first episode is the funniest, it was the last episode which received the most press-coverage, thanks to Loren's "striptease" scene, revealing La Loren in skimpy bra and panties (a bit parodied by the stars in Robert Altman's otherwise-dreadful Prêt-à-Porter). Though the title Yesterday, Today and Tomorrow has absolutely no relation to the film at hand, it is a far more appealing cognomen than the film's British release title, She Got What She Asked For. ~ Hal Erickson, All Movie Guide

Infidelity is the real subject linking the four funny vignettes that comprise this Italian anthology. "The First Night" centers on a naive pair of Sicilian newlyweds honeymooning in Naples. While celebrating their wedding night a friendly millionaire invites them aboard his yacht for a few drinks. There the tycoon offers the groom a fortune in exchange for having sex with his bride. Too drunk to think straight, the groom agrees to the bargain. The next night, he goes to cash the millionaire's check and finds it is no good forcing him to make a difficult decision. In the second story, "One Moment is Enough" an insanely jealous husband's attempts to keep his wife faithful fail miserably. The third story "The Last Card" centers on an unemployed football player who becomes a male prostitute to help support his impoverished family. Unfortunately, he is not quite up to the job. Finally in "Saturday, July 18," a wife spends a month vacationing in Capri. Her husband eventually shows up and begins boasting about how trustworthy she is. Unfortunately for him, she is anything but. ~ Sandra Brennan, All Movie Guide

Made in Italy is a multistoried film, set...in Italy, of course. An all-star cast appears in brief seriocomic vignettes about rich and poor, tourist and native. Director Nanni Loy exhibits the realistic and somewhat earthy technique he'd used on his earlier documentaries, with heavy emphasis on ironic punch lines. Filmed in 1965 by a Franco/Italian production team, Made in Italy received the best possible exposure upon its 1967 American release when clips were showcased on Johnny Carson's Tonight Show. Best bit: The "give to the poor" poster in an impoverished Italian mountain village. ~ Hal Erickson, All Movie Guide

This situation sex comedy falls somewhere in between vulgarity and burlesque. Ulli (Giuliano Gemma) and his six cave-dwelling cronies try to learn all the conveniences of their era -- like building fires, using the wheel, and perfecting the use of tools and weapons. A fire engulfs their tiny island and the men are forced to take a raft to the unknown mainland. There Ulli meets Filli (Senta Berger), and he spends his time trying to make her his monogamous girlfriend by discouraging others who desire her for their own. Ennio Morricone provides the music to this feature, which was a surprising box-office hit in Italy. ~ Dan Pavlides, All Movie Guide

A group attempts to embezzle and hide a fortune of 2,000,000 pounds while outwitting the British Intelligence during World War II in this action movie. ~ All Movie Guide

The Neapolitan Mafia is one of the players in this comedy thriller about how one man in particular manages to scrape up some cash in Naples at the expense of organized crime. Salvatore (Giancarlo Giannini) sets up shop in a local hospital each day to help patients and visitors find their way around. On one of his normal days, a woman named Lucella Picone (Lina Sastri) asks him to find out if her husband is in the hospital morgue -- he burnt himself to death in court to protest the abominable working conditions at his factory. Suspecting that there is something strange in this request, Salvatore cribs Picone's journal and soon deciphers the ciphers -- she is actually an "insurance" collector for the mob. Deciding to take a little advantage of his good fortune, Salvatore starts making the rounds for Picone, letting everyone know that "Picone sent me." Even he knows his good fortune cannot last forever and it does not take long for Picone to catch on to his scheme -- but how can she retrieve her journal and stop him? ~ Eleanor Mannikka, All Movie Guide