Ivry Gitlis Movies

In writer/director/composer/cinematographer Siegfried's handheld whirlwind of a movie Sansa, the title character is an ethnically ambiguous street hustler played by Roschdy Zem. Sansa travels the globe, hawking and bartering on the street, selling tourists sketches of themselves and consistently running afoul of police, airport security, and military personnel, all the while keeping a sharp eye out for beautiful women. When Sansa sees an attractive woman, he has a tendency to follow her wherever he goes, and as he travels from country to country, covering France, Spain, Italy, Hungary, Russia, India, Japan, Egypt, Portugal, and Ghana, this pattern pretty much stays the same. At some point during a particularly heated pursuit, he inadvertently steps onto the stage where a ballet is being rehearsed. The elderly orchestra conductor, an internationally renowned musician named Click (Israeli violinist Ivry Gitlis), chides him for interrupting the rehearsal, but later invites him to a café. The two strike up an unlikely friendship, based in part on their shared admiration for beautiful young women. Thereafter, Sansa seems to run into Click wherever he goes. In Italy, Sansa chats up Valentina (Valentina Cervi) until her boyfriend shows up and chases him off. In Spain, he interrupts a woman's (Emma Suarez) boardroom business presentation to sweet-talk her. In Japan, he meets an old friend, June (Ayako Fujitani), who laments his inevitable departure. In Russia, he gets caught in a crossfire between soldiers and Chechen rebels. Sansa was shown by the Film Society of Lincoln Center as part of its 2004 Rendez-Vous With French Cinema series. ~ Josh Ralske, All Movie Guide

In this off-beat French comedy-drama, a quirky band of classical musicians prepare to play at a nobleman's New Year's Eve gala. It was bass player Roberto (Pierre Lacan) who initially scored the gig. He then calls together his four long-time partners and a local clarinet player. They were hired to play chamber music and Viennese waltzes and to be directed by Roberto's former mentor, the famous conductor Svarowvski (Henri Garcin). The maestro will have his work cut out for him though, for the four players, while each fine musicians on their own, are of totally different temperaments and don't always work well together. Their flautist Therese (Marie-Christine Laurent) will be performing the night before she is scheduled to have her baby; cellist Lionel (Marc Citti) is a kleptomaniac; volatile and hypersensitive viola player Martial (Serge Renko) constantly raves about one issue or another; while 20-year-old violinist Diane (Clementine Benoit) suffers from an inferiority complex. Their clarinetist (Wilfred Benaiche) is devoted to his mother and brings with him a secret. Their aristocratic host (Philippe Clay) can't hear conversation, but still possesses an uncanny musical ear. Plucky Arab woman Fatiah (Sonia Mankai) attends him. Their ordeal begins on December 26 when the musicians gather at the nobleman's chateau to begin a long week of rehearsals. Les Cachetonneurs played at the 1998 Chicago Film Festival. ~ Sandra Brennan, All Movie Guide

A video performance of Vivaldi's Four Seasons by the Israel Philharmonic Orchestra. The movements are performed by different violin soloists: Stern, Zukerman, Mintz, Perlman. Mehta directs. ~ All Movie Guide

Based on the real-life diaries of Adèle Hugo, The Story of Adele H. is a psychological drama opening in Halifax, Nova Scotia, in the 1860s. The daughter of famous French writer Victor Hugo, Adèle (Isabelle Adjani) has left her father's home to seek out her fiancé, the English soldier Lt. Albert Pinson (Bruce Robinson). She conceals her identity and rents a room in a boarding house from Mrs. Saunders (Sylvia Marriott). Pinson wants nothing to do with her, but she still obsessively follows him and spies on his affairs. Spending her time writing madly in journals and letters, she eventually meets the bookseller (Joseph Blatchley), who develops an interest in her. Her madness grows when Mrs. Saunders discovers her true identity, and even more so when the bookseller gives her a copy of her father's latest work, Les Miserables. When Pinson is transferred to Barbados, Adèle follows him again and sinks into insanity, living on the street. With the help of a local woman, Madame Baa (Madame Louise), Adèle returns home to her father and spends the rest of her days writing in her diary in Paris. ~ Andrea LeVasseur, All Movie Guide

Fans of late '60s rock and roll will find this documentary to be a rare and precious jewel, as it contains shining performances from such giants as The Rolling Stones, Eric Clapton, John Lennon and Yoko Ono, and The Who. Originally planned as a television special in 1968, it was shelved shortly after filming because the manager of the Stones, who were acting producers of the show, felt that another of the acts, The Who, upstaged them. The show is set up as a circus with the musicians appearing in elaborate psychedelic costumes. Other performers include Taj Mahal, Marianne Faithfull, and the only recently formed Jethro Tull. Also included is a one-of-a-kind performance by The Dirty Mac, a one-night-stand band comprised of Eric Clapton, John Lennon, Mitch Mitchell, and Keith Richards. ~ Sandra Brennan, All Movie Guide